Julian Francis StairOBE (born 1955 in Bristol) is an English potter, academic and writer. He makes groups of work using a variety of materials, from fine glazed porcelain to coarse engineering brick clays. His work ranges in scale from hand-sized cups and teapots to monumental jars at over 6 feet tall and weighing half a ton.
Stair has exhibited internationally over the last 40 years and has work in over thirty public collections including the Victoria & Albert Museum, British Museum, American Museum of Art & Design, Hong Kong Museum of Art, Boijmans Museum, Netherlands, Mashiko Museum of Ceramic Art, Japan, Kolumba Museum, Cologne, Germany and Fitzwilliam Museum, Cambridge, UK. In 2004 he was awarded the European Achievement Award by the World Crafts Council for the project Extended Inhumation,[1] and received a Queen Elizabeth Scholarship to research the making of monumental ceramics at Wienerberger's brick factory in Sedgley.[2] In 2008 the Art Fund purchased Monumental Jar V for Middlesbrough Institute of Modern Art (mima) and in 2014 purchased "Reliquary for a Common Man" for the Crafts Council.[3] In 2017 Stair was the recipient of the Bavarian State Prize in recognition of outstanding contribution to contemporary art and design.[citation needed]
Recent projects include the solo exhibitions:'Art, Death and the Afterlife', Sainsbury Centre, Norwich, 'Equivalence', (Corvi-Mora Gallery, London, 'Quotidian', the re-imagining of the historic 'Grand Service at Corvi-Mora Gallery, London and Quietus: The Vessel, Death and the Human Body which was commissioned by mima and supported by Arts Council England. This exhibition addressed the containment of the human body in death and featured a series of funerary works, from cinerary jars to life-size sarcophagi.[4]
Stair was a Principal Research Fellow at the University of Westminster 2012-14.[7] He was Senior Lecturer at the University of Roehampton, London, (1987–1998); Fellow in Craft & Criticism at Northumbria University, (1998–1999); Research Fellow at the Royal College of Art, (2004); and Senior Research Fellow at University of Arts, London, (2002–2011). He is an alumnus of Cape Farewell, UK, an interdisciplinary programme that explores a sustained artistic response to climate change. He joined the 2008 Disko Bay Expedition, visiting West Greenland with over 40 international artists, journalists and scientists.[8]
He has been a regular contributor to ceramic journals since the mid-1980s. Recent publications include 'The Employment of Matter: Pottery of the Omega Workshop', contributing essay to Beyond Bloomsbury: Designs of the Omega Workshop 1913–19, Courtauld Gallery, London, 'Factive Plasticity: The Abstract Pottery of William Staite Murray', catalogue essay for Ben Nicholson, Winifred Nicholson, Christopher Wood, Alfred Wallis & William Staite Murray: Art and Life 1920-1931, Leeds Art Gallery, Kettle's Yard, Cambridge & Dulwich Picture Gallery, London, 'The Origins of Studio Pottery: From Precepts to Praxis', catalogue essay for Things of Beauty Growing, Yale Centre for British Art, USA, Fitzwilliam Museum, Cambridge, and 'The spark that ignited the flame: 1923, Hamada, Paterson's Gallery and English studio pottery', Ceramics, Art and Cultural Production in Modern Japan.
Stair works to commission. Recent commissions include a group of works for the state apartments at Chatsworth House, Derbyshire, a 130-piece installation for a private London client, and an external installation of work in the gardens of the American Ambassador's residence at Winfield House, London.[citation needed]
2017 - "Things of Beauty Growing", Yale Center for British Art, Newhaven, USA
2016 - "Re-naturing the Vessel: the shared approach of Julian Stair and Simone ten Hompel", Rosemarie Jäger Gallery, Hochheim, Frankfurt, Germany & Oxford Ceramics Gallery, UK
2016 - 'Big Ceramics', Wolverhampton Art Gallery, 'Cause and Effect', National Centre for Craft and Design, Seaford, 'Frieze', Corvi-Mora Gallery, London
2016 - Quietus Revisited, Manchester Cathedral, UK
2015 - "Vessels: The Spirit of Modern British Ceramics," Mashiko Museum of Ceramic Art, Japan, 'Frieze', Corvi-Mora Gallery, London, Contemporary Applied Arts, London
2014 - Quietus, Somerset House, London, UK
2014 - Quotidian, Corvi-Mora Gallery, London, UK
2014 - Vivarium, Corvi-Mora Gallery, London, 'Frieze', Corvi-Mora Gallery, London, 'Legacy, Two Works About Hope and Memory', Forty Hall, London & Collect, Saatchi Gallery, London
2014 - Quietus, Somerset House, London, UK
2013 - Quietus, National Museum of Wales, Cardiff, Winchester Cathedral, Winchester, UK
2013 - "The Matter of Life and Death," York Museum, UK
2012 – Quietus, Middlesbrough Institute of Modern Art, UK (touring to National Museum of Wales, Cardiff and Winchester Cathedral)
