Kumihimo (組み紐) is a traditional Japaneseartform and craftwork for making braids and cords.[1][2] In the past, kumihimo decorations were used as accessories for kimono as well as samurai armor.[3] Japanese Braiding, as Kumihomi is sometimes known in english, is also associiated with Shinto rituals and religious services.[2] Literally meaning "gathered threads", kumihimo are made by interlacing reels of yarn, commonly silk, with the use of traditional, specialised looms – either a marudai (丸台, lit.'round stand')[2] or a takadai (高台) (also known as a kōdai).
There are a number of different styles of kumihimo weaving, which variously create a braided cord ranging from very flat to almost entirely rounded.[1]Kumihimo cords are used as obijime, cords worn belted around the front of some obi when wearing kimono.
Kumihimo was introduced to Japan from China via the Korean peninsula around 700 AD.[4][5] When the art first arrived in Japan, it was used to decorate Buddhist scrolls and other votive items. The city of Nara emerged as a centre of cultural and artistic exchange and became the point of introductory of kumihimo to Japan.[6]
Kumihimo braids were first created by using fingerloop braiding to weave different yarns together. Later, tools such as the marudai and the takadai were developed, allowing more complex braids to be woven in a shorter amount of time.
In the present day, modern variations of kumihimo weaving discs exist, typically made of firm, dense foam with (typically) 32 notches around the edge, creating the tension necessary for weaving kumihimo. These discs are considered to be a more affordable and portable alternative to a traditional marudai, with many different sizes and shapes of disc available for purchase.
However, a modern foam kumihimo disc is considered less versatile than a traditional marudai. A traditional marudai allows the weaver to use as many yarns of as many thicknesses as desired, and to create braids which are flat, four sided, or hollow. A foam kumihimo disc constrains the weaver to no more than 32 yarns that must not be thicker than the notch allows, and does not enable the creation of flat braids. To make a flat braid a separate rectangular or square "disc" must be made or purchased.
The most prominent historical use of kumihimo was by samurai, as a functional and decorative way to lace their lamellar armour and their horses' armor (barding). Kumihimo cords are now used as ties on haori jackets and as obijime, used to hold some obi knots in place or to decorate the obi when wearing kimono.
Modern Kumihimo: the 20th and 21st centuries[edit]
Japanese braiding is being used in other areas in addition to its traditional uses, and has been taken up by arts and craft communities outside of Japan.[7][8]Kumihimo has gained in popularity outside of Japan, with an increasing number of beginner books available in languages other than Japanese.[9][10][11][12][13] There is also a Journal of the American Kumihimo Society.[8]
In contrast to the interest in Japanese braiding as a craft for all, the city of Columbus, Georgia, USA commissioned Junichi Arai (1932-2017) to create a permanent 12 x 9 metre metallic fibre artwork consisting of 200 stainless steel kumihomi braidings that produced kinetic waves.[7] Arai is considered an important innovator who raised textiles from craft to art. Akiko Moriyama describes him thus: "Arai embodies everything about Japanese textiles, from the challenges to the possibilities."[7] Arai's installation opened at for the River Center for Performing Arts in 2003.[7]
Kagami – the top braiding surface on a marudai; Japanese for "mirror".
Kongō Gumi – a class of patterns for round cord all involving eight threads folded in half for a total of sixteen strands. In clockwise order, each bobbin is moved to the opposite side. When different combinations of thread color are used, many interesting patterns emerge, including diagonal stripes, diamonds on a background, triangles resembling hearts, and tiny six-petalled flowers.
Marudaiormaru dai – the frame for the braiding; maru dai Japanese for "round stand".
Mizuhiki, decorative cords used to decorate objects such as shūgi-bukuro envelopes.
Obijime – the broad cloth sash used in traditional dress; a kumihimo belt, called the obijime, is tied around the obi.
Takadai – a takadai is a large, rectangular frame for creating flat, oblique kumihimo braids.
Tama – bobbins. The thread is kept from unwinding by passing the thread under itself, forming a loop around the tama. True silk is a hollow fiber with a rough surface that resists slipping past the loop unless gently pulled. For synthetic fibers, a flexible plastic "clamshell" bobbin may be preferable.
^ abKinoshita, Masako (1986). "A Braiding Technique Documented in an Early Nineteenth-Century Japanese Treatise" Soshun Bik‾"". Textile museum journal. 25: 47–65 – via EBSCOhost Art & Architecture Source.
^ abcdMoriyama, Akiko (2020). Harris, Jennifer (ed.). Japanese Textile Culture in A Companion to Textile Culture. Wiley-Blackwell companions to art history. Hoboken, NJ: John Wiley & Sons, Inc. p. 353-370. ISBN978-1-118-76860-0.
^ abHardy, Beth; Benner, Carol; Haushalter-Oliver, Carolyn; Mutter, Debbie; Shirashi, Diana; Imperia, Giovanna; Pigot, Jan; Peterson, Jane; Johansen, Katia; Tada, Makiko; Jeppesen, Margaret; Tada, Masumi; Nielson, Rosalie; Berlin, Shirley; Guang, Yin (2020). Gaskell, Adrienne; Buenger, Katherine (eds.). "Gathering Threads". Journal of the North American Kumihimo Society.