Henry Kuttner was born in Los Angeles, California in 1915. Naphtaly Kuttner (1829–1903) and Amelia Bush (c. 1834–1911), the parents of his father, the bookseller Henry Kuttner (1863–1920), had come from LesznoinPrussia and lived in San Francisco since 1859; the parents of his mother, Annie Levy (1875–1954), were from Great Britain. Henry Kuttner's great-grandfather was the scholar Josua Heschel Kuttner. Kuttner grew up in relative poverty following the death of his father. As a young man he worked in his spare time for the literary agency of his uncle,[1]Laurence D'Orsay (in fact his first cousin by marriage), in Los Angeles before selling his first story, "The Graveyard Rats", to Weird Tales in early 1936. It was while working for the d'Orsay agency that Kuttner picked Leigh Brackett's early manuscripts off the slush pile; it was under his tutelage that she sold her first story (toJohn W. CampbellatAstounding Stories).[2]
Kuttner was known for his literary prose and worked in close collaboration with his wife, C. L. Moore. They met through their association with the "Lovecraft Circle", a group of writers and fans who corresponded with H. P. Lovecraft.[3] Their work together spanned the 1940s and 1950s and most of the work was credited to pseudonyms, mainly Lewis Padgett and Lawrence O'Donnell.
L. Sprague de Camp, who knew Kuttner and Moore well, has stated that their collaboration was so seamless that, after a story was completed, it was often impossible for either Kuttner or Moore to recall who had written what. According to de Camp, it was typical for either partner to break off from a story in mid-paragraph or even mid-sentence, with the latest page of the manuscript still in the typewriter. The other spouse would routinely continue the story where the first had left off. They alternated in this manner as many times as necessary until the story was finished.
Among Kuttner's most popular work were the Gallegher stories, published under the Padgett name, about a man who invented high-tech solutions to client problems (assisted by his insufferably egomaniacal robot) when he was drunk, only to be completely unable to remember exactly what he had built or why after sobering up. These stories were later collected in Robots Have No Tails. In her introduction to the 1973 Lancer Books edition, Moore stated that Kuttner wrote all the Gallegher stories himself.[4]
Marion Zimmer Bradley is among many authors who have cited Kuttner as an influence. Her novel The Bloody Sun is dedicated to him. Roger Zelazny has talked about the influence of The Dark World on his Amber series.
Kuttner's friend Richard Matheson dedicated his 1954 novel I Am Legend to Kuttner, with thanks for his help and encouragement. Ray Bradbury has said that Kuttner actually wrote the last 300 words of Bradbury's first horror story, "The Candle" (Weird Tales, November 1942). Bradbury has referred to Kuttner as a neglected master and a "pomegranate writer: popping with seeds—full of ideas".[5]
Mary Elizabeth Counselman believed that Kuttner's habit of writing under widely varied pseudonyms deprived him of the fame that should have been his. "I have often wondered why Kuttner chose to hide his talents behind so many false faces for no editorial reason... Admittedly, the fun is in pretending to be someone else. But Kuttner cheated himself of much fame that he richly deserved by hiding his light under a bushel of pen names that many fans did not know were his. Seabury Quinn and I both chided him about this."[6]
According to J. Vernon Shea, August Derleth "kept promising to publish Hank's and Catherine's books under the Arkham House imprint, but kept postponing them."[7]
A friend of Lovecraft's as well as of Clark Ashton Smith, Kuttner contributed several stories to the Cthulhu Mythos genre, based on the writing of the former and added to, among other authors, by the latter. Among these were "The Secret of Kralitz" (Weird Tales, October 1936), "The Eater of Souls" (Weird Tales, January 1937), "The Salem Horror" (Weird Tales, May 1937), "The Invaders" (Strange Stories, February 1939) and "The Hunt" (Strange Stories, June 1939).[8][9]
Kuttner added a few lesser-known deities to the Mythos, including Iod ("The Secret of Kralitz"), Vorvadoss ("The Eater of Souls"), the Hydra and Nyogtha ("The Salem Horror"). Critic Shawn Ramsey suggests that Abigail Prinn, the villain of "The Salem Horror", might have been intended by Kuttner to be a descendant of Ludvig Prinn, author of De Vermis Mysteriis—a book that appears in Kuttner's "The Invaders".[10]
Etchings and Odysseys No 4 (1984), edited by Eric A. Carlson, John J. Koblas and R. Alain Everts, was a special Kuttner tribute issue featuring three reprinted tales by Kuttner - "It Walks By Night", "The Frog" and "The Invaders," together with various essays on Kuttner, and an interview with his wife and fellow writer C.L. Moore.
