Joan Louise Barfoot (born May 17, 1946) is a Canadian novelist. She has published 11 novels, including Luck (2005), which was a nominee for the 2005 Scotiabank Giller Prize, and Critical Injuries (2001), which was longlisted for the 2002 Man Booker Prize. Her latest novel, Exit Lines, was published in 2009.
Joan Barfoot was born on May 17, 1946, in Owen Sound, Ontario, and graduated with a degree in English from the University of Western Ontario in 1969.[citation needed] She worked as a reporter and editor for various newspapers in Ontario including the Windsor Star, the Toronto Sun and the London Free Press.[1] As a child, while she and her mother watched a squirrel in their back yard from their kitchen, her mother told Barfoot to tell her the squirrel's story and she'd write it down. Barfoot doesn't remember the story but remembers her delight when her mother read the story back to her and the power of creating it.[citation needed] Barfoot was also encouraged to write by a teacher who told Barfoot she wrote well and to consider some word-related career. In addition to writing Barfoot occasionally teaches creative writing classes though she believes writing ought to be an entirely private pleasure and a puzzle.[2] She lives in London, Ontario.
In 1986, her second novel, Dancing in the Dark (1982), became a film of the same name, starring Martha Henry. It won three Genie Awards, including Best Art Direction, Best Adapted Screenplay, and Best Performance by an Actress in a Leading Role. Dancing in the Dark is a novel about the reflection of a criminally insane woman who is serving time in prison for the murder of her unfaithful husband. She explains her reasoning for the murder throughout the novel while looking for psychological freedom.[citation needed]
Barfoot's first novel to win an award was Abra. Abra is about a young mother who abandons her home, husband and children and moves to the Canadian Wilderness.[citation needed]
In 2005, the Giller jury committee, describing Luck, wrote that "Joan Barfoot is at the peak of her powers with this splendidly realized tragicomedy about a household in the wake of an unexpected death. With its note-perfect narration, mordant wit and wonderfully neurotic cast of characters, Luck shows how death can reveal life in all its absurdity and complexity. This scintillating comedy of manners is also a profound meditation on fate, love, and artifice."[4]
