| Free State of Jones | |
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Theatrical release poster
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| Directed by | Gary Ross |
| Screenplay by | Gary Ross |
| Story by |
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| Produced by |
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| Starring |
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| Cinematography | Benoît Delhomme |
| Edited by |
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| Music by | Nicholas Britell |
Production |
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| Distributed by | STX Entertainment |
Release dates |
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Running time | 140 minutes[1] |
| Country | United States |
| Language | English |
| Budget | $50 million[2] |
| Box office | $25 million[2] |
Free State of Jones is a 2016 American historical war film inspired by the life of Southern Unionist Newton Knight, who led a successful armed revolt against the ConfederacyinJones County, Mississippi, throughout the American Civil War. Written and directed by Gary Ross, the film stars Matthew McConaughey, Gugu Mbatha-Raw, Mahershala Ali, and Keri Russell.
It was released in the United States by STXfilms on June 24, 2016. It received mixed reviews from critics and grossed $25 million against its $50 million production budget.[2]
The story is based on the history of Jones County, Mississippi, during the Civil War and the period immediately after it. The overall story follows the history of Jones County; some of the events portrayed are true.[3][4][5][6][7] The film is credited as being "based on the books The Free State of JonesbyVictoria E. Bynum and The State of JonesbySally Jenkins and John Stauffer."[4]
After surviving the Second Battle of Corinth and being told of the Twenty Negro Law that allows wealthy men to avoid being conscripted into military service, Newton Knight, a battlefield surgeon in the Confederate Army, deserts after his nephew Daniel is forced into military service, only to be mortally wounded and then denied medical care while the officers are tended to first. Upon returning home, Knight buries Daniel and reconnects with his wife, Serena. He befriends Rachel, an enslaved woman who has secretly learned to read, after she treats his infant son's illness.
Newton's disenchantment with the Confederacy grows after he learns that Confederate troops have been seizing crops, livestock, and draft animals from his neighbors, even though most are already struggling to feed their families. Newton threatens a Confederate officer, Barbour, at gunpoint; when Confederate militiamen are ordered to arrest him for treason, Newton is bitten by one of their attack dogs while trying to escape. Abolitionist-oriented Aunt Sally, a sympathetic community leader, has her servant George take him into the swamps, where he is put under the protection of runaway slave Moses Washington and his followers.
After the fall of Vicksburg, Confederate deserters flock into Jones County. Newton persuades his neighbors to provide him with weapons and organizes the deserters and slaves into a well-disciplined Southern Unionist militia. When they begin ambushing military convoys to take back their property, Barbour and his commanding officer, Col. Hood, order their farms to be torched. Serena is forced to flee with her son as Newton cannot protect them. Hood offers a full pardon to any Unionist who agrees to rejoin the Confederate Army, but when some of Newton's men ask to be pardoned, Hood goes back on his word and sentences them to be hanged.
The Unionists, appearing to accept defeat, persuade Hood to let them hold a funeral for the deceased under military guard. Suddenly, sharpshooters hidden under the church and in the coffins fire on the Confederates as the mourners take pistols from their coats and join in. The rebel soldiers are all killed, and Newton strangles Hood to death with his belt. Barbour escapes, but he and the remaining troops in the county are driven out by the Unionists, who declare the establishment of the "Free State of Jones". Swearing allegiance to the United States Federal Government, the Unionists manage to defend their territory against Confederate reinforcements for the remainder of the war.
Newton continues to fight racial inequality after the war. He helps free Moses' son from an "apprenticeship" to Rachel's former master. After Moses is lynched while registering freedmen to vote, Newton is seen participating in a march of voters to the polls while they sing "John Brown's Body". He eventually reconciles with Serena and has a son with Rachel. Since they are unable to legally marry, Newton arranges for Rachel to be deeded a parcel of his land to farm upon his death.
The film ends with Newton's great-grandson, Davis Knight, being arrested under Mississippi's anti-miscegenation laws in 1948. Since he has an eighth of black ancestry, the law considers him to be black, and he therefore is ordered to divorce his white wife, which he refuses to do. He is sentenced to five years in prison for refusing to leave the state, but his conviction is thrown out by the Mississippi Supreme Court in 1949, rather than risk the law being declared unconstitutional in light of the emerging civil rights movement.
