Poème sur un cantique de Camargue for piano and orchestra, Op. 13 (1913)
Ballade for piano and orchestra, Op. 61 (1920)
5 Études for piano and orchestra, Op. 63 (1920)
3 Rag Caprices for piano and small orchestra, Op. 78 (1922); also for piano solo
Le carnaval d'Aix, Fantasy for piano and orchestra, Op. 83b (1926); after the ballet Salade, Op. 83
Concerto No. 1 for piano and orchestra, Op. 127 (1933)
Fantaisie pastorale for piano and orchestra, Op. 188 (1938)
Concerto No. 2 for piano and orchestra, Op. 225 (1941)
Concerto No. 1 for 2 pianos and orchestra, Op. 228 (1941)
Concerto No. 3 for piano and orchestra, Op. 270 (1946)
Suite concertante for piano and orchestra, Op. 278a (1952); after the Concerto for marimba, vibraphone and orchestra, Op. 278 (1947)
Concerto No. 4 for piano and orchestra, Op. 295 (1949)
Suite for 2 pianos and orchestra, Op. 300 (1950)
Concertino d'automne for 2 pianos and 8 instruments, Op. 309 (1951)
Concerto No. 5 for piano and orchestra, Op. 346 (1955)
Concert de chambre for piano and chamber orchestra (wind quintet and string quintet), Op. 389 (1961)
Concerto No. 2 for 2 pianos and 4 percussionists, Op. 394 (1961)
Violin
Cinéma fantaisie for violin and chamber orchestra, Op. 58b (1919); also for violin and piano; after Le Bœuf sur le toit
Concerto No. 1 for violin and orchestra, Op. 93 (1927)
Concertino de printemps for violin and chamber orchestra, Op. 135 (1934)
Concerto No. 2 for violin and orchestra, Op. 263 (1946)
Concerto No. 3 "Concert royal" for violin and orchestra, Op. 373 (1958)
Music for Boston for violin and chamber orchestra, Op. 414 (1965)
Viola
Concerto No. 1 for viola and orchestra, Op. 108 (1929)
Air for viola and orchestra, Op. 242 (1944); after the Viola Sonata No. 1, Op. 240
Concertino d'été for viola and chamber orchestra, Op. 311 (1951)
Concerto No. 2 for viola and orchestra, Op. 340 (1954–1955)
Cello
Concerto No. 1 for cello and orchestra, Op. 136 (1934)
Concerto No. 2 for cello and orchestra, Op. 255 (1945)
Suite cisalpine sur des airs populaires piémontais for cello and orchestra, Op. 332 (1954)
Other
Concerto for percussion and small orchestra, Op. 109 (1929–1930)
Scaramouche, Suite for alto saxophone and orchestra, Op. 165c (1939), or for clarinet and orchestra, Op. 165d (1941); also for 2 pianos, Op. 165b; after the incidental music Le médécin volant, Op. 165 (1937)
Vif et joyeux
Modéré
Brazileira
Concerto for flute, violin and orchestra, Op. 197 (1938–1939)
Concerto for clarinet and orchestra, Op. 230 (1941)
Suite anglaise for harmonica (or violin) and orchestra, Op. 234 (1942)
Concerto for marimba, vibraphone and orchestra, Op. 278 (1947)
L'apothéose de Molière, Suite for harpsichord with flute, oboe, clarinet, bassoon and string orchestra, Op. 286 (1948)
Concerto for harp and orchestra, Op. 323 (1953)
Concertino d'hiver for trombone and string orchestra, Op. 327 (1953)
Concerto for oboe and orchestra, Op. 365 (1957)
Symphonie concertante for bassoon, horn, trumpet, double bass and orchestra, Op. 376 (1959)
Concerto for harpsichord and orchestra, Op. 407 (1964)
Stanford sérénade for oboe solo and 11 instruments, Op. 430 (1969)
String Quartet No. 14, Op. 291 No. 1 (1948–1949); The 14th and 15th string quartets can be performed separately as well as simultaneously as a string octet.
String Quartet No. 15, Op. 291 No. 2 (1948–1949); For another example of a composer writing works for simultaneous performance, see 19th century composer Pietro Raimondi.
