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Larry Schneider (born July 26, 1949) is an American jazz saxophonist.
Early life [ edit ]
Schneider was born in Long Island in 1949.[1] He attended the University of Massachusetts , where he studied biology but in 1970 he decided to become a professional musician instead.[1]
Later life and career [ edit ]
After relocating to New York City, Schneider played as a sideman in the 1970s with Billy Cobham , the Thad Jones-Mel Lewis Orchestra , Horace Silver , Jim McNeely , Mike Richmond , and Bill Evans .[1] Around 1980 he moved again, to San Francisco, where he worked with Hein van de Geyn and John Abercrombie , and increasingly played in Europe in the later 1980s and 1990s, with François Jeanneau , the Orchestre National de Jazz , Marc Ducret , François Méchali , Alain Soler , André Jaume , Éric Barret and others.[1] After music, his second passion is tennis.[2]
Discography [ edit ]
As leader [ edit ]
So easy** (Label Bleu , 1988)
Just Cole Porter (SteepleChase , 1991)[2]
Blind Date (SteepleChase, 1992)[2]
Bill Evans... Person We Knew (SteepleChase, 1992)[2]
Mohawk (SteepleChase, 1994?)
"Freedom Jazz Dance" (Steeplechase) 1996
Ali Girl (SteepleChase, 1997)[2]
Summertime in San Remo (Splasc(h ), 1997)[2]
Ornettology (SteepleChase, 1998)[2]
Lemon Lips (Splasc(h ), 2000)[2]
It Might As Well Be Spring (SteepleChase, 2000)[2]
Jazz (SteepleChase, 2001)[2]
"It Might As Well Be Spring" (Steeplechase) 2003.
As sideman [ edit ]
With Ray Anderson
With Billy Cobham
With Miles Davis and Quincy Jones
With Marc Ducret
With Bill Evans
With George Gruntz
With The Thad Jones/Mel Lewis Orchestra
With Horace Silver
With Jody Watley
With Diederik Wissels Quartet
With Chris Potter and Rick Margitza
Jam Session Vol. 1 (SteepleChase, 2002)
External links [ edit ]
References [ edit ]
International
National
Artists
Other
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Larry_Schneider_(musician)&oldid=1073104010 "
C a t e g o r i e s :
● A m e r i c a n j a z z s a x o p h o n i s t s
● A m e r i c a n m a l e s a x o p h o n i s t s
● M u s i c i a n s f r o m N e w Y o r k ( s t a t e )
● A m e r i c a n m a l e j a z z m u s i c i a n s
● V i t a l I n f o r m a t i o n m e m b e r s
● L a b e l B l e u a r t i s t s
● S t e e p l e C h a s e R e c o r d s a r t i s t s
● T i m e l e s s R e c o r d s a r t i s t s
H i d d e n c a t e g o r i e s :
● A r t i c l e s w i t h s h o r t d e s c r i p t i o n
● S h o r t d e s c r i p t i o n i s d i f f e r e n t f r o m W i k i d a t a
● A r t i c l e s w i t h I S N I i d e n t i f i e r s
● A r t i c l e s w i t h V I A F i d e n t i f i e r s
● A r t i c l e s w i t h B N F i d e n t i f i e r s
● A r t i c l e s w i t h B N F d a t a i d e n t i f i e r s
● A r t i c l e s w i t h G N D i d e n t i f i e r s
● A r t i c l e s w i t h J 9 U i d e n t i f i e r s
● A r t i c l e s w i t h L C C N i d e n t i f i e r s
● A r t i c l e s w i t h M u s i c B r a i n z i d e n t i f i e r s
● A r t i c l e s w i t h S U D O C i d e n t i f i e r s
● T h i s p a g e w a s l a s t e d i t e d o n 2 1 F e b r u a r y 2 0 2 2 , a t 0 1 : 5 1 ( U T C ) .
● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n .
● P r i v a c y p o l i c y
● A b o u t W i k i p e d i a
● D i s c l a i m e r s
● C o n t a c t W i k i p e d i a
● C o d e o f C o n d u c t
● D e v e l o p e r s
● S t a t i s t i c s
● C o o k i e s t a t e m e n t
● M o b i l e v i e w