| Lai Haraoba | |
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| Official name | Lai Haraoba |
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| Observed by | Meitei people |
| Frequency | annual |
| Related to | Umang Lais |
| Part of a serieson |
| Sanamahism |
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Primordial deities |
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Incarnations |
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Scripture
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Religious roles |
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Temples |
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Festivals |
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Lai Haraoba (Meitei for 'merry making of the gods') is a traditional Meitei religious festivalofritual dance and musical theatre, celebrated annually in honour of Umang Lais, the forest deitiesofSanamahism (traditional Meitei religion).[1][2][3]
Lai Haraoba (Meitei: ꯂꯥꯏ ꯍꯔꯥꯎꯕ) is a ritualistic festival of the Meiteis observed since ancient times.[4] It is a ritual enactment of the creation myth. It mirrors the entire culture of Manipur and depicts the close affinities between the hill and plain people. It is a combination of religious recitations, traditional music and dance, traditional social values and ancient cultural aspects.[5]
The rituals within the festival are the same except in some items or hymns, such as ikouba, ikourol, and yakairol at the beginning and mikon thagonba, ngaprum tanba at the end of the festival. In the performances, the evolution story with the amorous love-affairs of Nongpok Ninghthou and Panthoibi is depicted and played equally in all kinds of lai haraoba.[6] According to folklore, the gods held the first Lai Haraoba on the Koubru Hill so that their descendants would imitate them by performing the same rites.
Four types of Lai Haraoba are prevalent in the Meitei society, namely, Kanglei Haraoba, Moirang Haraoba, Kakching Haraoba and Chakpa Haraoba.[7] Kanglei Haraoba is performed mainly in Imphal and the nearby towns. Moirang Haraoba is only in Moirang, Kakching Haraoba is held in Kakching and Chakpa Haraoba is celebrated at Andro, Phayeng, Sekmai, Koutruk, Khuukhul, Leimaram and Tairenpokpi.[8]
Lai Haraoba Ishei is a famous folk song played mainly during Lai Haraoba. This song contains lyrics with veiled references to erotic mysticism.[9][10] The main quality of the song is the rhythm in its tune.[11]