String Quartet No. 16, Op. 303 (1950)
String Quartet No. 17, Op. 307 (1950)
String Quartet No. 18, Op. 308 (1950)
Fanfare (150 mesures pour les 150 ans de la maison Heugel) for 2 trumpets and 2 trombones, Op. 400 (1962)
Piano Quartet, Op. 417 (1966)
Homage à Igor Stravinsky for string quartet, Op. 435 (1971)
3 Études sur des thèmes du Comtat Venaissin for string quartet, Op. 442 (1973)
Quintets
La création du monde, Op. 81b (1923) for piano and string quartet (arrangement by the composer of the ballet)
4 Ésquisses (4 Sketches) for wind quintet, Op. 227b (1941); original for piano
Les rêves de Jacob, Dance Suite for oboe, violin, viola, cello and double bass, Op. 294 (1949)
Divertissement for wind quintet, Op. 299b (1958); after the film score Gauguin, Op. 299
Quintet No. 1 for 2 violins, viola, cello and piano, Op. 312 (1950)
Quintet No. 2 for 2 violins, viola, cello and double bass, Op. 316 (1952)
Quintet No. 3 for 2 violins, 2 violas and cello, Op. 325 (1953–1954)
Quintet No. 4 for 2 violins, viola and 2 cellos, Op. 350 (1956)
Wind Quintet, Op. 443 (1973)
Sextets and septets
String Sextet, Op. 368 (1958)
String Septet for 2 violins, 2 violas, 2 cellos and double bass, Op. 408 (1964); The second movement of the septet, entitled 'Etude in controlled chance' is a rare example of Milhaud embracing aleatoric compositional devices.
Psaume 136 for baritone, chorus and orchestra, Op. 53 No. 1 (1918); translation by Paul Claudel
Psaume 121 (a.k.a. Psaume 126 [Vulgata 126]) for male chorus a cappella, Op. 72 (1921); translation by Paul Claudel; written for the Harvard Glee Club after their 1921 tour of Europe
Cantate pour louer le Seigneur for soloists, chorus, children's chorus, organ and orchestra, Op. 103 (1928); text: Psalms 117, 121, 123, 150
2 Poèmes extraits de l'anthologie nègre de Blaise Cendrars for vocal quartet or chorus and chamber orchestra, Op. 113 (1932); text by Blaise Cendrars
2 Élégies romaines for female vocal quartet or female chorus, Op. 114 (1932); text by Johann Wolfgang von Goethe
La mort du tyran for mixed chorus, flute, clarinet, tuba and percussion, Op. 116 (1932); text by Lampride, translation by D. Diderot
Adages, 16 songs for vocal quartet, chorus and chamber orchestra (or piano), Op. 120c (1932); words by André de Richaud
Devant sa main nue for female chorus or vocal quartet, Op. 122 (1933); words by Marcel Raval
Pan et la Syrinx, Cantata for soprano, baritone, mixed chorus, flute, oboe, alto saxophone, bassoon and piano, Op. 130 (1934); words principally by Paul Claudel
Les amours de Ronsard, 4 songs for mixed chorus or vocal quartet and chamber orchestra, Op. 132 (1934)
Cantique du Rhône, 4 songs for chorus or vocal quartet, Op. 155 (1936); words by Paul Claudel
Cantate de la paix for male chorus and children's chorus, Op. 166 (1937); words by Paul Claudel
Main tendue à tous for mixed chorus a cappella, Op. 169 (1937); words by Charles Vildrac
Les deux cités, Cantata for mixed chorus a cappella, Op. 170 (1937); words by Paul Claudel
Quatre chants populaires de Provence for mixed chorus and orchestra, Op. 194 (1938)
3 Incantations for male chorus a cappella, Op. 201 (1939); Aztec poems by Alejo Carpentier
Quatrains valaisans for mixed chorus a cappella, Op. 206 (1939); words by Rainer Maria Rilke
Cantate de la guerre for mixed chorus a cappella, Op. 213 (1940); words by Paul Claudel
Borechou – Schema Israël (Bless Ye the Lord – O Hear, Israel) for cantor, chorus and organ, Op. 239 (1944); Biblical text
Kaddish (Prière pour les morts) for cantor, chorus and organ, Op. 250 (1945); Biblical text
Pledge to Mills for unison mixed chorus and piano, Op. 261 (1945); words by George Percy Hedley
6 Sonnets composés au secret for chorus or vocal quartet, Op. 266 (1946); text by Jean Cassou
Symphony No. 3"Te Deum" for chorus and orchestra, Op. 271 (1946)
Service sacré pour le samedi matin for baritone, reciter, chorus and orchestra or organ, Op. 279 (1947); Biblical text
Lekha Dodi (L'choh dodi) for cantor, chorus and organ, Op. 290 (1948); text from the Jewish Sabbath evening liturgy
