June Winters (May 17, 1918 — March 29, 2015) was an American actress and singer who was actively performing from the mid-1930s into the 1960s. She first came to prominence starring in the Broadway musicalHellzapoppin at the Winter Garden Theatre from 1938 through 1941. A versatile performer, her career spanned a wide array of genres from vaudeville to musicals to opera and popular music. Married to trumpeter and songwriter Hugo Peretti, she achieved her greatest success creating content for children as the "Lady in Blue" in partnership with her husband; releasing dozens of albums with sung and spoken material from 1947 into the early 1960s. The character Lady in Blue also had her own comic strip and Saturday morning radio program on NBC Radio. The couple also co-founded the Mayfair Records company.
Born in Hazleton, Pennsylvania,[1] Winters began her career in repertory theatre at the age of 16 performing with the Clyde Davis Players, a traveling theatre troupe, in 1936.[2] She moved to New York City in 1938 where she studied singing with celebrated voice teacher Estelle Liebling.[3]
At the age of 18, Winters' abilities as a coloratura soprano drew the attention of conductor Ernö Rapée who cast her in a novelty act with another young coloratura soprano, Cyrel Roodney, for performances in a variety show at the Radio City Music Hall in 1938. In the program both girls performed music extending as high as an F#6 above a High C.[4] Receiving positive responses from audiences, Winters and Roodney were both cast in the Broadway musicalHellzapoppin at the Winter Garden Theatre in 1938.[5] This show was Winters major break, and she remained with the show for the next three years.[1]
In 1943 Winters met trumpeter and songwriter Hugo Peretti, and the couple married that same year.[1] Their marriage lasted until Peretti's death forty three years later in 1986. Together the couple had two daughters, and they co-founded Mayfair Records in 1946.[1] In 1947 the couple released Lady in Blue, the first of many children's albums featuring Winters as that eponymous character on the Mayfair label.[26] By 1949, Winters's character "The Lady in Blue" was appearing periodically on children's programs on NBC Radio and NBC television, and had its own comic strip, in addition to having a series of children's albums.[27] By 1951 she had her own radio program, Lady in Blue, on NBC Radio on Saturday mornings.[28]
In 1957 Mayfair Records was acquired by the newly formed Roulette Records with Peretti hired to lead the children's division of the record label. Thereafter, Winter's recordings as 'Lady in Blue' were released on the Roulette label.[29] By the time she retired from performance in the 1960s, Winters had recorded dozens of children's albums as the 'Lady in Blue'.[1]
In addition to her children's albums, Winters also recorded popular music. In 1942 she was signed with Continental Records, and recorded the songs "All Alone", "Last Night on the Back Porch", "Night Time", and "I Will Find My Way" for her first recording.[30] In 1950 she recorded Jerry Bresler's "Christmas in My Heart" for Mercury Records.[31] In 1954 she released singles "Reading Old Letters" and "I Don't Want to Be Worshipped"; again with Mercury Records.[32]
^"Repertoire-Stock: Reb Ripples". Billboard. Vol. 48, no. 34. August 22, 1936. p. 26.
^Dean Fowler, Alandra (1994). Estelle Liebling: An exploration of her pedagogical principles as an extension and elaboration of the Marchesi method, including a survey of her music and editing for coloratura soprano and other voices (PhD). University of Arizona.
^Alice Hughes (August 19, 1938). "A Woman's New York". The Washington Post. p. 11.
^"Legitimate: New Plays on Broadway – Winter Garden". Billboard. Vol. 51, no. 52. December 30, 1939. pp. 84–85.
^Ernest L. Schier (January 12, 1943). "'Mikado' Delights S.R.O. House To Signalize Savoyards' Return". The Washington Post. p. B6.
^"Double Bill Delights at National". The Washington Post. November 25, 1942. p. B8.
^"Savoyards' Return, Hit Films Feature New Bills". The Washington Post. January 6, 1943. p. B6.
^Smith, Cecil (February 14, 1943). "Gilbert Opera, Ruddigore, a Hilarious Show: Presentation Is Chicago's First in Many Years". Chicago Daily Tribune. p. 21.
^Smith, Cecil (May 23, 1943). "Boston Troupe Ends Repertory with Iolanthe: Offers Another Week of Gilbert and Sullivan". Chicago Daily Tribune. p. 22.
^Schallert, Edwin (March 11, 1943). "'The Gondoliers' Sparkling Light Opera at Biltmore". Los Angeles Times. p. 22.
^"Gilbert and Sullivan's 'Patience' Delights Another Packed House". The Washington Post. November 28, 1942. p. B10.
^Nelson B. Bell (November 24, 1942). "Boston Comic Opera Company Scores Handsomely in Pirates". The Washington Post. p. B10.
^"The Boston Comic Opera Company". The New York Times. September 26, 1942. p. 10.
^"The Savoyard Operettas Next At National". The Washington Post. November 15, 1942. p. L3.
^Smith, Cecil (February 3, 1943). "Florenz Ames Is Bright Light of Comic Opera". Chicago Daily Tribune. p. 15.