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| Le Plaisir | |
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Theatrical release poster
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| Directed by | Max Ophüls |
| Screenplay by | Jacques Natanson Max Ophüls |
| Story by | Guy de Maupassant |
| Produced by | Max Ophüls M. Kieffer Édouard Harispuru |
| Starring | Claude Dauphin Jean Galland Gaby Morlay Madeleine Renaud Daniel Gélin Danielle Darrieux Simone Simon Jean Gabin |
| Cinematography | Philippe Agostini Christian Matras |
| Edited by | Leonide Azar |
| Music by | Joe Hajos Maurice Yvain |
| Distributed by | Columbia |
Release date |
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Running time | 97 minutes |
| Country | France |
| Language | French |
Le Plaisir (English title, House of Pleasure) is a 1952 French comedy-drama anthology film by German-born film director Max Ophüls (1902–1957) adapting three short stories by Guy de Maupassant — "Le Masque" (1889), "La Maison Tellier" (1881), and "Le Modèle" (1883).
Ophüls was nominated for an Oscar for Best Art Direction. This was the last of Ophüls' two Oscar nominations in his career.
The mask worn by Ambroise in Le Masque was created by Rostislav Doboujinsky and would become one of the costume designer's specialties.[1]
A masked young dandy goes to an ornate dance hall, where he finds a young woman to be his dance partner. When he faints from the exertion, a doctor is called. He discovers that the dandy's mask hides his aged appearance. The doctor takes the old man home to his patient wife. She explains that her husband Ambroise used to attract the ladies who frequented the hairdresser salon where he worked, but in the space of two years, he lost his looks. He goes out in disguise in an attempt to recapture his youth.
Julia Tellier, the well-respected madam of a small-town brothel, takes her girls on an outing to her brother's village to attend the First Communion of her niece. Her regular patrons are taken aback when they discover the brothel closed without explanation that Saturday night. One finally discovers a sign explaining the reason and is relieved. At the village, everyone is very impressed by the group of elegant ladies who have appeared to support the girl at her First Communion. The prostitutes are moved to tears by the ceremony, as is the rest of the congregation. Julia's brother Joseph becomes infatuated with Rosa, one of her workers, and promises to visit next month.
A painter falls in love with his model. Things are idyllic at first, but after living together for a while, they begin to quarrel constantly. Finally, he moves in with his friend. She eventually finds him, but he wants no more to do with her. He ignores her threat to jump from a window, and is so guilt-ridden when she does so immediately that he marries her.
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Films directed by Max Ophüls
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