| Jallikattu | |
|---|---|
Theatrical release poster
| |
| Directed by | Lijo Jose Pellissery |
| Written by |
|
| Based on | Maoist byS. Hareesh |
| Produced by | O. Thomas Panicker |
| Starring |
|
| Cinematography | Girish Gangadharan |
| Edited by | Deepu S. Joseph |
| Music by | Prashant Pillai |
Production | Opus Penta |
| Distributed by | Friday Film House (India) XYZ Films (North America) |
Release dates |
|
Running time | 95 minutes[1] |
| Country | India |
| Language | Malayalam |
Jallikattu is a 2019 Indian Malayalam-language independent action thriller film directed by Lijo Jose Pellissery with a screenplay by S. Hareesh and R. Jayakumar, based on the short story Maoist by Hareesh.[2] The film stars Antony Varghese, Chemban Vinod Jose, Sabumon Abdusamad and Santhy Balachandran. In the film, a bull escapes from a slaughterhouse in a hilly remote village and the villagers sets out to hunt it down.[3][4]
Jallikattu was premiered on 6 September 2019 at the 2019 Toronto International Film Festival and received widespread critical acclaim.[5][6] The film was showcased at the 24th Busan International Film Festival under the section 'A Window on Asian Cinema'.[7] It was released in the home state Kerala on 4 October 2019.[8][9] Lijo Jose Pellissery received the Silver Peacock-Best Director trophy at the 50th International Film Festival of India.[10] It was selected as the Indian entry for the Best International Feature Film at the 93rd Academy Awards, but it was not nominated.[11][12] It was third Malayalam film after Guru and Adaminte Makan Abu to be chosen as India's official entry to the Oscars.[13] It was included in The Hindu's top 25 Malayalam films of the decade and is widely regarded as one of the defining movies of the New Wave Movement.[14]
Kalan Varkey is a butcher in a rural village in Kerala who meets with his assistant Antony before dawn each day to slaughter a buffalo and prepare its meat for sale in the market. One morning a buffalo slips its bindings, escaping into the hilly forest. Soon after a large haystack is set ablaze and the entire village wakes up to put out the fire. Hearing of the buffalo's escape, and believing that it was responsible, the men of the village begin an urgent hunt for the animal. As the day progresses the villagers repeatedly try and fail to corner the buffalo and kill it. The crops at the rubber plantation are trampled, a drink vendor's cart is smashed, and the village's bank and convenience store are both destroyed. The villagers begin to turn on Varkey, blaming him for the destruction.
Meanwhile, the police refuse to help as killing cattle is illegal—instead, they merely warn people to stay inside until the buffalo is caught. The frustrated villagers call Kuttachan, a renowned local poacher, for help. Antony is unhappy to see Kuttachan back in the village; in a flashback it is revealed that before Antony married his wife Sophie the two men had been rivals over her. Antony had won by informing the police that Kuttachan was stealing sandalwood from the local church, leading to his arrest. As Kuttachan prepares for the hunt by chopping up a metal bucket handle into pieces of buckshot, the villagers argue over which of them deserves to land the killing blow on the buffalo.
Elsewhere in the village, the disruption—both from the buffalo's rampage and the hunt—spreads further, causing other personal and social issues to come to the surface. Law and order begins to break down, with some of the men setting off fireworks and committing random acts of vandalism. Kuriachan, a wealthy man who had been planning an elaborate feast of buffalo dishes for his daughter's wedding, ventures out to try and find some chicken instead—he is seized by a group of workers who strip him naked and bring him to the hunt as a good luck trophy. Kuriachan's daughter tries to avoid the arranged marriage by running away, but a neighbour catches and punishes her. Several of the men, enraged and frustrated, beat their wives or drink heavily, while other women find men openly leering at them through windows as they sleep.
