First edition of English translation book cover, 1959
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| Author | Max Frisch |
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| Original title | Homo faber. Ein Bericht |
| Translator | Michael Bullock |
| Cover artist | Colin Spencer |
| Language | English |
| Genre | Novel |
| Publisher | Abelard-Schuman |
Publication date | 1957 |
| Publication place | Switzerland |
Published in English | 1959 |
| Media type | Print, 8vo |
| Pages | 198 |
| OCLC | 877183876 |
Homo Faber: A Report (German: Homo faber. Ein Bericht) is a novelbySwiss author Max Frisch, first published in Germany in 1957. An English translation by Michael Bullock was published in Britain in 1959. The novel is written as a first-person narrative. The protagonist, Walter Faber, is a successful engineer traveling throughout Europe and the Americas on behalf of UNESCO. His world view based on logic, probability, and technology is challenged by a series of incredible coincidences as his repressed past and chance occurrences come together to break up his severely rational, technically oriented ideology.
InCaracas in early summer 1957, Walter Faber compiles a report on the events of the previous few months. On a flight from New York to Mexico, his plane had made a forced landing in the desert. During the following stay he met a German man, Herbert, who turns out to be the brother of Joachim, Faber's friend. Faber had not heard from his friend since 1936. Faber decides to accompany Herbert, who is on his way to visit his brother. After an odyssey through the wilderness, they reach Joachim's plantation. But Joachim has hanged himself. Herbert decides to stay behind and manage the plantation.
Throughout this part of the report, Faber intersperses his memories of the 1930s, when he worked at the Swiss Federal Institute of Technology Zurich (ETH Zurich) and met the art student Hanna. The two had become lovers, and one day Hanna revealed that she was pregnant. Faber made awkward attempts to marry her, but she was reluctant. Faber had received an offer from Escher Wyss to work in Baghdad and he accepted it; he and Hanna split up. Before his departure, Faber asked his friend Joachim to take care of Hanna and believes that Hanna has agreed to an abortion.
Faber returns from the plantation to New York City, while ultimately en route to Paris for a series of conferences, and encounters his married mistress, Ivy. Looking to escape this relationship, Faber chooses to leave earlier for Paris by taking a boat. On this journey, he meets a young woman named Sabeth, with whom he falls in love. He proposes to Sabeth at the end of the journey, but she is traveling with a male friend. Faber and Sabeth meet again in Paris and Faber decides to go on vacation and accompany Sabeth on a road trip through Europe, where they also start a sexual relationship. Faber even calls the trip their "honeymoon".
Because of a foreboding, he asks Sabeth for the name of her mother and she replies "Hanna". Faber still hopes that Hanna had proceeded with an abortion, but it soon turns out that Sabeth is his daughter. In Greece, where Hanna now lives, a poisonous snake bites Sabeth. She falls backwards after seeing Walter come naked out of the ocean, and is soon rushed to the hospital by Faber. There he meets his former love Hanna again. Luckily Sabeth survives the snakebite. However she suddenly dies due to an untreated fracture in her skull caused by the fall. Faber feels a certain measure of guilt as he had not mentioned Sabeth falling.
From July 19, stricken by grief and stomach cancer, Faber writes notes from a hospital in Athens. These notes cover the period immediately after Sabeth dies, when he flies the following day to New York and then onwards to Caracas where he revisits Herbert Henke and compiles the report of Part One. He then flies back to Europe, stopping in Havana on the way. In Düsseldorf at Hencke-Bosch, he watches the films he has taken in the previous months with a technician.
At the end of the narrative, Faber is in hospital facing an operation for his stomach cancer; he has optimistically calculated the probability of his survival, and after a last entry in his notes before the operation, the book ends.[1]
The data is based on a list by Klaus Müller-Salget. Since not all of the key data listed are specifically named in the novel, but are based on back calculations, other data can be found in other sources.
There are several major themes to the novel. The theme of technology as philosophy describes the belief that everything is possible and that technology allows people to control all aspects of their lives. This view is contradicted throughout the novel by events. Technical breakdowns mark key points in the story (and Walter's life) right up to the upcoming operation that he mentions at the very end, which is thus implied to result in his death.
Faber's dismissal of literature and of anything to do with myths and the arts also plays into the theme of fate versus coincidence, which is preeminent in the plot. Faber is oblivious to the various mythological motifs and twists which bring his story close to a modern tragedy, even as it unfolds in Greece and Rome of all places. Also, the events in Homo Faber are presented in such a way as to seem either a string of coincidences resulting in an unlikely outcome, or a sequence of predestined actions and decisions leading to a necessary outcome. This dichotomy is reflected in a larger series of seeming antinomies: faith or reason, modern knowledge or ancient beliefs, free will or predestination. Walter never resolves this conflict.
The theme of travel plays an important role in the novel. Using many modes of transportation, Walter is constantly on the move, visiting several continents, almost a dozen countries, and dozens of cities, for business and pleasure. This constant travel underscores Walter's sense of dislocation; he has no family, no real home, and no real country. Through travel, Walter is able to avoid permanent connections, to escape responsibilities, and to remain completely unknown and unjudged.
Homo Faber was first published in 1957 in Frankfurt, GermanybySuhrkamp Verlag. The first English edition, translated by Michael Bullock, was published in 1959 in London by Abelard-Schuman. The book has been translated into numerous languages, and has appeared in numerous editions, both in hardcover and paperback.
The novel was made into a 1991 film, Voyager, directed by Volker Schlöndorff, and starring Sam Shepard and Julie Delpy.
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Works by Max Frisch
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