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Gregory J. Markopoulos [1] (March 12, 1928 – November 12, 1992) was a Greek-American experimental filmmaker .
Biography [ edit ]
Born in Toledo, Ohio in 1928 to Greek immigrant parents, Markopoulos began making 8 mm films at an early age. He attended USC Film School in the late 1940s, and went on to become a co-founder — with Jonas Mekas , Shirley Clarke , Stan Brakhage and others — of the New American Cinema movement. He was as well a contributor to Film Culture magazine, and an instructor at the Art Institute of Chicago .
In 1967, he and his partner Robert Beavers left the United States for permanent residence in Europe. Once ensconced in self-imposed exile, Markopoulos withdrew his films from circulation, refused any interviews, and insisted that a chapter about him be removed from the second edition of Visionary Film , P. Adams Sitney 's seminal study of American avant-garde cinema. While he continued to make films, his work went largely unseen for almost 30 years.
Markopoulos dedicated his film (A )lter (A )ction to Rosa von Praunheim . Before von Praunheim became famous, he worked as an assistant-director for Markopoulos.
He died in 1992 in Freiburg im Breisgau .
Selected filmography [ edit ]
Du sang, de la volupté et de la mort (1947–48); 3 parts: Psyche , Lysis , Charmides
The Dead Ones (1949, unfinished)
Christmas, U.S.A. (1949); 13 min.[1]
Swain (1950)
Flowers of Asphalt (1951)
Serenity (1961)
Twice a Man (1963)
Galaxie (1966)
Ming Green (1966)
Bliss (1967)
Eros, O Basileus (1967)
Himself As Herself (1967)
The Illiac Passion (1964–67)
Through a Lens Brightly: Mark Turbyfill (1967)
The Divine Damnation (1968)
Gammelion (1968)
The Mysteries (1968)
Index - Hans Richter (1969)
The Olympian (1969)
Political Portraits (1969)
Sorrows (1969)
Alph (1970)
Genius (1970)
Hagiographia (1970, first version)
Moment (1970)
Cimabue! Cimabue! (1971)
Doldertal 7 (1971)
Saint Actaeon (1971)
35, Boulevard General Koenig (1971)
Hagiographia (1973, second version)
Heracles (1973)
Meta (1973)
Prosopographia (1976)
Eniaios (1948-c.1990, 22 film cycles)
Preservation [ edit ]
Markopoulos' film Galaxie was preserved by the Academy Film Archive in 2001.[2]
Bibliography [ edit ]
Selected articles:
References [ edit ]
External links [ edit ]
International
National
Artists
People
Other
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Gregory_Markopoulos&oldid=1230360001 "
C a t e g o r i e s :
● 1 9 2 8 b i r t h s
● 1 9 9 2 d e a t h s
● A m e r i c a n e x p e r i m e n t a l f i l m m a k e r s
● U S C S c h o o l o f C i n e m a t i c A r t s a l u m n i
● A m e r i c a n p e o p l e o f G r e e k d e s c e n t
● A m e r i c a n L G B T f i l m d i r e c t o r s
● L G B T p e o p l e f r o m O h i o
● 2 0 t h - c e n t u r y A m e r i c a n L G B T p e o p l e
● F i l m d i r e c t o r s f r o m O h i o
H i d d e n c a t e g o r i e s :
● A r t i c l e s w i t h s h o r t d e s c r i p t i o n
● S h o r t d e s c r i p t i o n i s d i f f e r e n t f r o m W i k i d a t a
● A r t i c l e s l a c k i n g i n - t e x t c i t a t i o n s f r o m D e c e m b e r 2 0 1 0
● A l l a r t i c l e s l a c k i n g i n - t e x t c i t a t i o n s
● W e b a r c h i v e t e m p l a t e w a y b a c k l i n k s
● A r t i c l e s w i t h F A S T i d e n t i f i e r s
● A r t i c l e s w i t h I S N I i d e n t i f i e r s
● A r t i c l e s w i t h V I A F i d e n t i f i e r s
● A r t i c l e s w i t h W o r l d C a t E n t i t i e s i d e n t i f i e r s
● A r t i c l e s w i t h B I B S Y S i d e n t i f i e r s
● A r t i c l e s w i t h B N F i d e n t i f i e r s
● A r t i c l e s w i t h B N F d a t a i d e n t i f i e r s
● A r t i c l e s w i t h G N D i d e n t i f i e r s
● A r t i c l e s w i t h J 9 U i d e n t i f i e r s
● A r t i c l e s w i t h K B R i d e n t i f i e r s
● A r t i c l e s w i t h L C C N i d e n t i f i e r s
● A r t i c l e s w i t h N T A i d e n t i f i e r s
● A r t i c l e s w i t h U L A N i d e n t i f i e r s
● A r t i c l e s w i t h D T B I O i d e n t i f i e r s
● A r t i c l e s w i t h S N A C - I D i d e n t i f i e r s
● A r t i c l e s w i t h S U D O C i d e n t i f i e r s
● T h i s p a g e w a s l a s t e d i t e d o n 2 2 J u n e 2 0 2 4 , a t 0 8 : 0 1 ( U T C ) .
● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n .
● P r i v a c y p o l i c y
● A b o u t W i k i p e d i a
● D i s c l a i m e r s
● C o n t a c t W i k i p e d i a
● C o d e o f C o n d u c t
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● C o o k i e s t a t e m e n t
● M o b i l e v i e w