| Finding Neverland | |
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Theatrical release poster
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| Directed by | Marc Forster |
| Screenplay by | David Magee |
| Based on | The Man Who Was Peter Pan byAllan Knee |
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| Starring |
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| Cinematography | Roberto Schaefer |
| Edited by | Matt Chesse |
| Music by | Jan A. P. Kaczmarek |
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Release dates |
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Running time | 101 minutes |
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| Language | English |
| Budget | $25 million |
| Box office | $116.8 million[2] |
Finding Neverland is a 2004 biographical film directed by Marc Forster and written by David Magee, based on the 1998 play The Man Who Was Peter PanbyAllan Knee. The film earned seven nominations at the 77th Academy Awards, including Best Picture, Best Adapted Screenplay, and Best Actor for Johnny Depp, and won for Best Original Score. The film was the inspiration for the stage musical of the same name in 2012.
The film is about playwright J. M. Barrie and his relationship with a family who inspired him to create Peter Pan.
In 1903, following the dismal reception of his latest play, Little Mary, Sir James Matthew Barrie meets the widowed Sylvia and her four young sons (George, Jack, Peter and Michael) in Kensington Gardens. A strong friendship develops among them. Barrie proves to be a great playmate and surrogate father figure for the boys, and their imaginative antics give him ideas that he incorporates into a play about boys who do not want to grow up, in particular one named after troubled young Peter Llewelyn Davies. Although Barrie sees this family as wonderful and inspirational, others question his relationship with the Llewelyn Davies family. Barrie's wife Mary divorces and Sylvia's mother Emma du Maurier objects to the time that he spends with the Llewelyn Davies family. Emma also seeks to control her daughter and grandsons, especially as Sylvia weakens from an unidentified illness.
Producer Charles Frohman agrees to mount Peter Pan, despite his belief that it holds no appeal for upper class theatergoers. Barrie peppers the opening night audience with children from a nearby orphanage, and the adults react to their delight with an appreciation of their own. The play proves to be a huge success. Barrie is all set for his play, but when Peter arrives alone to the play, he goes to Sylvia's house to check up on her, and misses the show. Peter attends the play and realizes it is really about his brothers and Barrie.
Barrie arranges to have an abridged production of it performed in the Llewelyn Davies house. At the end of the play, Peter Pan points to the back doors and implies that Sylvia should go off to Neverland. She takes the hands of her boys and slowly walks out.
The following scene takes place at Sylvia's funeral. Barrie discovers that her will says that he and her mother should look after the boys, an arrangement agreeable to both parties. The film ends with J. M. Barrie comforting Peter on the bench in the park where they had first met.
Finding Neverland was originally scheduled to be released in autumn 2003. Universal Pictures, which owned the film rights to Barrie's original play and was adapting it for cinema release the same year, refused to allow Miramax to use scenes from the play in Finding Neverland if it were released the same year. Miramax agreed to delay the release, in exchange for the rights to reproduce in the film scenes from the stage production.[3] Finding Neverland opened in 2004, 100 years after Barrie's play opened.
Richmond TheatreinRichmond upon Thames doubled as the Duke of York's Theatre, the venue in which Peter Pan was first presented. Exterior scenes were filmed in Hyde Park, Brompton Cemetery and Kensington Gardens. According to commentary on the DVD release, the structure used as Barrie's summer cottage was located near Kent. Interiors were filmed in the Pinewood StudiosinBuckinghamshire, and the Shepperton StudiosinSurrey.
Filming occurred in various places in the U.K. Production shot a short fantasy sequence at the Laredo Wild West Town in Kent. The town is featured in multiple fantasy-playing sessions set in the Wild West, when Barrie (Johnny Depp) plays with the Llewellyn Davies boys.[4]
Dustin Hoffman had previously appeared in the title role of Hook (1991), the Peter Pan sequel film by Steven Spielberg. The screenplay for Finding Neverland had originally included a scene in which his character, the play's sceptical producer, was to put on the Captain Hook costume and read some of his lines to point out how silly he found it. Hoffman objected to this, so the scene was rewritten for him to simply read aloud and ridicule character names from the play.
Eileen Essell, 82 years old at the time, made one of her first feature film appearances. She also followed Depp to a role in Charlie and the Chocolate Factory.
Freddie Highmore's performance in Finding Neverland led Depp to suggest him to Tim Burton for Charlie and the Chocolate Factory, in which he played Charlie Bucket and Depp played Willy Wonka.[5]
The film premiered at the Venice Film Festival. It was shown at the Telluride Film Festival, the Haifa Film Festival, the Athens Panorama European Film Festival, the Mill Valley Film Festival, the Chicago International Film Festival and the Leeds International Film Festival, before opening in the U.K. 29 October 2004.
