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F r o m W i k i p e d i a , t h e f r e e e n c y c l o p e d i a
Ken Rinaldo
Born
Kenneth E. Rinaldo
Queens, New York
Nationality American Alma mater San Francisco State University, Known for Interactive art installations using technology Website kenrinaldo
Kenneth E. Rinaldo (born 1958)[1] [2] neo-conceptual artist and arts educator, known for his interactive robotics, 3D animation, and BioArt installations. His works include Autopoiesis (2000),[3] [4] [5] [6]
Biography
[ edit ]
Rinaldo was born in Queens and raised in Long Island .[7] Ward Melville High School in East Setauket, New York .[7] Cañada College ,[7] University of California, Santa Barbara ;[7] San Francisco State University , 1996.[7] George LeGrady and Paul DeMarinis .[7]
'Farm Fountain' living sculpture, a collaboration with Amy Youngs.
In 2000 he received the first prize at the VIDA 3.0 International Artificial Life Competition for Autopoiesis;[8] Ars Electronica Festival.[9] [10] [9] [11]
Rinaldo directs the Art and Technology Program in the Department of Art at Ohio State University .[9] [12]
References
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^ Gündüz, Mert (2010). "Ken Rinaldo, Boğaziçi - Interview Project" . Istanbul Museum . Retrieved 2018-02-07 .
^ Artificial Life 7 Workshop Proceedings, Carlo C. Maley and Eilis Boudreau Editors, Autopoiesis by Kenneth E. Rinaldo pgs, 166-169
^ Information Arts, Intersections of Art, Science, and Technology Stephen Wilson pgs 113-114, 341-342, 344, 427
^ Digital Art by Christiane Paul ISBN 978-0-500-20367-5 . pg 144, 145
^ Stocker, G., Schöpf, C. (2004). International Compendium: Prix Ars Electronica 2004 : CyberArts 2004. Austria: Hatje Cantz.
^ a b c d e f "Interview of Ken Rinaldo" . We Make Money Not Art . 2006-08-02. Retrieved 2018-02-07 .
^ "VIDA 15th Anniversary Celebration" . VIDA Fundación Telefónica . Retrieved 2018-02-07 .
^ a b c Leopoldseder, Hannes; Schöpf, Christine (2001). Cyberarts 2001: International Compendium Prix Ars Electronica ISBN 9783211836286
^ Huhtamo, Erkki (2000). Outoäly - Alien intelligence
^ Ken Rinaldo at the website of The New Art Fest Lisbon
^ Leonardo, Volume 31, number 5, 1998 Technology Recapitulates Phylogeny Artificial Life Art by Kenneth Rinaldo pgs 371-376
Further reading
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Aloi, Giovanni. (2012) Art and Animals .
BEAP: Biennale of Electronic Arts Perth. (2002). Australia: John Curtin Gallery, Curtin University of Technology.
Brouwer, Joke. (2010) The Politics of the Impure .
Jones, Amelia. (2006) A Companion to Contemporary Art Since 1945 .MA ): Blackwell Publishing. p. 575.
Jones, Noa. (2007) Art in Action: nature, creativity and our collective future. San Rafael: Earth Aware Editions.
Ohlenschläger, Karin. (2012) Vida 1999-2012: arte y vida artificial = art and artificial life. Madrid: Fundación Telefónica.
Parikka, Jussi. (2010) Insect Media: An Archaeology of Animals and Technology .
Poissant, Louise, and Daubner, Ernestine. (2005) Art et biotechnologies. Sainte-Foy (Québec): Presses de l'Université du Québec.
Preziosi, Donald. (2007) The Art of Art History: A Critical Anthology .
Reichle, Ingeborg. (2009). Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art . Wien: Springer.
Robots and Art: Exploring an Unlikely Symbiosis .
Scarinzi, Alfonsina. (2016) Aesthetics and the embodied mind: beyond art theory and the cartesian mind-body dichotomy. Dordrecht: Springer Netherlands.
Seevinck, J. (2017). Emergence in Interactive Art .
Shanken, Edward A. (2014). Art and Electronic Media. London: Phaidon Press Limited.
*Whitelaw, Mitchell. (2004) Metacreation: Art and Artificial Life. Cambridge, Mass: MIT Press.
Shanken, Edward A. (2015). Systems. London: Whitechapel Gallery.
Whitelaw, M. (2004). Metacreation: art and artificial life .
Wilson, Stephen. (2003) Information Arts: Intersections of Art, Science, and Technology.
External links
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R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Ken_Rinaldo&oldid=1217355703 " C a t e g o r i e s : ● O h i o S t a t e U n i v e r s i t y f a c u l t y ● A m e r i c a n i n s t a l l a t i o n a r t i s t s ● 1 9 5 8 b i r t h s ● L i v i n g p e o p l e ● R o b o t i c a r t ● B i o A r t i s t s ● U n i v e r s i t y o f C a l i f o r n i a , S a n t a B a r b a r a a l u m n i ● A m e r i c a n n e w m e d i a a r t i s t s ● W a r d M e l v i l l e H i g h S c h o o l a l u m n i H i d d e n c a t e g o r i e s : ● A r t i c l e s w i t h h C a r d s ● A r t i c l e s w i t h I S N I i d e n t i f i e r s ● A r t i c l e s w i t h V I A F i d e n t i f i e r s ● A r t i c l e s w i t h G N D i d e n t i f i e r s
● T h i s p a g e w a s l a s t e d i t e d o n 5 A p r i l 2 0 2 4 , a t 1 0 : 2 3 ( U T C ) . ● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n . ● P r i v a c y p o l i c y ● A b o u t W i k i p e d i a ● D i s c l a i m e r s ● C o n t a c t W i k i p e d i a ● C o d e o f C o n d u c t ● D e v e l o p e r s ● S t a t i s t i c s ● C o o k i e s t a t e m e n t ● M o b i l e v i e w
