Jon Stephen Cleary (22 November 1917 – 19 July 2010[1][2]) was an Australian writer and novelist. He wrote numerous books, including The Sundowners (1951), a portrait of a rural family in the 1920s as they move from one job to the next, and The High Commissioner (1966), the first of a long series of popular detective stories featuring Sydney Police Inspector Scobie Malone. A number of Cleary's works have been the subject of film and television adaptations.
Cleary was born in Erskineville, Sydney and educated at Marist Brothers College, Randwick. When he was ten his father spent six months in Long Bay Gaol for stealing five pounds. Debt collectors took everything in the Cleary household "except a piano and my mother's double bed", said Cleary. "I remember sitting on the steps with Mum, who was weeping bitterly, and she said, 'Don't ever owe anything to anybody.' That sticks with you, and it's why I gained a justifiable reputation for being tight with money."[3] However he added that "the night after we were repossessed, our friends turned up with chairs, an old table, cakes, sandwiches – they were all battlers but they helped out."[3]
Cleary left school in 1932, aged 14, to help his family financially. He spent the following eight years doing a variety of jobs, notably as a commercial artist for Austral Toon under Eric Porter.[4] He wrote his first story in 1938 at the request of Joe Morley, a journalist friend of Cleary's father. It was a piece about being unemployed which Cleary did not finish because he thought it was self-pitying but he found he did enjoy the process of writing.[5]
Cleary enlisted in the Australian army on 27 May 1940 and served in the Middle East before being transferred to the Military History Unit. He served for a time in New Guinea, where his clerk was Lee Robinson, and was discharged on 10 October 1945 with the rank of lieutenant.[6]
Cleary began writing regularly in the army, selling his first story in 1940. The following year he won £50 prize writing a story for the Daily Mirror. It was killed by the censor but the newspaper hired Cleary to write a weekly story. He began also to write for The Australian Journal, whose editor sent four of Cleary's short stories to American agent Paul Reynolds, who began selling them to American magazines such as Cosmopolitan and The Saturday Evening Post.[5][7] and in 1945 won equal first prize in a competition for the ABC for his radio play Safe Horizon.[8] In 1946 a collection of his short stories was published called These Small Glories.
Cleary's first novel was the 1947 work, You Can't See 'Round Corners, about the life of an army deserter wanted for the sensational murder of his girlfriend in wartime Sydney. Cleary started writing this in the army and finished it on board a ship en route to London where he had hoped to find work as a screenwriter.[4] Instead he worked as a journalist for the Australia News and Information Bureau from 1948 to 50, a job he continued in New York from 1950 to 51.[9]
He continued writing short stories and novels. His second novel, The Long Shadow (1949) was a thriller, a genre he tackled at the suggestion of his editor Graham Greene. Just Let Me Be (1950) was set in Coogee, and was later filmed for British TV.
While in New York Cleary wrote his fourth published novel, The Sundowners, based on stories of his father. It was published in 1952 and sold three million copies, enabling Cleary to write full-time.
Cleary lived in Italy for a year then returned home to Australia in 1953 after seven years away.[10][11]
His fifth novel, The Climate of Courage (1954), was based on his war experiences and sold well in Australia and Britain. He visited the Kimberley region in 1954, and the result was Justin Bayard (1955) (later filmed as Dust in the Sun (1958)).
Cleary then went back to live in London. His novels became increasingly set in countries other than Australia, with Cleary travelling extensively for the purposes of research.
"I realised at 40 I did not have the intellectual depth to be the writer I would like to be, so I determined to be as good a craftsman as I might be", Cleary said later on.[12]
He had written a book about Australian politics, The Mayor's Nest, but his English publisher was worried it would not appeal to an international audience, and suggested a book on motor racing. Cleary had lived in Italy and become familiar with the motor races there. He wrote The Green Helmet in Spain in twenty days, and it became a best seller on its publication in 1957. Cleary also wrote the script for the 1961 film version.[4]
While in London, Cleary got the idea for a book about an Australian detective who has to arrest the Australian High Commissioner. The High Commissioner (1966) introduced the world to detective Scobie Malone although initially it was meant to be a stand-alone book. The novel sold well and was turned into a film Nobody Runs Forever (1968).
