Contents

List of compositions by Harrison Birtwistle

This is a list of compositions by Harrison Birtwistle (1934–2022), a British composer of contemporary classical music. Birtwistle's music was published by Universal Edition until 1994, and since then by Boosey & Hawkes.

• The Mark of the Goat, children's dramatic cantata for actors, singers, 2 choirs, 3 melody instruments, piano (6 hands), large and small percussion ensembles (1965)
• Punch and Judy, A tragical comedy or comical tragedy in 1 act (1966–67)
• Down by the Greenwood Side, A Dramatic Pastoral (1968–69)
• Pulse Field: Frames, Pulse and Interruptions, ballet, for 6 dancers and 9 musicians (1977)
• Bow Down, music theatre, for 5 actors and 4 musicians (1977)
• The Mask of Orpheus, Lyric Tragedy in 3 acts (1973–83)
• Yan Tan Tethera, A Mechanical Pastoral (1983-84)
• Gawain, Opera in 2 acts, (1990–91, revised 1994 & 1999)
• The Second Mrs Kong, Opera in 2 acts (1993–94)
• The Last Supper, Opera in 1 act (1998–1999)
• The Io Passion, Chamber Opera (2003)
• The Minotaur, Opera (2005–07)
• The Corridor, Scena for two voices and ensemble (2008–09)
• The Cure, for two singers and ensemble (2014–15)

• Chorales, for orchestra (1960–63)
• Nomos, for 4 amplified instruments and orchestra (1967–68)
• The Triumph of Time, for orchestra (1971–72)
• Melencolia I, for clarinet, harp and 2 string orchestras (1976)
• Earth Dances, for orchestra (1985–86)
• Endless Parade, for trumpet, strings and vibraphone (1986–87)
• Machaut à ma manière, for orchestra (1988)
• Gawain's Journey, for orchestra (1991)
• Antiphonies, for piano and orchestra (1992)
• The Cry of Anubis, for tuba and orchestra (1994)
• Panic, for alto saxophone, jazz drummer, wind, brass and percussion (1995)
• Exody, for orchestra (1997)
• Sonance Severance 2000, for orchestra (1999)
• The Shadow of Night, for orchestra (2001)
• Night’s Black Bird, for orchestra (2004)
• Concerto for Violin and Orchestra (2009–10)
• Responses, for piano and orchestra (2013-14)
• Deep Time, for orchestra (2016)
• Variation IX in Pictured Within: Birthday Variations for M.C.B., for orchestra (2019)

• The World is Discovered, 6 Instrumental Movements after Heinrich Isaac, for chamber ensemble (1961)
• 3 Movements with Fanfares, for chamber orchestra (1964)
• Tragoedia, for flute, oboe, clarinet, bassoon, horn, harp and string quartet (1965)
• Chorale from a Toy Shop, open scoring (1967, later versions 2016-17)
• Three lessons in a frame, for piano solo, flute, clarinet, violin, cello and percussion. (1967: withdrawn)
• Medusa, for flute, clarinet, violin, cello, piano, percussion and electronics (1969: withdrawn)
• Verses for Ensembles, for 3 instrumental ensembles (1968–69)
• Some Petals from my Twickenham Herbarium, for piccolo, clarinet in Bb, glockenspiel, piano, violin and violoncello (1969)
• An Imaginary Landscape, for brass, percussion and double basses (1971)
• Tombeau in memoriam Igor Stravinsky, for flute, clarinet, harp and string quartet (1971)
• Grimethorpe Aria, for brass band (1973)
• For O, for O, the Hobby-Horse is Forgot, Ceremony, for 6 percussionists (1976)
• Silbury Air, for chamber ensemble (1977)
• Carmen Arcadiae Mechanicae Perpetuum, for chamber ensemble or orchestra (1977–1978)
• Mercure: Poses Plastiques (after Erik Satie), arranged for 14 players (1980)
• Still Movement, for 13 solo strings (1984)
• Secret Theatre, for chamber ensemble (1984)
• Fanfare for Will, for brass ensemble (1987: unpublished)
• Salford Toccata, for brass band (1989)
• Ritual Fragment, for chamber orchestra (1990)
• Fanfare for Glyndebourne, for brass ensemble and timpani (1994)
• Bach Measures, for chamber ensemble (1996)
• Slow Frieze, for piano and ensemble (1996)
• Placid Mobile, for 36 trumpets (1998)
• The Silk House Tattoo, for two trumpets and side drums (1998)
• Sonance 2000, for brass ensemble (1999)
• 17 Tate Riffs, for ensemble (2000)
• Fanfare, for brass and percussion (2001)
• Tenebrae David, for brass ensemble (2001)
• Theseus Game, for large ensemble with two conductors (2002)
• Cantus Iambeus, for thirteen instruments (2004)
• The Io Passion: Nocturnes, for clarinet and string quartet (2004)
• Cortege, for 14 musicians (2007: a reworking of Ritual Fragment)
• Virelai (Sus une fontayne) (after Johannes Ciconia), for 12 players (2008)
• Crescent Moon over the Irrational, for flute doubling piccolo, clarinet, harp and string quartet (2010)
• Fantasia upon all the notes for flute, clarinet, harp and string quartet, (2011)
• In Broken Images, for woodwind, brass and percussion (2011-12)
• Five Lessons in a Frame, for ensemble (2015: the 5 Duets, framed by a new chorale)
• Sonance for a New Space, for 3 trumpets, 4 trombones and bells (2018)
• Donum Simoni MMXVIII (2018) for woodwind, brass and percussion

