Animpresario (from Italian impresa, 'an enterprise or undertaking')[1] is a person who organizes and often finances concerts, plays, or operas, performing a role in stage arts that is similar to that of a filmortelevision producer.
The term originated in the social and economic world of Italian opera, in which from the mid-18th century to the 1830s, the impresario was the key figure in the organization of a lyric season.[2] The owners of the theatre, usually amateurs from the nobility, charged the impresario with hiring a composer (until the 1850s operas were expected to be new) and the orchestra, singers, costumes and sets, all while assuming considerable financial risk. In 1786 Wolfgang Amadeus Mozart satirized the stress and emotional mayhem in a single-act farce Der Schauspieldirektor (The Impresario). Antonio Vivaldi was unusual in acting as both impresario and composer; in 1714 he managed seasons at Teatro San Angelo in Venice, where his opera Orlando finto pazzo was followed by numerous others.
Alessandro Lanari (1787–1852), who began as the owner of a shop that produced costumes, eliminated the middleman in a series of successful seasons he produced for the Teatro della Pergola, in Florence. He presented the premieres of the first version of Giuseppe Verdi's Macbeth, two of Vincenzo Bellini's operas and five of Gaetano Donizetti's, including Lucia di Lammermoor. Domenico Barbaia (1778–1841) began as a café waiter and made a fortune at La Scala, in Milan, where he was also in charge of the gambling operation and introduced roulette.
The term is occasionally applied to others, such as independent art museum curators,[6] event planners, and conference organizers[7] who have a leading role in orchestrating events.
^Rosselli, John (1984). The Opera Industry in Italy from Cimarosa to Verdi: The Role of the Impresario. Cambridge University Press. This history is summarized here.
^Porter, Cecelia Hopkins (2012). Five Lives in Music : Women Performers, Composers, and Impresarios from the Baroque to the Present. Urbana: University of Illinois Press. ISBN9780252037016.
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