Cleary followed it with The Long Pursuit (1967), set during World War II, originally written as a film script.[13]
In 1966 Cleary returned to Australia after three years abroad and sold his Pittwater House to buy one at Kirribilli. He said "I'm a professional craftsman and I should be judged on those standards. I like to think I'm a little better than a potboiler. If I was a pot boiler I would never take off eight months to write a novel."[14]
Cleary said 50% of his screenplays had been filmed by that stage and that he had recently turned down $50,000 to write a TV series set in the South Pacific. "Financially I could retire, mentally I couldn't," he said. He was working on a "social comedy" called The Ballad of Fingal McBride.[14]
In the 1970s, Cleary returned to Sydney to live permanently, buying a block of land at Kirribilli opposite the Sydney Opera House, next to businessman Eric McClintock. Cleary built a house on this block and it became his home for the rest of his life. During the 1970s and 1980s Cleary continued to travel two months of the year to research his novels.
He wanted to write about the Opera House so Scobie Malone returned for Helga's Web (1970), which was later filmed (Cleary wrote a script which was not used). Mask of the Andes (1971) was set in Bolivia and Man's Estate (1972) among the British upper class.
Cleary returned to Scobie Malone for Ransom (1973), set in New York, but then stopped writing about the detective as he did not wish to be trapped as a writer. He did Peter's Pence (1974) a thriller; The Safe House (1975), about World War II; A Sound of Lightning (1976), set in Montana. He also wrote the screenplay for Sidecar Racers (1975).
Cleary met his wife Joy on his boat trip to England in 1946 and married her five days after they landed. They had two daughters, Catherine and Jane,[15] the latter of whom died of breast cancer at age 37, predeceasing both of her parents. Joy Cleary developed Alzheimer's disease and went to live in a nursing home prior to her death in 2003.[16]"I was very, very lucky", said Cleary of his marriage. "We were in love from the day we met to the day we – sorry, I mean she – died."[17]
Cleary was good friends with fellow writers Morris West and Alexander Baron. He was a regular churchgoer, attending Mass every Sunday. For the last three years of his life, he was in ill-health, attended by a full-time carer, and in and out of hospital with heart problems.[3] He died on 19 July 2010, aged 92. The eulogy at his funeral was delivered by his friend and neighbour Sir Eric McClintock.[18]
During his lifetime, Cleary was one of the most popular Australian authors of all time. According to Murray Waldren, "his own assessment was that he lacked a poetic eye but had an eye for colour and composition and was strong on narrative and dialogue. And he took pride in the research underpinning his works."[3]
Cleary once stated that the book which had most influenced him was The Power and the GlorybyGraham Greene. "He caught perfectly the almost heroism of a man who would have been shocked to hear that he was an hero ... I've always said that Greene could say more in one phrase than most writers in a chapter."[19]
^The Australian Journal vol. 80 no. 946. 1 January 1945 (pp. 17–21)
^"Late Date". The Sydney Morning Herald. 2 April 1946. p. 4 (Supplement: The Sydney Morning Herald Magazine). Retrieved 27 February 2012 – via National Library of Australia.
^"The Stranger". The Sydney Morning Herald. 4 June 1946. p. 7 Supplement: The Sydney Morning Herald Magazine. Retrieved 27 February 2012 – via National Library of Australia.
^"See you [?] on the bus". The Mail. Adelaide. 7 September 1946. p. 1 Supplement: Sunday Magazine. Retrieved 27 February 2012 – via National Library of Australia.
^The Australian Journal vol.81 no.961, 1 April 1946 (pp. 268–71, 285–88)
^The Australian Journal vol.83 no.986 1 May 1948 (pp. 360–63)
^Times Pictorial Dublin, Ireland; 3 November 1951, p. 14.
^Blue Book Magazine vol.93 no.2 June 1951 (pp.84–89)