Naissance de Vénus, Cantata for mixed chorus a cappella, Op. 292 (1949); words by Jules Supervielle
Barba Garibo, Cantata for mixed chorus and orchestra, Op. 298 (1949–1950); words by Armand Lunel
Cantate des proverbes for female chorus, oboe, cello and harpsichord, Op. 310 (1950); Biblical text
Les miracles de la foi, Cantata for tenor, chorus and orchestra, Op. 314 (1951); Biblical text from Daniel
Le château de feu, Cantata for chorus and orchestra, Op. 338 (1954); text by Jean Cassou; written in memory of Jews killed during the war by the Nazis
3 Psaumes de David for mixed chorus a cappella, Op. 339 (1954)
2 Poèmes de Louise de Vilmorin for chorus or vocal quartet, Op. 347 (1955); words by Louise Leveque de Vilmorin
La couronne de gloire, Cantata for voice and chamber ensemble (flute, trumpet, string quartet) or piano, Op. 211 (1940); words by Solomon ibn Gabirol, Armand Lunel
Ballade nocturne, Op. 296 (1949); a movement from a collaborative work entitled Mouvements du cœur: Un hommage à la mémoire de Frédéric Chopin, 1849–1949; words by Louise de Vilmorin
Les temps faciles, Op. 305 (1950); words by Marsan
Petites légendes, Op. 319 (1952); words by Maurice Carême
Fontaines et sources for voice and orchestra or piano, Op. 352 (1956); 6 songs; words by Francis Jammes
Tristesses, Op. 355 (1956); cycle of 24 songs; words by Francis Jammes
Préparatif à la mort en allégorie maritime, Op. 403 (1963); words by Agrippa d'Aubigné
Le retour de l'enfant prodigue, cantata for 5 voices and chamber ensemble or 2 pianos, Op. 42 (1917); words by André Gide
Psaumes 136 et 129 for baritone and orchestra, Op. 53 (1918–1919); translation by Paul Claudel
Machines agricoles, 6 Pastorales for voice and chamber ensemble, Op. 56 (1919); Texts taken out of a catalogue for agricultural machines.
Catalogue de fleurs for voice and chamber ensemble (or piano), Op. 60 (1920); words by Lucien Daudet
Cocktail for voice and 3 clarinets, Op. 69 (1920); words by Larsen
4 Poèmes de Catulle for voice and violin, Op. 80 (1923); words by Catullus
6 Chants populaires hébraïques for voice and piano or orchestra, Op. 86 (1925)
3 Chansons de négresse for voice and orchestra or piano, Op. 148b (1935–1936); words by Jules Supervielle
Liturgie comtadine: chants de Rosch Haschanah, 5 songs for voice and piano or chamber orchestra, Op. 125 (1933)
5 Chansons de Charles Vildrac for voice and piano or chamber orchestra, Op. 167 (1937); words by Charles Vildrac
Cantate nuptial for voice and orchestra, Op. 168 (1937); Biblical text from Song of Solomon
Cantate de l'enfant et de la mère for narrator, string quartet and piano, Op. 185 (1938); story by Maurice Carême
Les quatre éléments, Cantata for soprano and orchestra, Op. 189 (1938, revised 1956); words by Robert Desnos
La couronne de gloire, Cantata for voice and chamber ensemble (flute, trumpet, string quartet) or piano, Op. 211 (1940); words by Solomon ibn Gabirol, Armand Lunel
4 Chansons de Ronsard for voice and orchestra or piano, Op. 223 (1940); words by Pierre de Ronsard
Caïn et Abel for reciter and orchestra, Op. 241 (1944); Biblical text from Genesis
Fontaines et sources, 6 songs for voice and orchestra or piano, Op. 352 (1956); words by Francis Jammes
Neige sur la fleuve for voice and chamber ensemble, Op. 391 (1961); words by Tsang Yung
Suite de quatrains, 18 poems for reciter and chamber ensemble, Op. 398 (1962); words by Francis Jammes
Adieu, Cantata for voice, flute, viola and harp, Op. 410 (1964); words by Arthur Rimbaud
Cantate de psaumes for baritone and orchestra, Op. 425 (1967); Psalms 129, 146, 147, 128, 127, 136 (Psalms 129 and 136 from Op. 53); translation by Paul Claudel
Agamemnon, Op. 14 (1913–1914); L'Orestie d'Eschyle (Orestiean Trilogy No. 1) for soprano, male chorus and orchestra; Paul Claudel translation of the drama by Aeschylus; premiere 1927
Protée, Op. 17 (1913–1919); for chorus and orchestra; play by Paul Claudel; 2nd version, Op. 341
Les Choéphores, Op. 24 (1915); L'Orestie d'Eschyle (Orestiean Trilogy No. 2); Paul Claudel translation of the drama by Aeschylus; premiere 1919