The film was a passion project for Ross, who spent ten years developing it. He was initially drawn to make the movie out of a desire to examine the Reconstruction era south, an era that, according to him, is poorly represented in film, quoting Gone with the Wind and The Birth of a Nation as examples of "the last movies that did it".[13] In preparation, Ross did a "tremendous amount of research", studying not only the Civil War but also the historiography of the war, the latter because he wanted "to debunk a lot of the myths" surrounding the events.[13] Speaking to Slash Film about the research for the film, Ross remarked, "I don’t think I did anything but read for a couple of years".[13]
Ross finished writing the film prior to working on The Hunger Games, although he struggled to find much in way of financing: he felt that working on The Hunger Games would help him, and thus declined to work on the sequels. Afterwards he still had trouble getting the movie made, which he attributes to the fact that "we're in a different kind of a popcorn universe now".[13]
Matthew McConaughey's casting was announced in November 2014.[5] Other casting was announced in early 2015.[8][9] Angelo Piazza III, Marksville, La. and Jack's Powder Keg Company participated in the production with their cannon and black powder.[14]
Principal photography began on February 23, and was scheduled to end on May 28.[15] On March 9 Adam Fogelson, Chairman of STX Entertainment announced the start of the production in and around New Orleans, with the release of a first look photo.[16] In May 2015, shooting was scheduled for Clinton, with East Feliciana Parish as a filming set.[17] On May 25, 2015, some filming took place at Chicot State Park near Ville Platte, Louisiana.
The film was pushed back from its original release date of March 11, 2016, to May 13 and finally June 24, 2016.[18][19] The first trailer was released on January 9, 2016.[20]
Free State of Jones grossed $20.8 million in North America and $4.2 million in other territories for a worldwide total of $25 million, against a production budget of $50 million.[2]
The film was released in the United States and Canada on June 24, 2016, alongside Independence Day: Resurgence and The Shallows and was projected to gross around $10 million in its opening weekend from 2,815 theaters.[21] The film grossed $365,000 from its Thursday previews and $2.7 million on its first day.[22] In its opening weekend the film grossed $7.6 million, finishing 6th at the box office behind Finding Dory ($73 million), Independence Day: Resurgence ($41 million), Central Intelligence ($18.2 million), The Shallows ($16.8 million) and The Conjuring 2 ($7.7 million).[23]
OnRotten Tomatoes, a review aggregator, the film has an approval rating of 47% based on 194 reviews and an average rating of 5.5/10. The website's critical consensus reads, "Free State of Jones has the noblest of intentions, but they aren't enough to make up for its stilted treatment of a fascinating real-life story."[24]OnMetacritic, the film has a score of 53 out of 100 based on reviews from 38 critics, indicating "mixed or average reviews".[25] Audiences polled by CinemaScore gave the film an average grade of『A−』on an A+ to F scale.[26][27]
Film critic Ann HornadayofThe Washington Post said,『[Director] Ross has insisted that he didn't want 'Free State of Jones' to become another white savior movie, but that's precisely what it is, especially during scenes when the murderous injustice of slavery is refracted through Knight’s frustrated tears.』Hornaday said the film could have avoided the trope by focusing more on Knight's alliance with a former slave or his relationships with his wife and an enslaved house servant.[28] The Atlantic's Vann R. Newkirk II said, "To say that McConaughey's portrayal of Newton Knight is a white savior perhaps undersells the trope... A better film would have muddled the clean white-savior narrative with an actual exploration of what the racial politics of a mixed-race insurgency in the South might have been like."[29]
The New York Times selected it as a "critic's pick". Reviewer A. O. Scott called it "a neglected and fascinating chapter in American history" and said it used "the tools of Hollywood spectacle to restore a measure of clarity to our understanding of the war and its aftermath."[30] Scott also said, "...while Mr. Ross's story makes Newton unambiguously heroic, this is not yet another film about a white savior sacrificing himself on behalf of the darker-skinned oppressed. Nor for that matter is it the story of a white sinner redeemed by the superhuman selflessness of black people. Free State of Jones is a rarer thing: a film that tries to strike sparks of political insight from a well-worn genre template."[31]
The New Yorker film critic Richard Brody gave it a positive review, saying, "It's tempting to shunt Free State of Jones into the familiar genre of the white-savior tale, but Newton Knight appears as something else—not so much as a savior but as an avatar of a new South. By seeing his own interests clearly and considering the economic and social structure of his locale and his nation insightfully, he's able to transcend heritage and history and to forge a community, both during and after the war, that will be fair, inclusive, and—yes—post-racial."[32]
| Source: media notes[33] |
In interviews, Ross has insisted that he didn't want 'Free State of Jones' to become another white savior movie, but that's precisely what it is, especially during scenes when the murderous injustice of slavery is refracted through Knight's frustrated tears.
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Films directed by Gary Ross
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Films produced by Scott Stuber
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