J u m p t o c o n t e n t
M a i n m e n u
M a i n m e n u
N a v i g a t i o n
● M a i n p a g e ● C o n t e n t s ● C u r r e n t e v e n t s ● R a n d o m a r t i c l e ● A b o u t W i k i p e d i a ● C o n t a c t u s ● D o n a t e
C o n t r i b u t e
● H e l p ● L e a r n t o e d i t ● C o m m u n i t y p o r t a l ● R e c e n t c h a n g e s ● U p l o a d f i l e
S e a r c h
Search
A p p e a r a n c e
● C r e a t e a c c o u n t ● L o g i n
P e r s o n a l t o o l s
● C r e a t e a c c o u n t ● L o g i n
P a g e s f o r l o g g e d o u t e d i t o r s l e a r n m o r e ● C o n t r i b u t i o n s ● T a l k
( T o p )
1 3 M
2 A g f a
T o g g l e A g f a s u b s e c t i o n
2 . 1 XT
2 . 2 B l a c k - a n d - w h i t e
3 D u P o n t
4 F i l m o t e c / O R W O
5 F u j i
T o g g l e F u j i s u b s e c t i o n
5 . 1 C o l o r n e g a t i v e s ( 1 9 8 0 s )
5 . 2 R e v e r s a l ( 1 9 8 0 s )
5 . 3 B l a c k - a n d - w h i t e
5 . 4 F - S e r i e s ( 1 9 8 8 )
5 . 5 S u p e r F - S e r i e s ( 1 9 9 9 )
5 . 6 R e a l a
5 . 7 E t e r n a ( 2 0 0 4 – 2 0 1 3 )
5 . 8 P r i n t f i l m s
5 . 9 I n t e r m e d i a t e f i l m
5 . 1 0 R e c o r d i n g f i l m
6 G A F / A n s c o
7 E a s t m a n K o d a k
T o g g l e E a s t m a n K o d a k s u b s e c t i o n
7 . 1 E a r l y n i t r a t e f i l m s ( 1 9 1 6 – 1 9 4 1 )
7 . 2 B l a c k - a n d - W h i t e ( 1 9 5 4 – 1 9 6 7 )
7 . 3 F i n e g r a i n c o l o r n e g a t i v e f i l m s ( 1 9 5 0 – 1 9 6 8 )
7 . 4 E a s t m a n C o l o r N e g a t i v e I I ( E C N - 2 p r o c e s s 1 9 7 4 – 1 9 7 6 )
7 . 5 V i d e o N e w s F i l m 1 6 m m ( V N F - 1 ) ( 1 9 7 6 – 1 9 8 1 )
7 . 6 K o d a c h r o m e c o l o r r e v e r s a l f i l m
7 . 7 E k t a c h r o m e c o l o r r e v e r s a l f i l m ( E 1 – E 6 a n d r e l a t e d p r o c e s s e s )
7 . 8 E a s t m a n c o l o r N e g a t i v e ( 1 9 8 2 – 1 9 8 6 )
7 . 9 E X R c o l o r n e g a t i v e ( E C N - 2 p r o c e s s 1 9 8 9 – 1 9 9 6 )
7 . 1 0 V i s i o n c o l o r n e g a t i v e ( E C N - 2 p r o c e s s 1 9 9 6 – 2 0 0 2 )
7 . 1 1 V i s i o n 2 c o l o r n e g a t i v e ( E C N - 2 p r o c e s s 2 0 0 2 – 2 0 0 7 )
7 . 1 2 V i s i o n 3 c o l o r n e g a t i v e ( E C N - 2 p r o c e s s 2 0 0 7 – p r e s e n t )
7 . 1 3 P r i n t f i l m s ( 1 9 4 1 – p r e s e n t )
7 . 1 4 L a b f i l m s
7 . 1 5 O t h e r
8 I l f o r d
9 S l a v i c h
10 S v e m a
11 T a s m a
12 S e e a l s o
13 R e f e r e n c e s
T o g g l e t h e t a b l e o f c o n t e n t s
L i s t o f m o t i o n p i c t u r e f i l m s t o c k s
A d d l a n g u a g e s
A d d l i n k s
● A r t i c l e ● T a l k
E n g l i s h
● R e a d ● E d i t ● V i e w h i s t o r y
T o o l s
T o o l s
A c t i o n s
● R e a d ● E d i t ● V i e w h i s t o r y
G e n e r a l
● W h a t l i n k s h e r e ● R e l a t e d c h a n g e s ● U p l o a d f i l e ● S p e c i a l p a g e s ● P e r m a n e n t l i n k ● P a g e i n f o r m a t i o n ● C i t e t h i s p a g e ● G e t s h o r t e n e d U R L ● D o w n l o a d Q R c o d e ● W i k i d a t a i t e m
P r i n t / e x p o r t
● D o w n l o a d a s P D F ● P r i n t a b l e v e r s i o n
A p p e a r a n c e
F r o m W i k i p e d i a , t h e f r e e e n c y c l o p e d i a
This is a list of motion picture films . Those films known to be no longer available have been marked "(discontinued)". This article includes color and black-and-white negative films, reversal camera films, intermediate stocks, and print stocks.