• Refrains and Choruses, for wind quintet (1957)
• Précis, for piano (1960)
• Verses, for clarinet and piano (1965)
• Linoi, for basset clarinet in A and piano, or clarinet, piano, tape and dancer; or clarinet, piano and cello (1968)
• Four Interludes for a Tragedy, for basset clarinet and tape (1968)
• Ut Heremita Solus (after Ockeghem), for flute, clarinet, violin, cello, piano and glockenspiel (1969)
• Hoquetus David (after Machaut), for flute, clarinet, violin, cello, piano and glockenspiel (1969)
• 8 Lessons for Keyboards (1969: unpublished)
• Signals, for clarinet and tape (1970: unpublished)
• Dinah and Nick's Love Song, for 3 melody instruments and harp (1970)
• Sad Song, for piano (1971)
• Chanson de Geste, for amplified sustaining instrument and tape (1973: withdrawn)
• Clarinet Quintet, for clarinet and string quartet (1980)
• Pulse Sampler, for oboe and claves (1981)
• Duets for Storab, for 2 flutes (1983)
• Berceuse de Jeanne, for piano (1984)
• Antiphonies from the Moonkeeper, for trumpet (1985)
• Hector's Dawn, for piano (1987)
• An Interrupted Endless Melody, for oboe and piano (1991)
• 5 Distances for 5 Instruments, for flute, oboe, clarinet in B flat, bassoon and horn in F (1992)
• Hoquetus Petrus, for two flutes and piccolo trumpet (1995)
• 9 Movements, for string quartet (1991–1996)
• Harrison’s Clocks, for piano (1997–98)
• The Silk House Tattoo, for two trumpets and 3 side drums (1998)
• Betty Freeman: Her Tango, for piano (2000)
• Ostinato with Melody, for piano (2000)
• The Axe Manual, for piano and percussion (2000)
• Saraband: The King's Farewell, for piano (2001)
• Crowd, for solo harp (2005)
• The Io Passion - Aubades and Nocturnes, for basset clarinet and string quartet (2006)
• Dance of the metro-gnome, for piano (2006)
• Five Little Antiphonies for Amelia, for two trumpets (2006)
• Double Hocket, for piano trio (2007)
• The Tree of Strings, for string quartet (2007)
• 3 Fugues from The Art of Fugue (after Bach), for string quartet (2008)
• The Message (Duet 1), for E flat clarinet, trumpet in C and military drum (2008)
• Bourdon (Duet 2), for violin and viola (2009)
• Roddy's Reel, for bass clarinet with audience participation (2009)
• Oboe Quartet (2009–10)
• Duet 3, for cor anglais and bassoon (2010)
• Trio, for violin, cello and piano (2010)
• Gigue Machine, for piano (2011)
• Beyond the White Hand, for guitar (2013)
• Variations from the Golden Mountain, for piano (2014)
• Duet 4, for violin and flute (2014)
• Duet 5, for horn and trombone (2014)
• Hoquetus Irvineus, for string quartet (2014)
• The Silk House Sequences, for string quartet (2015)
• Intrada, for piano and percussion (2017)
• Keyboard Engine, for two pianos (2017-18)
• Duet for Eight Strings, for viola and cello (2018)

