| Further Conversations with Myself | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | December 1967[1] | |||
| Recorded | August 9, 1967 | |||
| Venue | Webster Hall, New York City | |||
| Genre | Jazz | |||
| Length | 35:03 | |||
| Label | Verve V6-8727 | |||
| Producer | Helen Keane | |||
| Bill Evans chronology | ||||
| ||||
Further Conversations with Myself is a 1967 album by jazz pianist Bill Evans. All the pieces are solo with piano overdubs, a method Evans used on his earlier release Conversations with Myself. This time, however, he employed only two piano tracks instead of three. The album was nominated for a Grammy.[2] It was reissued on CD by Verve in 1999.[3]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [4] |
| The Penguin Guide to Jazz Recordings |  [5] |
Writing for AllMusic, music critic Scott Yanow called the album "A thoughtful and (despite the overdubbing) spontaneous sounding set of melodic music."[4] Peter Pettinger notes that it "opens with the arresting beauty of that new title in the Evans book, Johnny Mandel's 'Emily,' a fresh bloom that was to become a great favorite. The same composer's Academy Award-winning 'The Shadow of Your Smile,' from the 1965 film The Sandpiper, received a probing performance, one of the most concentrated of Evans's career, developing with increasing insistence and relentless pace .... By contrast, a stark emotional directness was brought to Denny Zeitlin's fine tune 'Quiet Now,' another Evans mainstay-in-the-making."[6]