Crypt of Cthulhu 5, No 7 (whole number 41) (Lammas 1986), edited by Robert M. Price, was a special Henry Kuttner issue collecting eight Cthulhu Mythos stories by Kuttner. (It did not include "Spawn of Dagon" or "The Invaders").
The Book of Iod: Ten Tales of the Mythos is a collection of Kuttner's Cthulhu Mythos stories edited by Robert M. Price (Chaosium, 1995). (It also contains three additional tales concerning 'Iod's dread tome' by Robert Bloch, Lin Carter and Robert M. Price). The Kuttner stories included are: "The Secret of Kralitz", "The Eater of Souls", "The Salem Horror", "The Jest of Droom-Avesta", "Spawn of Dagon", "The Invaders", "The Frog", "Hydra", "Bells of Horror" and "The Hunt" - thus, all the Mythos stories which had appeared in the special Kuttner issue of Crypt of Cthulhu, plus "Spawn of Dagon" and "The Invaders". The story "The Black Kiss" (printed here, as often elsewhere, under the joint byline of Kuttner and Robert Bloch), was in fact written entirely by Bloch; Bloch co-credited Kuttner on the tale due to using the character Michael Leigh from "The Salem Horror".[11] "Beneath the Tombstone" by Robert M. Price and "Dead of Night" by Lin Carter round out the volume. Price points out in his introduction to the volume that "Henry Kuttner's own private corner of the Cthulhu Mythos was, then, apparently derived in about equal measure from Lovecraft, Bloch, Zoroastrianism, and Theosophy."[12]
[edit]Kuttner's novelette "Avengers of Space" took the cover for the debut issue of Marvel Science Stories in 1938Kuttner's novelette "Spawn of Dagon", part of his Elak of Atlantis series, was the cover story for the July 1938 Weird TalesAnother Elak story, "Beyond the Phoenix," was cover-featured in the October 1938 Weird TalesKuttner's novella "Crypt-City of the Deathless One" was the cover story for the Winter 1943 issue of Planet Stories
^Ray Bradbury, "Introduction: Henry Kuttner: A Neglected Master" in The Best of Henry Kuttner, Garden City, NY: Doubleday, 1975, pp. vii–xii. "Pomegranate" is on p. vii; Shawn Ramsey, "Henry Kuttner's Cthulhu Mythos Fiction: An Overview", in The Horror of It All, Robert M. Price, ed.
^"Mary Elizabeth Counselman, "Hank and Weird Tales". Etchings and Odysseys 4 (1984), p. 38
^J. Vernon Shea, "Henry Kuttner: A Memoir", Etchings and Odysseys 4 (1984), p. 9
^His Mythos related stories were published in The Book of Iod in 1995, edited by Robert M. Price.
^Ramsey, Shawn (November 1, 1987). "Henry Kuttner's Cthulhu Mythos Tales: An Overview". Crypt of Cthulhu. No. 51. pp. 21–23, 14. ISSN1077-8179.
Paul Dale Anderson. "Random Factors: The Recurring Themes of Henry Kuttner." Etchings and Odysseys 4(1984), 19–21.
Robert Bloch. "The Closest Approach" in Bloch's Out of My Head. Cambridge MA: NESFA Press, 1986, 47–53.
Robert Bloch. Once Around the Bloch: An Unauthorised Autobiography. NY: Tor Books, 1995, pp. 79, 94–98, 104–5, 157, 185, 238, 253, 350.
Ray Bradbury. "Henry Kuttner: A Neglected Master". Introduction to The Best of Henry Kuttner, NY: Ballantine Books, 1975, pp. vi-xii.
Don D'Amassa, "Henry Kuttner: Man of Many Voices" in Darrell Schweitzer (ed.), Discovering Classic Fantasy Fiction, Gillette, NJ: Wildside Press, 1996, pp. 122–125.
