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F r o m W i k i p e d i a , t h e f r e e e n c y c l o p e d i a
Kunzang Choden (Dzongkha : ཨམ་ཀུན་བཟང་ཆོས་སྒྲོན་གྱི་སྐོར། ; born 1952)[1] is a Bhutanese writer. She is the first Bhutanese woman to write a novel in English.
Choden was born in Bumthang District . Her parents were feudal landlords. At the age of nine, her father sent her to school in India, where she learned English.[2] She has a BA Honours in Psychology from Indraprastha College in Delhi and a BA in Sociology from the University of Nebraska-Lincoln . She has worked for the United Nations Development Program in Bhutan. She and her Swiss husband currently live in Thimphu .[3]
The Circle of Karma , published by Zubaan Publishers Pvt. Ltd in 2005, is her first novel. It takes place in the 1950s, the initial period of imperially regulated modernization in Bhutan. The main character, a Bhutanese woman and road-builder by occupation, is forced to deal both with the traditional, restrictive gender roles of pre-modern Bhutan and the new kinds of sexism developing as men gain economic freedom.[4] Much of the novel is also set in North India.
In 2012, Choden and her family founded the publishing house, Riyang Books, in Thimphu.[5] [6]
During the 2020 COVID-19 pandemic , Choden's film-maker daughter, Dechen Roder , made video recordings of her mother reading her stories and posted them to YouTube for children stuck at home during the lockdown.[7]
Bibliography [ edit ]
References [ edit ]
^ Zubaan Books Archived 2007-10-20 at the Wayback Machine
^ Mathai, Anna Sujatha (17 July 2005). "Rooted in the soil and earth" . The Hindu . Archived from the original on 20 December 2015. Retrieved 14 January 2019 .
^ "Our own Penguin" . The Bhutanese . Retrieved 11 May 2022 .
^ "About" . Riyang Books . Retrieved 11 May 2022 .
^ "Tell Me A Story: Rediscovering The Lost Art Of Oral Narrations" .
Chaubey, Ajay K, et al. Women Writers of the South Asian Diaspora. Jaipur: Rawat, 2020
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C a t e g o r i e s :
● B h u t a n e s e w r i t e r s
● B h u t a n e s e n o v e l i s t s
● 1 9 5 2 b i r t h s
● L i v i n g p e o p l e
● I n d r a p r a s t h a C o l l e g e f o r W o m e n a l u m n i
● D e l h i U n i v e r s i t y a l u m n i
● P e o p l e f r o m B u m t h a n g D i s t r i c t
● B h u t a n e s e w o m e n w r i t e r s
● 2 0 t h - c e n t u r y w o m e n w r i t e r s
● 2 0 t h - c e n t u r y n o v e l i s t s
● 2 1 s t - c e n t u r y w o m e n w r i t e r s
● 2 1 s t - c e n t u r y n o v e l i s t s
● W o m e n n o v e l i s t s
● E n g l i s h - l a n g u a g e w r i t e r s f r o m B h u t a n
H i d d e n c a t e g o r i e s :
● W e b a r c h i v e t e m p l a t e w a y b a c k l i n k s
● A r t i c l e s w i t h s h o r t d e s c r i p t i o n
● S h o r t d e s c r i p t i o n m a t c h e s W i k i d a t a
● U s e d m y d a t e s f r o m J a n u a r y 2 0 1 9
● A r t i c l e s c o n t a i n i n g D z o n g k h a - l a n g u a g e t e x t
● A r t i c l e s w i t h I S N I i d e n t i f i e r s
● A r t i c l e s w i t h V I A F i d e n t i f i e r s
● A r t i c l e s w i t h W o r l d C a t E n t i t i e s i d e n t i f i e r s
● A r t i c l e s w i t h B N F i d e n t i f i e r s
● A r t i c l e s w i t h B N F d a t a i d e n t i f i e r s
● A r t i c l e s w i t h G N D i d e n t i f i e r s
● A r t i c l e s w i t h L C C N i d e n t i f i e r s
● A r t i c l e s w i t h N T A i d e n t i f i e r s
● A r t i c l e s w i t h S U D O C i d e n t i f i e r s
● T h i s p a g e w a s l a s t e d i t e d o n 4 J u n e 2 0 2 4 , a t 0 6 : 5 2 ( U T C ) .
● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n .
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