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John Blanke

John Blanke (also rendered BlanckeorBlak) (fl. 1501–1511) was a musician of African descent in London from the early Tudor period, who probably came to England as one of the African attendants of Catherine of Aragon in 1501. He is one of the earliest recorded black people in what is now the United Kingdom after the Roman period.^[1][2] His name may refer to his skin colour, derived either from the word "black" or possibly from the French word "blanc", meaning white.

Background[edit]

Little is known of Blanke's life, but he was paid 8 pence per day by King Henry VII.^[3] A surviving document from the accounts of the Treasurer of the Chamber records a payment of 20 shillings to "John Blanke the Blacke Trumpet" for wages on December 1507, with payments of the same amount continuing monthly through the next year.^[4] His annual wage of £12 was twice that of a farm labourer and thrice that of a servant.^[5] He successfully petitioned Henry VIII for a wage increase from 8d to 16d.^[6]

Another trumpeter, thought to be of African origin, Alfonso or Alonso de Valdenebro, known as Alonso "el Negro" in Spanish records, came to England in the retinue of Catherine of Aragon in 1501.^[7] John Blanke attended both the funeral of King Henry VII and the coronationofHenry VIII in 1509, and is thought to have married in 1512.^[8]

Sydney Anglo was the first historian to propose that the "Blanke Trumpet" in the 1507 court accounts was the same as the black man depicted twice in the 1511 Westminster Tournament Roll,^[9] in a footnote to an article about the Court Festivals of Henry VII.^[10] The Westminster Tournament Roll is an illuminated, 60-foot manuscript now held by the College of Arms; it recorded the royal procession to the lavish tournament held on 12 and 13 February 1511 to celebrate the birth of a son, Henry, Duke of Cornwall (died 23 February 1511), to Catherine and Henry VIII on New Year's Day 1511.^[11] John Blanke is depicted twice, as one of the six trumpeters on horseback in the royal retinue. All six of the trumpeters wear yellow and grey livery and bear a trumpet decorated with the royal arms; Blanke alone wears a brown and yellow turban, while the others are bare-headed with longish hair. He appears a second time in the roll, wearing a green and gold head covering.

Black trumpeters and drummers are known to have been employed at European state occasions from at least the 12th century: the earliest reference is to the turbaned black trumpeters who heralded the entry of Henry VI, Holy Roman Emperor into Palermo, Sicily in 1194.^[12] By the Renaissance, there are references to their presence in several cities, including a trumpeter for the royal ship BarchainNaples in 1470, a trumpeter recorded as galley slaveofCosimo I de' Medici, Grand Duke of Tuscany in 1555, and black drummers in the court of King James IVinEdinburgh, Scotland.

Commemoration[edit]

In 2020, Blanke was listed as one of 100 Great Black Britons who have helped to shape Britain, featured in a book of the same name by Patrick Vernon.^[13]

British rapper and novelist Akala based a character in his book The Dark Lady on John Blanke, released in 2021.^[14]

In January 2022, a Nubian Jak Community Trust blue plaque was installed in Blanke's honour at King Charles Court,^[15] home to Trinity Laban Conservatoire of Music and Dance's Faculty of Music at the Old Royal Naval CollegeinGreenwich, London.^[16][17]

In May 2022, an exhibition titled The Tudors: Passion, Power and Politics at the Walker Art GalleryinLiverpool displayed in public for the first time in 20 years two portraits of Blanke on the Westminster Tournament Roll.^[18] It was the first time the document was shown outside London.^[19]

The John Blanke Project ^[20] is an art and archive initiative of which Michael Ohajuru is the founder and director.^[21][22] The Project celebrates and is linked to images of Blanke,^[23][24] and was featured in a Sky Arts presentation on 11 July 2023, marking the opening of the refurbished National Portrait Gallery, London.^[25][26]

See also[edit]

• African presence at the Scottish royal court
• More taubronar, a musician at the Scottish royal court

References[edit]

Further reading[edit]

• David Bindman, Henry Louis Gates, Jr.; Karen C. C. Dalton (eds), The Image of the Black in Western Art, Volume III: From the "Age of Discovery" to the Age of Abolition. Part 1: Artists of the Renaissance and Baroque, Harvard University Press, 2010, ISBN 0674052617, p. 236.
• Imtiaz H. Habib, Black Lives in the English Archives, 1500–1677: Imprints of the Invisible, Ashgate Publishing, 2008, ISBN 0754656950, p. 39.
• Miranda Kaufmann, "John Blanke, the Trumpeter", in Black Tudors: The Untold Story, Oneworld Publications, 2017, pp. 7–31.
• K. J. P. Lowe, Black Africans In Renaissance Europe, Cambridge University Press, 2005, ISBN 0521815827, p. 39.
• Onyeka Nubia, Blackamoores: Africans in Tudor England, their Presence, Status and Origins, London. Narrative Eye, 2013, ISBN 0953318214.
• Marika Sherwood, "Blacks in Tudor England", History Today, Volume 53, Issue 10, October 2003.

External links[edit]

• The John Blanke Project
• "John Blanke: A Black Musician At The Tudor Court", Historic Royal Palaces.

• William J. Zick, "John Blanke (16th Century)", BlackPast.org, 18 February 2008.
• "Britain's first black community in Elizabethan London", BBC News, 20 July 2012.
• "John Blanke, A Black Trumpeter in the court of King Henry VIII", The Black Presence in Britain, 12 March 2009.
• "John Blanke, Black Trumpeter", Black Presence: Asian and Black History in Britain, The National Archives.
  • "The Black Trumpeter at Henry VIII's Tournament", National Archives.
  • "Pay Day for John Blanke", The National Archives.
  • "Black Moors in Scotland", The National Archives.