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Lawrence Kasha (December 3, 1933 – September 29, 1990) was an American theatre producer and director , playwright , and stage manager .[1]
Born in Brooklyn, New York , Kasha began his Broadway career as a production assistant for Silk Stockings New York City to work in that capacity for Li'l Abner Whoop-Up (1958), Happy Town (1959), and How to Succeed in Business Without Really Trying
Kasha had directed a season of summer stock productions at the Colonie Summer Theatre in Latham, New York in 1959, but his first major directing assignment came in 1962 with Guys and Dolls The Most Happy Fella O'Keefe Center in Toronto , Ontario, Canada. He returned to Broadway to share a producing credit with Hal Prince for She Loves Me Bajour Funny Girl West End when Barbra Streisand took the show to London in 1966, the same year he helmed Show Boat New York State Theater in Lincoln Center . Three years later he returned to London to direct Ginger Rogers in Mame
In 1978, Kasha adapted the 1954 MGM movie musical Seven Brides for Seven Brothers
Kasha's playwriting credits include The Pirate (1968), Where Have You Been, Billy Boy (1969), and Heaven Sent (1978).
Kasha served as producer for the television series Busting Loose Komedy Tonite , and Knots Landing Cedars-Sinai Medical Center in Los Angeles, California from AIDS in 1990.
Additional Broadway credits [ edit ]
Additional national tours [ edit ]
Awards and nominations [ edit ]
1981 Tony Award for Best Musical (Woman of the Year , nominee)
1974 Tony Award for Best Musical (Seesaw , nominee)
1970 Tony Award for Best Musical (Applause , winner )
1969 Tony Award for Best Play (Hadrian VII , nominee)
1964 Tony Award for Best Musical (She Loves Me , nominee)
References [ edit ]
External links [ edit ]
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Lawrence_Kasha&oldid=1206139529 " C a t e g o r i e s : ● 1 9 3 3 b i r t h s ● 1 9 9 0 d e a t h s ● A m e r i c a n t h e a t r e m a n a g e r s a n d p r o d u c e r s ● A m e r i c a n t h e a t r e d i r e c t o r s ● T o n y A w a r d w i n n e r s ● W r i t e r s f r o m B r o o k l y n ● 2 0 t h - c e n t u r y A m e r i c a n d r a m a t i s t s a n d p l a y w r i g h t s ● 2 0 t h - c e n t u r y A m e r i c a n b u s i n e s s p e o p l e ● A I D S - r e l a t e d d e a t h s i n C a l i f o r n i a H i d d e n c a t e g o r i e s : ● A r t i c l e s w i t h s h o r t d e s c r i p t i o n ● S h o r t d e s c r i p t i o n i s d i f f e r e n t f r o m W i k i d a t a ● A r t i c l e s n e e d i n g a d d i t i o n a l r e f e r e n c e s f r o m F e b r u a r y 2 0 2 4 ● A l l a r t i c l e s n e e d i n g a d d i t i o n a l r e f e r e n c e s ● I n t e r n e t B r o a d w a y D a t a b a s e p e r s o n I D s a m e a s W i k i d a t a ● A r t i c l e s w i t h F A S T i d e n t i f i e r s ● A r t i c l e s w i t h I S N I i d e n t i f i e r s ● A r t i c l e s w i t h V I A F i d e n t i f i e r s ● A r t i c l e s w i t h W o r l d C a t E n t i t i e s i d e n t i f i e r s ● A r t i c l e s w i t h J 9 U i d e n t i f i e r s ● A r t i c l e s w i t h L C C N i d e n t i f i e r s
● T h i s p a g e w a s l a s t e d i t e d o n 1 1 F e b r u a r y 2 0 2 4 , a t 0 8 : 3 4 ( U T C ) . ● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n . ● P r i v a c y p o l i c y ● A b o u t W i k i p e d i a ● D i s c l a i m e r s ● C o n t a c t W i k i p e d i a ● C o d e o f C o n d u c t ● D e v e l o p e r s ● S t a t i s t i c s ● C o o k i e s t a t e m e n t ● M o b i l e v i e w