3M no longer manufactures motion picture film.
CR 160 Camera Reversal Film 16mm B&W (negative or reversal) (discontinued)[1]
CR 250 Camera Reversal Film 16mm B&W (negative or reversal) (discontinued)
CR 64 Camera Reversal Film 16mm B&W (negative or reversal) (discontinued)
Fine Grain Release Positive, Type 150, B&W, 35mm & 16mm (discontinued)
Reversal Print, Type 160, B&W, 16mm (discontinued)
Color Print, Type 650, 35mm & 16mm (discontinued)
Note: 1973 is first and last appearance in American Cinematographer Manual
Although a very early pioneer in trichromatic color film (as early as 1908), invented by German chemists Rudolf Fischer and Benno Homolka [d , Agfa was first made commercially available in 1936 (16 mm reversal and 35 mm ),[2] Wittner-Cinetec in Germany or Spectra Film and Video in the United States. Agfa label was also used as such in widely produced East German film stock based on Agfa patents before the introduction of ORWO in 1964.
XT100 (35 mm & 16 mm ) (discontinued)
XT125 (35 mm & 16 mm ) (discontinued)
XTR250 (35 mm & 16 mm ) (discontinued)
XT320 (35 mm & 16 mm ) (discontinued)
XTS400 (35 mm & 16 mm ) (discontinued)
Black-and-white [ edit ]
Agfapan 250 250 D/200 T (discontinued)
Note: 1993 is the last appearance of Agfa film stocks in the American Cinematographer Manual (seventh edition).
DuPont no longer manufactures film. It first entered the 35mm motion picture market in 1926.[3] [4]
Rapid X Reversal Pan (discontinued)
The list below is of film stocks in use in 1956; the "B" designation was for 35mm, "A" was 16mm.[5]
Superior 1, Type 904B (ASA 23 Day, 20 Incandescent) B&W (discontinued)
Superior 2, Type 926B (ASA 80 Day, 64 Incandescent) B&W (discontinued)
Superior 3, Type 927B (ASA 125 Day, 100 Incandescent) B&W (discontinued)
Duplicating Negative, Type 908B, Fine grain, panchromatic B&W (discontinued)
Master Positive, Type 828B, Fine grain B&W (discontinued)
Sound Recording, Type 801B, Variable area or density optical sound tracks (discontinued)
VA Sound Recording, Type 831B, Variable area optical sound tracks (discontinued)
Fine Grain Sound Recording, Type 837B, (to increase sharpness) (discontinued)
Release Positive, Type 803B, High speed, normal grain (discontinued)
Fine Grain Release Positive, Type 825B, for optimum picture and sound quality (discontinued)
Title Stock, Type 805B, a high contrast film (discontinued)
Low Contrast Positive, Type 824B, for kinescope recording (discontinued)
The list below is from 1960; "A" was 16mm, "B" was 35mm.[6]
Superior 2, Type 936 B and A (ASA 125 Day, 100 Tungsten) B&W (discontinued)
Superior 4, Type 928 B and A (ASA 320 Day, 250 Tungsten) B&W (discontinued)
Panchromatic Film, Type 914A (could be used as negative or reversal) B&W (discontinued)
Rapid Reversal Film, Type 930A (could be used as negative or reversal) B&W (discontinued)
High Speed Rapid Reversal Film, Type 931A (could be used as negative or reversal) B&W (discontinued)
The list below is from 1966; "A" was 16mm, "B" was 35mm.[7]
Fine Grain Superior 2 Negative, Type 936 B and A (ASA 125 Day, 100 Tungsten) B&W (discontinued)
Superior 3 Negative, Type 937 B and A (ASA 250 Day, 200 Tungsten) B&W (discontinued)
Superior 4 Negative, Type 928 B and A (ASA 320 Day, 250 Tungsten) B&W (discontinued)
Rapid Reversal, Type 930A, (ASA 64 Day, 50 Tungsten) B&W (discontinued)
High Speed Reversal, Type 931 B and A (ASA 160 Day, 125 Tungsten) B&W (discontinued)
Ultra Speed Reversal, Type 932 B and A (ASA 320 Day, 250 Tungsten) B&W (discontinued)
Fine Grain Duplicating Negative, Type 908 B and A, B&W (discontinued)
Pan Rapid Reversal Duplicating, Type 910A, B&W (discontinued)
Fine Grain Release Positive, Type 825 B and A, B&W (discontinued)
TV Recording Film, Type 834 B and A, B&W (discontinued)
The 1969 list is identical to 1966.[8] American Cinematographer Manual .
