Hurricane is the third studio album by American R&B recording artist Eric Benét. It was released on June 21, 2005, on Friday Records, with distributing by Reprise Records.[1] It is the follow-up to his second album A Day in the Life (1999) and follows the shelving of his Better and Better project for Warner Bros. Records. Recorded at various recording studios, the album was written and produced by Benét with several other producers, including Walter Afanasieff, Michael Carney, Hod David, David Foster, George Nash, Jr., and Demonté Posey.
In 2001, Benét was expected to release his third studio album Better and BetteronWarner Bros. Records but the label rejected to release this album and forced him to stay in the R&B genre.[2][3] Due to the controversy about music style and creative freedom, Benét changed to Reprise-distributed label Friday Records and began recording his next album Hurricane.[2] Several songs from Better and Better reappeared on other studio albums by Benét: "I Wanna Be Loved" and "Pretty Baby" were released on Hurricane.[4] The songs "Spanish Fly" and "Sing to Me" would later appear on his 2008 album Love & Life.[5] The title track "Better & Better" would later be re-recorded by Lalah Hathaway for her 2004 album Outrun the Sky,[6] while "Better and Better" and "Trippin" would later be included as an iTunes bonus track on Benét's 2010 album Lost in Time.[7]
Recording sessions for the album took place at various recording locations, including the Hit Factory in New York, New York, Bowery Digital, Chalice Studios, Ocean Way Recording, The Studio, Warner Bros. Sound Stage, and Westlake Audio in Los Angeles, California, Chartmaker Studios, Drew's Groove Studios, Panic Room, and Soundstage Studio in Nashville, Tennessee, Jade Studios and Jupiter Studios in Franklin, Tennessee, and Eastman Scoring Stage in Burbank, California.[8] Production was handled by Benét and several other record producers, including Walter Afanasieff, Michael Carney, Hod David, Dave Foster, George Nash, Jr., and Demonté Posey.[9]
AllMusic writer Stephen Thomas Erlewine gave it three-and-a-half out of four stars and commented that "The quiet storm is well performed but dull, yet the Prince-styled numbers are engaging, melodic, and nimble, strong showcases for Benet's mellow skills".[12]Mojo gave the album three out of five stars and called it "a very palatable collection of self-penned confessional songs".[8] Laura Checkoway of Vibe called it "an uneven mix of simplistic sentimentality", stating "Reflective and repentant at times, Hurricane is more likely to sing you to sleep than knock you off your feet".[13]The Washington Post commented favorably on the album's themes of "healing and redemption", and stated "The spiritual tone often brings out the best in [Eric Benet]'s supple tenor on 'In The End' and other tracks".[10]
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