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Biography [ edit ]
The son of a violinist, he studied with Franz Beck in Bordeaux , Rodolphe Kreutzer , Méhul and Reicha at the Conservatoire de Paris .[1] As soon as 1836, he participated, among numerous publications, at the Revue et gazette musicale de Paris in which he published his essais biographiques [2] until 1856 [3]
Conductor of the Théâtre des Variétés from 1824 to 1829 , he took part as librettist to some plays presented at the Théâtre-Français and also composed for the Théâtre du Gymnase or the Théâtre du Vaudeville more than three hundred melodies . He also put into music most of the texts by the poet Béranger [4] He also wrote romances, canons for four, six and eight voices, duets for violin, viola quartets, concertos, a fugue for three violins, a fantasy for harp and violin etc.
In 1830 he became managing director of the Théâtre de Molière , a position he would keep until he died in 1858.
1812: Le Soleil , romance
1812: La Lune , romance
1816: Clarisse et Lovelace, ou Le suborneur , pantomime in three acts, mixed with dialogue, after Samuel Richardson
1828: Galopade hongroise... , arranged for the piano
1830: Couplets chantés au banquet de l'artillerie de la Garde nationale, le 10 décembre 1830 , lyrics and music
1831: Don Pedro, roi du Portugal , melodrama in three acts and four tableaux , by Jules-Édouard Alboize de Pujol , music
1831: Diana Vernon , comédie-vaudeville en 1 acte by Adolphe de Leuven and Auguste Pittaud de Forges , music
1831: Camille Desmoulins, ou Les partis en 1794 , historical drama in five acts, with Julien de Mallian
1831: Henri-Montan Berton, membre de l'Institut
Bibliography [ edit ]
Joseph Marie Quérard, Félix Bourquelot, Charles Louandre, La littérature française contemporaine. XIXe siècle , 1842, p. 574-578 (Lire en ligne )
Camille Dreyfus, André Berthelot, La Grande encyclopédie: inventaire raisonné des sciences , 1886, p. 1012
Revue de Musicologie , 1967, p. 81
Marie-Noëlle Colette, La Musique à Paris en 1830-1831: enquête , 1983, p. 88
Paul Mironneau, Chansonnier Henri IV , Ed. du pin à crochets, 1999, p. 84
Zdenko Silvela, A New History of Violin Playing , 2001, p. 312
References [ edit ]
^ L'Orgue n°221-224, 1992, p.16
^ Franz Beck, un musicien des Lumières , 2004, p.12
^ Robert Ignatius Letellier , The Diaries of Giacomo Meyerbeer: The years of celebrity , 2002, p.205
^ Léger Noël, La clef de la langue et des sciences , 1861, p.266
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C a t e g o r i e s :
● 1 9 t h - c e n t u r y F r e n c h d r a m a t i s t s a n d p l a y w r i g h t s
● F r e n c h R o m a n t i c c o m p o s e r s
● F r e n c h m a l e c l a s s i c a l c o m p o s e r s
● 1 9 t h - c e n t u r y F r e n c h v i o l i n i s t s
● 1 9 t h - c e n t u r y m a l e m u s i c i a n s
● F r e n c h m a l e c l a s s i c a l v i o l i n i s t s
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● W r i t e r s f r o m B o r d e a u x
● 1 7 7 8 b i r t h s
● 1 8 5 8 d e a t h s
● 1 9 t h - c e n t u r y c l a s s i c a l c o m p o s e r s
● 1 9 t h - c e n t u r y F r e n c h c o m p o s e r s
● F r e n c h m a l e d r a m a t i s t s a n d p l a y w r i g h t s
● 1 9 t h - c e n t u r y F r e n c h m a l e w r i t e r s
● F r e n c h m a l e n o n - f i c t i o n w r i t e r s
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● A r t i c l e s w i t h G N D i d e n t i f i e r s
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a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n .
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