• Monody for Corpus Christi, for soprano, flute, violin and horn (1959)
• Narration: A Description of the Passing of a Year, for a cappella chorus (1963)
• Music for Sleep, for children's voices, piano and percussion (1963)
• Entr'actes and Sappho Fragments, for soprano and instruments (1964)
• Ring a Dumb Carillon, for soprano (+ suspended cymbals), clarinet in B flat and percussion (1964–65)
• Carmen Paschale, motet for choir and organ (1965)
• The Visions of Francesco Petrarca (1965-66: withdrawn)
• Monodrama (1967)
• Cantata, for soprano and instruments (1969)
• Nenia: The Death of Orpheus, for soprano, 3 bass clarinets, crotales and piano (1970)
• Meridian, for mezzosoprano, 2 three-part women's choirs and instruments (1970–71)
• Prologue, for tenor and 7 instruments (1971)
• The Fields of Sorrow, for 2 sopranos, 8-part choir and instruments (1972)
• Epilogue, "Full fathom five", for baritone, horn, 4 trombones and 6 tam-tams (1972)
• La Plage: 8 Arias of Remembrance, for soprano and 5 instruments (1972)
• Five Chorale Preludes (after J.S. Bach), for soprano, clarinet, basset horn and bass clarinet (1975)
• … agm …, for 16 voices and 3 instrumental ensembles (1978–1979)
• On the Sheer Threshold of the Night, Madrigal, for 4 soloists and 12-voice choir (1980)
• Deowa, for soprano and clarinet in B flat (1983)
• Songs by Myself, for soprano and chamber ensemble (1984)
• Words Overheard, for soprano and chamber orchestra (1985)
• 4 Songs of Autumn, for soprano and string quartet (1988)
• An die Musik, for soprano and chamber ensemble (1988)
• The Wine Merchant Robin of Mere, for male voice and piano (1989)
• 4 Poems by Jaan Kaplinski, for soprano and 13 instruments (1991)
• 9 Settings of Celan (may be performed as a set or individually) for soprano, 2 clarinets, viola, cello and double bass (1989–96)
• Pulse Shadows (the 9 Movements for string quartet interleaved with the 9 Settings of Celan) (1989–96)
• The Woman and the Hare, for soprano, reciter and ensemble (1998)
• Love Cries, from the opera The Second Mrs. Kong, for soprano, mezzo-soprano, tenor and orchestra (1999)
• Three Latin Motets, from The Last Supper, for unaccompanied choir (1999)
• 9 Settings of Lorine Niedecker, for soprano and cello (1998–2000)
• The Sadness of Komachi, for tenor and prepared piano (2000)
• The Ring Dance of the Nazarene, for baritone, tombak, choir and ensemble (2003)
• The Gleam, for unaccompanied choir (2003)
• 3 Brendel Settings, for baritone and orchestra (2000–04)
• 3 Arias by Bach, for soprano, countertenor and chamber ensemble (2003–04)
• 26 Orpheus Elegies, for oboe, harp and countertenor (2003–04)
• Today Too, for tenor, flute and guitar (2004)
• Neruda Madrigales, for chorus and ensemble with live electronics (2004–05)
• The Mouse Felt…, for baritone and piano (2005)
• Lullaby, for two sopranos, unaccompanied (2006)
• Song of Myself, for baritone, double bass and percussion (2006)
• Bogenstrich for baritone, cello and piano (2006-09)
• Angel Fighter, for chamber chorus, tenor, countertenor and ensemble (2009)
• From Vanitas, for tenor and piano (2009)
• Semper Dowland, semper dolens (after Dowland), for tenor and ensemble (2009)
• 3 Settings of Lorine Niedecker, for soprano and cello (2011)
• The Moth Requiem, for twelve female voices, three harps and alto flute (2012)
• Songs from the Same Earth, for tenor and piano (2012-13)
• Chorale-Prelude, for SATB chorus a capella (2014)
• Three Songs from The Holy Forest, for soprano and ensemble (2016-17)
• ...when falling asleep, for soprano, speaker and ensemble (2019)

• Chronometer, for 2 asynchronous 4-track tapes (1971–72)

• Hamlet (1975)
• Tamburlaine the Great (1976)
• Julius Caesar (1977)
• Volpone (1977)
• The Country Wife (1977)
• The Cherry Orchard (1978: with Dominic Muldowney)
• Brand (1978)
• The Double Dealer (1978)
• Herod (1978: with Dominic Muldowney)
• As You Like It (1979)
• The Oresteia (1981)
• The Trojan War Will Not Take Place (1983)
• Coriolanus (1984)
• The Tempest (1988)
• The Winter's Tale (1988)
• Cymbeline (1988)
• Bacchai (2002)

• The Innocents (play by William Archibald) (1976)

• The Offence (1972)

• Sir Harrison Birtwistle biography and works on the UE website (publisher of his music until 1994)
• Harrison Birtwistle biography and works on the Boosey & Hawkes website (publisher of his music since 1994)
• Cross, J.: Harrison Birtwistle: Man, Mind, Music. (Faber & Faber, 2000.) Has a comprehensive work list up to 1998