It had a limited release in the United States 12 November 2004, and opened more widely 24 November 2004.[6]
The film was budgeted at $25 million. It grossed $51,676,606 in the U.S., and $63 million in other markets, for a total worldwide box-office tally of $115,036,108.[7]
On the review aggregation website Rotten Tomatoes, the film has an approval rating of 83%, based on 206 reviews, with an average rating of 7.47/10. The website's consensus states: "It won't pass muster for those looking for historical accuracy, but Finding Neverland is a warm, heartfelt drama with a charm all its own — and Johnny Depp gives a graceful performance as Peter Pan creator J.M. Barrie."[8] Metacritic assigned the film a weighted average score of 67 out of 100, based on 38 critics, indicating "generally favorable reviews".[9] Audiences polled by CinemaScore gave the film a grade of "A" on a scale of A+ to F.[10]
In her review in The Times, Wendy Ide called the film "charming but rather idiosyncratic", and added, "A mixture of domestic drama, tragedy and exuberant fantasy, the film blends moist-eyed nostalgia with the cruel disappointments of a marriage break-up; a childlike playfulness and unpredictability with a portrait of a treacherously unforgiving and rigid Edwardian society. It could appeal to everyone from preteens to pensioners, or it could appeal to no one at all. Ultimately this unconventionality is probably one of the film's main strengths. And if the tone veers a little haphazardly between fantasy and cold, hard reality, well, perhaps that is the most effective way of taking us into the mind of the film's mercurial protagonist."[11]
Manohla DargisofThe New York Times said it "is the kind of film where even the smallest crack has been sealed. Instead of real quirks, strange habits, moments of everyday gas, gurgle and grunting, movies like this give us sumptuous production design, meticulous costumes and stories meant to leave us dewy-eyed and thoughtful, if never actually disturbed... The problem isn't the liberties the filmmakers take with reality, but that this isn't an engaging bowdlerization... Johnny Depp neither soars nor crashes, but moseys forward with vague purpose and actorly restraint... [he] and Ms. Winslet are pleasant to watch, as are the actors who play the Davies boys, but they haven't been pushed to their limits."[12]
In the San Francisco Chronicle, Mick LaSalle observed that the film "ends so beautifully, so poignantly and so aptly that there's a big temptation to forget that most of what precedes the ending is tiresome drivel, that Johnny Depp's performance... is precious and uninsightful, and that almost all the movie's magic derives directly from scenes lifted from Barrie's play. Winslet's no-nonsense strength is especially appreciated... Another actress would have followed Depp into the quicksand of faux-poetic self-indulgence. But Winslet is direct, grounded and heartfelt in a recognizably human way. Dustin Hoffman, as Barrie's producer, also steers clear of Depp's rhythms, though he has trouble deciding whether the producer is British or American."[13]
Peter TraversofRolling Stone rated the film 3½ stars out of 4, and called it "glorious entertainment... magical, not mush". About Depp, he said, "It's too early to speculate on how [he] will grow as an actor. Based on Finding Neverland, it's not too early to call him a great one."[14]
In the St. Petersburg Times, Steve Persall gave the film a "B" grade, and commented, "A first viewing of Finding Neverland was tear-inducing and completely satisfying. Seeing it again was a mistake, less of my own than Forster's, who didn't make a movie that can sustain its magic beyond first impressions. Problems with David Magee's screenplay that initially could be shrugged off—occasionally slow pacing, melodramatic plot twists—became glaring. With familiarity, the fantasy simply wasn't as fanciful. It felt like growing up, and it was disappointing. On the other hand, many of the film's qualities are too strong to falter, starting with another fascinating man-child performance by Johnny Depp as Barrie."[15]
Carina Chocano of the Los Angeles Times described the film as "gently seductive, genuinely tender and often moving without being maudlin", and added, "Depp and Winslet share a rare combination of airiness, earthiness and sharp, wry intelligence."[16]
On 6 February 2011, La Jolla Playhouse, California, announced that it would produce a new stage musical based on the film, with the book by Allan Knee, score by Scott Frankel and Michael Korie, and directed and choreographed by Rob Ashford.[17] A planned production at La Jolla Playhouse was not held.[18] A developmental reading was held in New York 31 March 2011 with Julian Ovenden, Kelli O'Hara, Tony Roberts, Mary Beth Peil, Michael Cumpsty and Meredith Patterson, directed by Ashford.[19] The adaptation had its world premiere 22 September 2012 at CurveinLeicester. Directed by Rob Ashford, it stars Julian Ovenden as J. M. Barrie, and West End actress Rosalie Craig as Sylvia Llewelyn Davies.
On 14 August 2014, it was announced that the show would transfer to Broadway in March 2015.[20] The show played at the Lunt-Fontanne Theatre.[21] On 10 November 2014, it was announced that Tony, Emmy and Golden Globe-nominee Matthew Morrison would take Jordan's place in the portrayal of J. M. Barrie in the production's 2015 move to Broadway.[22] Kelsey Grammer starred as Charles Frohman, and Laura Michelle Kelly reprised her role of Sylvia Llewelyn Davies.[23]
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Films directed by Marc Forster
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