Godbluff is the fifth album released by English progressive rock band Van der Graaf Generator. It was the first album after the band reformed in 1975 and was recorded after a European tour.[1]
As the first self-produced album by the band, it featured a tighter, more pared-down sound than the band's earlier recordings with producer John Anthony. Hammill said "we did not want to make 'Son of Pawn Hearts' with a big long side two and lots of studio experiments".[2] Van der Graaf Generator would never work with an outside producer from this point forward. Hammill made extensive use of the Hohner Clavinet D6 keyboard,[3] which he had first started using on his previous solo album, Nadir's Big Chance (1975).[citation needed]
Godbluff's album cover was minimal, consisting of a band logo and "stamped" red album title on an otherwise black sleeve. The band logo that first appeared here was designed by John Pasche;[4] it would also be used on the next two albums, Still Life (April 1976) and World Record (October 1976). Godbluff's sleeve design was later parodied on the cover of Fall Heads RollbyThe Fall.
InMelody Maker, the reviewer said that "in a very real sense, [Godbluff] is the sound of the mid-seventies: uncomfortable, coherent, unremitting, courageous".[7] Geoff Barton of Sounds deemed Godbluff "simply, an essential buy".[8] A negative review appeared in the Lancashire Evening Post in November 1975, in which Bob Papworth wrote that the album contained "the type of studiously avant-garde rock which so many other groups play infinitely better." Papworth added that "Guy Evans couldn't drum his way out of a paper bag and David Jackson's saxes and flutes are a little too simplistic to be credible."[9]
In a May 2002 review in Mojo magazine, Julian Cope praised the album.[2] A retrospective review in 2011 by AllMusic's Steve McDonald wrote: "Godbluff was a bravura comeback – only four cuts, but all were classics."[5]
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