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Harold Becker (born September 25, 1928) is an American film and television director, producer, and photographer from New York City, associated with the New Hollywood movement and best known for his work in the thriller genre.[1] [2] The Onion Field Taps The Boost Sea of Love [3] Malice City Hall [4] Mercury Rising
Biography [ edit ]
After studying art and photography at the Pratt Institute , Becker began his career as a still photographer,[5] The Ragman's Daughter with Souter Harris.[6]
Becker won the Mannheim-Heidelberg International Film Festival Gold Prize for his short film Ivanhoe Donaldson .[7]
Filmography [ edit ]
Feature films [ edit ]
Documentaries [ edit ]
Blind Gary Davis
Ivanhoe Donaldson (1964)[8]
Sighet, Sighet (1967) - short film
Television [ edit ]
Music videos [ edit ]
References [ edit ]
^ Brown, Joe (September 15, 1989). "Sea of Love" . Washington Post . Retrieved December 26, 2010 .
^ Maslin, Janet (February 16, 1996). "City Hall (1996) FILM REVIEW; Dangerous Dealings In the Heart of New York" . The New York Times
^ "Harold Becker Filmography at Fandango.com" . Archived from the original on September 28, 2007. Retrieved January 2, 2021 .
^ Hollywood.com biography
^ Hitchens, Gorden. "Film Marathon at Mannheim." Film Comment 3, no. 1 (1965): 43-49. Accessed July 19, 2021. http://www.jstor.org/stable/43753300 .
^ "Harold Becker Photography" . Archived from the original on August 19, 2014. Retrieved August 18, 2014 .
External links [ edit ]
International
National
Other
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Harold_Becker&oldid=1159468504 " C a t e g o r i e s : ● F i l m p r o d u c e r s f r o m N e w Y o r k ( s t a t e ) ● 1 9 2 8 b i r t h s ● L i v i n g p e o p l e ● F i l m d i r e c t o r s f r o m N e w Y o r k C i t y H i d d e n c a t e g o r i e s : ● A r t i c l e s w i t h s h o r t d e s c r i p t i o n ● S h o r t d e s c r i p t i o n i s d i f f e r e n t f r o m W i k i d a t a ● U s e m d y d a t e s f r o m O c t o b e r 2 0 1 3 ● A r t i c l e s w i t h h C a r d s ● A r t i c l e s w i t h F A S T i d e n t i f i e r s ● A r t i c l e s w i t h I S N I i d e n t i f i e r s ● A r t i c l e s w i t h V I A F i d e n t i f i e r s ● A r t i c l e s w i t h W o r l d C a t E n t i t i e s i d e n t i f i e r s ● A r t i c l e s w i t h B N E i d e n t i f i e r s ● A r t i c l e s w i t h B N F i d e n t i f i e r s ● A r t i c l e s w i t h B N F d a t a i d e n t i f i e r s ● A r t i c l e s w i t h G N D i d e n t i f i e r s ● A r t i c l e s w i t h J 9 U i d e n t i f i e r s ● A r t i c l e s w i t h L C C N i d e n t i f i e r s ● A r t i c l e s w i t h L i b r i s i d e n t i f i e r s ● A r t i c l e s w i t h N K C i d e n t i f i e r s ● A r t i c l e s w i t h N L K i d e n t i f i e r s ● A r t i c l e s w i t h N T A i d e n t i f i e r s ● A r t i c l e s w i t h P L W A B N i d e n t i f i e r s ● A r t i c l e s w i t h S N A C - I D i d e n t i f i e r s ● A r t i c l e s w i t h S U D O C i d e n t i f i e r s
● T h i s p a g e w a s l a s t e d i t e d o n 1 0 J u n e 2 0 2 3 , a t 1 4 : 2 1 ( U T C ) . ● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n . ● P r i v a c y p o l i c y ● A b o u t W i k i p e d i a ● D i s c l a i m e r s ● C o n t a c t W i k i p e d i a ● C o d e o f C o n d u c t ● D e v e l o p e r s ● S t a t i s t i c s ● C o o k i e s t a t e m e n t ● M o b i l e v i e w
