 |
This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these template messages)
|
| Junsang Bahk | |
| Hangul | 박준상 |
|---|---|
| Revised Romanization | Bak Jun-sang |
| McCune–Reischauer | Pak Chunsang |
Junsang Bahk (Korean: 박준상; born 2 June 1937) is a celebrated Korean composer, also active in Austria.
Bahk studied composition at the Graduate School, Seoul National University, where he received a Master of Music Degree in 1965. An Austrian government stipend enabled him to study composition from 1967 to 1973 at the Universität für Musik und darstellende Kunst in Vienna, with Hanns Jelinek and Alfred Uhl, twelve-tone technique with Jelinek and Erich Urbanner, electronic music and modern music with Friedrich Cerha. He graduated with Distinction in 1973. In 1968 and 1970 he took part in the Internationale Ferienkurse für Neue MusikinDarmstadt, in Karlheinz Stockhausen's composition studios, and later in György Ligeti's composition seminar. Subsequently, he studied musicology and ethnomusicology at the University of Vienna, where he received a Ph.D. in 1991 with a dissertation titled "Die Auswirkungen der Volksliedforschung auf das kompositorische Schaffen von Béla Bartók".
In 1969 in Seoul, together with Isang Yun, Nam June Paik, and Sukhi Kang, he helped organize the "Biennale for Contemporary Music", where new Western music was performed for the first time in Korea (Stockhausen, Pierre Boulez, Herbert Eimert, John Cage, Roman Haubenstock-Ramati, etc.).
His compositions have won many important prizes, including the Korean National Prize for Composition (1980), First Prize of the Korean Information Ministry (1964), and the Kompositionspreis des Grazer Musikprotokolls (1973 and 1975).
