| Jilawatan | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | November 20, 2005 | |||
| Recorded | 2002–2005 | |||
| Studio | Xth Harmonic Studio in Lahore, Pakistan | |||
| Genre | Hard rock Alternative metal | |||
| Length | 52:43 | |||
| Label | Sadaf Stereo | |||
| Producer | Zufiqar J. Khan | |||
| Call chronology | ||||
| ||||
| Singles from Jilawatan | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Pakistani Music Channel |   [1] |
Jilawatan (Urdu: جلاوطن, literal English translation: exile) is the debut album by Pakistani rock band, Call. It was released on November 20, 2005 and gained huge popularity. It was the second album produced by the band's guitarist, Xulfi. The album was received with quite a bit of critical acclaim as well, spending over a year on the Vibes Charts.[2]
The word Jilawatan means being exiled from one's country, state or mind. The album uses the word jilawatan in the context of being exiled from one's own mind. Xulfi said to MTV Moto:
"It's how the person himself feels, exiled from his own self, from his own thoughts, from his own perception and he thinks that he is alone and whatever he's thinking, he feels separated from the world. And that's what the album is all about. In another interview with Geo's High Voltage, Xulfi has said (translation), "The lyrics are written by my brother Haider who lives in Australia these days. Basically, most of it is his interpretation of life and what he has been through... in the sense that he has been living in Australia and he's away from his parents and everyone else... and he misses whatever experiences he had here, in Pakistan, and about now it's all having an impact on his life and the lyrics present a philosophical representation of whatever he's feeling."
The majority of the album is pretty heavy and features the drop-d tuning on guitar. The only exceptions to this are Sab Bhula Kai, Nishaan and Bichar Kai Bhee. Sab Bhula Kai and Bichar Kai Bhee feature guitars with the DADGAD (low to high) tuning whilst Nishaan's guitars feature the traditional EADGBE tuning. Almost all the tracks on the album have acoustic guitars except Shayad, Kuch Naheen, Jilawatan and Wujud and all of the tracks, with the exception of Pukaar and Jilawatan, feature guitar solos.
During live performances, the band plays several songs differently from the album. They usually include an unplugged version of Shayad, include a solo in Jilawatan, perform a completely different solo on Sab Bhula Kai and play the piano intro of Kismet a bit differently on guitars.
All songs composed & arranged by Zulfiqar J. Khan and Junaid Khan, except for Shayad & Bichar Kai Bhee music by Zulfiqar J. Khan and Jilawatan, Sab Bhula Kai & Wujud music by Sultan Raja, Zulfiqar J. Khan and Junaid Khan.
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Pukaar - پکار" | Haider J. Khan | 4:14 |
| 2. | "Sab Bhula Kai - سب بھلا کے" | Junaid Khan | 5:32 |
| 3. | "Shayad - شاید" | Haider J. Khan | 4:53 |
| 4. | "Kaash - کاش" | Haider J. Khan | 6:04 |
| 5. | "Kuch Naheen - کچھ نہیں" | Zulfiqar J. Khan, Haider J. Khan | 3:53 |
| 6. | "Soch - سوچ" | Haider J. Khan | 5:04 |
| 7. | "Jilawatan - جلاوطن" | Haider J. Khan | 3:24 |
| 8. | "Nishaan - نشان" | Haider J. Khan | 5:37 |
| 9. | "Bichar Kai Bhee - بچھڑ کے بھی" | Zufiqar J. Khan, Junaid Khan, Haider J. Khan | 6:01 |
| 10. | "Kismet - قسمت" | Haider J. Khan | 4:07 |
| 11. | "Wujud - وجود" | Haider J. Khan | 3:47 |
| Year | Title | Chart positions | Album | |||
|---|---|---|---|---|---|---|
| IM Top 10 | City FM 89 | Channel V | Radio Mirchi | |||
| 2003 | "Nishaan" | #1 | - | - | - | Jilawatan |
| 2003 | "Pukaar" | #1 | - | - | - | Jilawatan |
| 2005 | "Shayad" | #1 | - | - | - | Jilawatan |
| 2005 | "Sab Bhula Kai" | #1 | #1 | #1 | #1 | Jilawatan |
| 2006 | "Bichar Kai Bhee" | #1 | #1 | - | - | Jilawatan |
| 2007 | "Kuch Naheen" | #1 | - | - | - | Jilawatan |
The album has received nominations in several Pakistani award ceremonies. The following list contains all of them.
|
| |
|---|---|
| |
| Studio albums |
|
| Related articles |
|