The list below is from 1970; "A" was 16mm, "B" was 35mm.[9]
Superior 2, Type 936 B and A, B&W Negative (discontinued)
Superior 3, Type 937 B and A, B&W Negative (discontinued)
Superior 4, Type 928 B and A, B&W Negative (discontinued)
Rapid Reversal, Type 930A, B&W Reversal‡ (discontinued)
High-Speed Rapid Reversal, Type 931 B and A, B&W Reversal‡ (discontinued)
Ultra Speed Rapid Reversal, Type 932 B and A, B&W Reversal‡ (discontinued)
Filmotec/ORWO [ edit ]
Filmotec/ORWO is German company in the tradition of Agfa, manufacturing black-and-white materials. The brand ORWO stands for Original Wolfen.
ORWO U(niversal) N(egative Film) 54, ISO 100
ORWO N(egative Film) 74, ISO 400
ORWO P(ositive) F(ilm) 2 and PF 2 plus with an anti-halo undercoat
ORWO D(uplicating) P(ositive Film) 3
ORWO D(uplicating) N(egative Film) 2
ORWO T(on-) F(ilm) 12 d(igital), orthochromatic
ORWO L(eader) F(ilm) 2, ortho. High Contrast
ORWO NC500[10]
Fujifilm stopped production of all motion picture film stocks on March 31, 2013.[11] [12]
Also, Eterna Vivid series negatives' last second suffix as "4", and the ending suffix as different "E.I.".
For intermediate stocks, as negatives', adding "45" prefix designates 35 mm in polyester (PET) base, and "87" prefix designates 65/70 mm.
For positive and print stocks, "35" indicates 35 mm print film, and "36" indicates 16 mm print film.
Fuji also introduced their Reala film, a color stock with a fourth color emulsion layer, which is also the fastest daylight balanced color motion picture stock ever offered at 500 ISO.
As of March 2013, Fuji had ceased production of all motion picture film.[13]
Color negatives (1980s) [ edit ]
8517 100T introduced in 1977
8511/8521 (35 mm & 16 mm ) Fujicolor A 125T
8514/8524 (35 mm & 16 mm ) Fujicolor AX 500T
8518/8528 (35 mm & 16 mm ) Fujicolor A 250T
Reversal (1980s) [ edit ]
8427 (16 mm ) Fujicolor RT 125T (reversal)
8428 (16 mm ) Fujicolor RT 500T (reversal)
Black-and-white [ edit ]
71112 (35 mm ) Fuji FG 80D/64T
72161 (16 mm ) Fuji RP 80D/64T
F-Series (1988) [ edit ]
8510/8610 F64T (discontinued)
8520/8620 F64D (discontinued)
8530/8630 F125T (discontinued)
8550/8650 F250T (discontinued)
8560/8660 F-250D (discontinued)
8570/8670 F-500T (discontinued)
Super F-Series (1999) [ edit ]
F-64D 8522/8622
F-125T 8532/8632
F-250T 8552/8652
F-250D 8562/8662
F-500T 8572/8672
F-400T 8582/8682
Containing a fourth color layer, Reala is nominally considered a part of the Super-F series. Its analogue in the stills market is Superia Reala.
Reala 500D 8592/8692 was introduced in December 2001, and discontinued in February 2011[14]
Eterna (2004–2013) [ edit ]
Eterna Vivid 160T 8543/8643 introduced in 2007
Eterna Vivid 250D 8546/8646 introduced in 2010
Eterna 250D 8563/8663 introduced in 2006
Eterna 250T 8553/8653 introduced in 2006
Eterna 400T 8583/8683 introduced in March 2005, discontinued in July 2011[15]
Eterna 500T 8573/8673 introduced in 2004
Eterna Vivid 500T 8547/8647 introduced in 2009
Print films [ edit ]
F-CP 3519 Fujicolor positive film. Polyester (PET ) base. