| I Shot Andy Warhol | |
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Theatrical release poster
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| Directed by | Mary Harron |
| Screenplay by |
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| Based on | The Letters and Diaries of Candy Darling, 1992 by Jeremiah Newton |
| Produced by |
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| Starring |
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| Cinematography | Ellen Kuras |
| Edited by | Keith Reamer |
| Music by | John Cale |
Production |
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| Distributed by |
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Release dates |
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Running time | 103 minutes |
| Countries |
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| Language | English |
| Box office | $1.9 million[4] |
I Shot Andy Warhol is a 1996 biographical drama film about the life of Valerie Solanas and her relationship with the artist Andy Warhol.[5] The film marked the feature film directorial debut of Canadian director Mary Harron. The film stars Lili Taylor as Valerie, Jared HarrisasAndy Warhol, and Martha Plimpton as Valerie's friend Stevie. Stephen Dorff plays Warhol superstar Candy Darling. John CaleofThe Velvet Underground wrote the film's score[6] despite protests from former band member Lou Reed.[7] Yo La Tengo plays an anonymous band that is somewhat reminiscent of the group.[8]
The film was screened in the Un Certain Regard section of the 1996 Cannes Film Festival.[9] To celebrate the 30th anniversary of the Teddy Awards, the film was selected to be shown at the 66th Berlin International Film Festival in February 2016.[10]
The film opens immediately after the shooting at The Factory in 1968, followed by Valerie Solanas being shown in custody for shooting Andy Warhol. The film then uses flashbacks to when Valerie was living in New York as a sex worker, then to her difficult childhood, then to her success in studying psychology at college. Here, Valerie discovers that she is a lesbian, that she can write, and that she has a distinctive view of the world. This leads her to New York City and its downtown underworld. Through her friend Stevie, she meets Candy Darling, who in turn introduces her to Warhol.
Valerie also meets Maurice Girodias, the publisher of Olympia Press. While Valerie wants Warhol to produce her play, Up Your Ass, Girodias wants her to write a pornographic novel for him. The group steals her manuscript and lies about it, saying it was lost. Once she signs a contract with Girodias, she comes to suspect his offer is not a generous one and may not be in her best interest. She comes to regret signing this contract. At this point, her increasing derangement leads her to believe that Warhol and Girodias are controlling her. The film concludes, where it began, with Solanas' attempted murder of Warhol. Warhol lives in fear that Valerie will strike again and never fully recovers from the shooting. The SCUM Manifesto becomes a feminist classic.
Initially intended as a BBC documentary, the film was directed by Mary Harron who also co-wrote the screenplay with Daniel Minahan.[11]
Dr. Dana Heller, Dean of Arts and Sciences at Eastern Michigan University, argues that the film stages the conflict between Solanas and Warhol as less the result of gender politics – particularly because Solanas intended no connection between her writing and the shooting – than of the decline of print culture as represented by Solanas and the rise of new non-writing media as embodied by Warhol and the pop art movement.[12] In the screenplay, Harron and Minahan describe Solanas as "banging at an ancient typewriter" and the film frequently shows her typing, for which she is mocked by Warhol and other Factory regulars. Solanas' writing is set against the new technologies of reproduction championed by Warhol.[13]
Many people who knew Solanas and Warhol tried to rationalize the shooting. Stephen Koch, who in 1973 wrote a study of Warhol's film, stated: "Valerie lives in terror of dependence: That is what the SCUM Manifesto is about, an absolute terror before the experience of need. Like Warhol, Solanas is obsessed with an image of autonomy, except that... she has played the obsession desperately, rather than with Warhol's famous cool."[14]
Film review aggregator Rotten Tomatoes reported that 77% of critics gave the film positive reviews.[15]OnMetacritic it has a weighted score of 75/100, based on 20 critics, denoting "generally favorable reviews".[16]
I Shot Andy Warhol was released on Region 1 DVD on January 23, 2001.
| I Shot Andy Warhol: Music From And Inspired By The Motion Picture | |
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| Soundtrack album by
Various Artists
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| Released | 30 April 1996 |
| Genre | Soundtrack |
| Length | 43:11 |
| Label | TAG Recordings / Atlantic Records |
| No. | Title | Writer(s) | Artist | Length |
|---|---|---|---|---|
| 1. | "Season Of The Witch" | Donovan | Luna | 5:19 |
| 2. | "Do You Believe In Magic" | John Sebastian | The Lovin' Spoonful | 2:06 |
| 3. | "Love Is All Around" | Reg Presley | R.E.M. | 3:05 |
| 4. | "Burned" | Neil Young | Wilco | 2:34 |
| 5. | "Itchycoo Park" | Ronnie Lane / Steve Marriott | Ben Lee | 3:04 |
| 6. | "Sunshine Superman" | Donovan | Jewel | 5:01 |
| 7. | "Mas que Nada" | Jorge Ben | Sérgio Mendes and Brasil '66 | 2:38 |
| 8. | "Gimi A Little Break" | Arthur Lee | Love | 2:02 |
| 9. | "Sensitive Euro Man" | Pavement | Pavement | 3:16 |
| 10. | "Kick Out the Jams" | Dennis Thompson / Frederick D. Smith / Michael Davis / Robert Derminer / Wayne Kramer | MC5 | 2:54 |
| 11. | "I'll Keep It with Mine" | Bob Dylan | Bettie Serveert | 4:09 |
| 12. | "Demons" | Georgia Hubley / Ira Kaplan | Yo La Tengo | 3:37 |
| 13. | "I Shot Andy Warhol Suite" | John Cale | John Cale | 3:26 |
| Total length: | 43:11 | |||
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Mary Harron filmography
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| Feature films |
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| Television |
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| International |
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| National |
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