Harry Archer (February 21, 1888 – April 23, 1960) was an American composer and orchestra leader. He is best remembered for six Broadway shows from the 2nd and 3rd decades of the 20th-century, but also made several popular recordings in the 1920s for Brunswick Records.
Archer’s compositions had appeared in plays as early as 1911,[3] but the first play he wrote the score for was Pearl Maiden in 1912.[2] This play starred Jefferson De Angelis and Flora Zabelle in a plot that owed much to Florodora.[3] The music was considerably better reviewed than the plot.[3] The play had a tenure of 24 performances in New York, then travelled to Boston and then lesser locations.[3] For a time he led a dance orchestra in Chicago, then spent some working in the Paul Whiteman orchestra,[2] during which time he composed sporadically for various theatre productions and scored a few plays which were flops.[3]
Paul Whiteman was asked to provide an orchestra for Little Jessie James, and Archer was designated to lead the outfit, as well as provide songs and orchestrations.[4] This show was a huge success, and was not only staged on Broadway but also as far afield as Germany and Hungary. The breakout song was "I Love You", which was the biggest hit of Archer’s career.[3] Lyrics for this show were by Harlan Thompson.[3] The success of the show led to Archer’s scoring of several further 1920s musicals, but none were as successful as Little Jesse James.[4]Paradise Alley, a 1922 offering, was revived in 1924 and also produced in Australia but the show was considered old fashioned and lacked the spark of the Archer-Thompson pairing.[3] The two continued to work together, producing My Girl, Merry Merry and Twinkle Twinkle between 1924 and 1926, all of which were modest successes.[3] The 1928 show Just a Minute was not a success, and Archer’s career on Broadway ended at this point.[3]
Archer did continue to compose, and his songs continued to be used in the theatre. He composed and scored for off-broadway productions at such places as the Provincetown Playhouse.[3] Plans to revive a re-worked Little Jesse James later in his life never came to fruition.[3] He died in New York City, April 23, 1960.[1][2]
Archer’s compositions are considered “lightly jazzy” and catchy, best he was best suited to the farcical librettist Thompson. Archer also worked extensively with Howard Johnson.[2] Despite his string of successful shows in the mid 1920s, Archer never became a “fashionable” composer, and has become obscure since his heyday.[3]
Archer began recording for Brunswick Records and their subsidiary Vocalion in November 1925.[5] Often the same recording would be used on both labels, but a pseudonym of The Vanderbilt Orchestra was used on the Vocalion label.[5] The recordings most often utilized studio vocalists such as Irving Kaufman and Franklyn Baur.[5] The recordings proved popular, and Joel Whitburn estimates that three were top-20 hits.[6] In 1926 his recording of "Sweet and Low-Down" (Brunswick 3096) is listed at #10.[6] "When Day Is Done" (Brunswick 3399) from 1927 is listed at #14.[6] His last recording session took place on January 23, 1928,[5] but a final #20 hit from March, 1928 "Thinking of You" (Brunswick 3704) was to follow.[6]