After night falls, the buffalo is found at the bottom of a well. Antony takes credit, insisting that chasing it into the well had been his plan all along. Kuttachan wants to shoot it, but Antony demands that they bring it back to the surface first so that he and Varkey can still butcher it and sell the meat. By contrast Varkey is indifferent, taking a nap as the others argue. The men construct a scaffold and lower Antony down so he can attach ropes around the buffalo's legs and neck. However, it begins raining heavily—the ropes slip off when the buffalo reaches the top, and as it thrashes around one of the villagers is thrown down the well and killed. The buffalo escapes again into the forest. Kuttachan and the other villagers blame Antony for the man's death.
By this point the villagers are desperate and frantic. In-fighting leads to the men splintering into smaller groups, each with its own plan—and with each man desperate to be the one to finally claim the kill. One group, furious that a police officer is still refusing to help, set his patrol car on fire. As the men string up ropes, chains, and nets around the perimeter of the village, forcing the buffalo into a smaller and smaller area, night falls and the situation becomes increasingly chaotic and confused. Antony and Kuttachan stumble across each other in a clearing in the dark forest and begin fighting. Kuttachan pins Antony and prepares to kill him, but the buffalo suddenly emerges from the undergrowth. Kuttachan catches it by its horns and asks Antony to hold its legs, but Antony uses the opportunity to stab Kuttachan multiple times, fatally wounding him—and also allowing the buffalo to escape again.
Antony and the remaining villagers chase it towards the river and across a bridge, where it becomes stuck in deep mud. Antony stabs the buffalo and screams to the crowd of hunters that he deserves the credit for killing it. This kicks off a desperate pile-on, as dozens of men—holding lit torches and bearing crude weapons—jump on top of each other, stabbing both the animal and each other as they form a huge, writhing mass. The screen fades to black, then fades back in to a final shot of a group of prehistoric men, wearing loincloths and carrying spears, racing each other through the dark in pursuit of a buffalo.
The film score was produced by Prashant Pillai.
| Jallikkattu | ||||
|---|---|---|---|---|
| Film score by | ||||
| Released | September 6, 2019 (TIFF) October 4, 2019 | |||
| Recorded | 2019 | |||
| Genre | Orchestra, World Music | |||
| Language | Malayalam | |||
| Label | Opus Penta with Friday Film House | |||
| Producer | Prashant Pillai | |||
| Prashant Pillai chronology | ||||
| ||||
The official trailer of the film was unveiled by Friday Film House on 28 September 2019.[15] Jallikattu was premiered at Toronto International Film Festival 2019.[16][17][18] It was theatrically released on 4 October 2019 in Kerala.[8]
Jallikattu was released on streaming service Amazon Prime Video on 4 February 2020.[19] A Telugu dubbed version with same title was released on Aha.[20]
![[icon]](https://akarinohon.com/text/taketori.cgi/en.wikipedia.org/wiki/File:Wiki_letter_w_cropped.svg){kind=small} |
This section needs expansion. You can help by adding to it. (November 2020)
|
On the review aggregator website Rotten Tomatoes, 96% of 25 critics' reviews are positive, with an average rating of 7.6/10. The website's consensus reads: "Jallikattu uses a violent conflict between man and animal to set the stage for a story that's as visually haunting as it is rich in subtext."[21] Sajesh Mohan of Onmanorama wrote "After Ee.Ma.Yau., Lijo Jose Pellissery has again opted to saunter through the innate nature of humans in an off-kilter manner. The movie's technical brilliance is something that Mollywood can flaunt for a long time to come."[22]
The film grossed ₹7.3 crores in its first week run in Kerala and became a commercial success.[23]
As much a wild action film as an exploration of rural masculinity run amok, Sallikattu takes its audience on an incredible visceral and emotional journey over the course of 90 blood, sweat, and tear-soaked minutes that will leave viewers gasping for breath by the time it reaches its incredible conclusion.[permanent dead link]
While there is a question mark over the appetite in overseas arthouse audiences for Malayalam language action films about a buffalo gone berserk, the picture shares a relentless gung ho energy (if not the technical polish) with martial arts pictures like The Raid. .
{{cite web}}: CS1 maint: numeric names: authors list (link)
|
Films directed by Lijo Jose Pellissery
| |
|---|---|
|
|
| |
|---|---|
| Key People | |
| Films |
|
