Photograph, possibly during her 1907–1908 tour of the United States
Laurence Alma-TademaCBE (August 1865 – 12 March 1940), born Laurense Tadema, was a British writer of the late 19th and early 20th centuries who worked in many genres.[1]
Alma-Tadema was born in Brussels in 1865. She was the eldest daughter of the Dutch painter Lawrence Alma-Tadema (1836–1912) and his first wife Marie-Pauline Gressin-Dumoulin de Boisgirard.[2]
Laurence lived in the cottage "The Fair Haven", Wittersham, Kent, and she involved herself with music and plays with the villagers and their children, going on to construct a building to seat a hundred people, used for musical concerts and plays, which she named "Hall of Happy Hours".[3] She mostly divided her time between a flat in Paris and her cottage in Wittersham.[4] She never married, and died in a nursing home in London on 12 March 1940.[1][5] Her stepmother, Lady Laura Theresa Alma-Tadema (1852–1909) and younger sister Anna Alma-Tadema (1867–1943) were noted visual artists.[6]
Alma-Tadema's first novel, Love's Martyr, was published in 1886. In addition to her own collections of stories and poems, which she often published herself, Alma-Tadema wrote two novels, songs and works on drama; she also made translations. The Orlando Project says about Alma-Tadema's writing that the "characteristic tone is one of intense emotion, but in prose and verse she has the gift of compression".[1] She contributed widely to periodicals, notably The Yellow Book, and also edited one herself.[1] Some of Alma-Tadema's plays were successfully produced in Germany.[3]
Alma-Tadema's poem "If No One Ever Marries Me", written in 1897 and published in Realms of Unknown Kings,[7] saw performances as a song in the 21st century by Natalie Merchant on her double album Leave Your Sleep.[8][9] In 1900 it had been included in the musical score, The daisy chain, cycle of twelve songs of childhoodbyLiza Lehmann,[10] and in 1922 in the musical score Little girls composed by Louise Sington.[citation needed]
Alma-Tadema had a close association with Poland. She was secretary of the "Poland and the Polish Victims Relief Fund" from 1915 to 1939. She was an admirer and long-term associate of Ignacy Jan Paderewski both as far as his music and political activities were concerned, notably on Polish independence.[5] Alma-Tadema maintained a correspondence with him from 1915 to the end of her life. Some of her papers are deposited with the Bodleian Library at the University of Oxford.[11] She wasw appointed CBE in 1918[12]
Alma-Tadema, who had socialist leanings, travelled to America in 1907 to tour the country widely.[3] She gave a series of readings on the "Meaning of Happiness", which proved exceedingly popular.[3] She also spoke on the plight of the divided Poland and asked her audience to express their feelings for this cause.[13][14]
Love's Martyr, Longmans, London, Green, and Co., (1886), hardcover, 208 pages; New York, D. Appleton (1886)
One Way of Love: A Play (1893), Edinburgh : R. & R. Clark, 54 pages
The wings of Icarus: being the life of one Emilia Fletcher, revealed by herself in I. Thirty-five letters, written to Constance Norris between July 18th, 188–, and March 26th of the following year; II. A fragmentary journal; III. A postscript, MacMillan New York and London, 1894
The Crucifix, A Venetian Phantasy, and Other Tales, London, Osgood, McIlvaine & Co. (1895), 172 pages
Realms of unknown kings, London, G. Richards, 1897
The fate-spinner, London, E.B. Mortlock, 1900
The Daisy-Chain (Liza Lehmann, L. Alma-Tadema, R.L. Stevenson and others) (1900)
Songs of childhood, Wrotham, Kent, Herb O'Grace, 1902.
Songs of womanhood, London: Grant Richards, 1903, hardcover, 117 pages
Four plays, London, Green Sheaf, 1905
Tales from my garden: three fairy tales, coauthored with Pamela Colman Smith, London, The Green Sheaf, 1906
The meaning of happiness : a discourse, London, Elkin Mathews, 1909
A few lyrics, London, E. Mathews, 1909
Mother Goose Nursery Rhymes : Proverbs and Rhyme Games, illustrated by Charles Robinson, foreword by Laurence Alma-Tadema, Collins Clear-Type Press, London, c. 1910, hardcover, 208 pages
Chopin. A discourse ... Translated from the Polish by Laurence Alma Tadema, Ignace Jan Paderewski, London, W. Adlington, 1911
Pelleas and Melisanda and the Sightless Two Plays By Maurice Maeterlinck, translation by Laurence Alma-Tadema, Walter Scott Ltd., London, hardcover and G. Allen and Unwin, London {1914}
Poland, Russia and the war, St. Catherine press (1915)
^ abcd
Brown, Susan; Clements, Patricia; Grundy, Isobel (n.d.). "Laurence Alma-Tadema entry: Overview screen". Orlando Project – Women's Writing in the British Isles from the Beginning to the Present. The Orlando Project. Retrieved 16 August 2011.
^
She appears in the painting by her father This is our corner, 1873, also known as Laurense and Anna Alma-Tadema, Van Gogh Museum, Amsterdam) as the standing girl in the foreground holding papers. Her younger sister Anna is shown lying on the bed in the background.[contradictory]
^ abcdUnattributed (1910–1912). "Miss Laurence Alma-Tadema". Every Woman's Encyclopaedia. London S.N. Retrieved 16 August 2011.
^'Miss L. Alma-Tadema' [Obituary], The Times, 21 March 1940, p. 11.
^ abIgnacy Jan Paderewski (Winter 2001) [1911]. "Chopin: A Discourse". Polish Music Journal. 4 (2). Translated by Laurence Alma Tadema. ISSN1521-6039. Retrieved 16 August 2011.
^Source: www.antiquesandfineart.com/roughton (n.d.). "Lady Laura Alma-Tadema". Fine Art Database. Antiques and Fine Art Magazine. Retrieved 16 August 2011.
^Merchant, Natalie (February 2010). "Natalie Merchant sings old poems to life". TED2010. TED Conference LLC. Retrieved 13 August 2011. See Interactive transcript for referred fact.
Media related to Laurence Alma-Tadema at Wikimedia Commons
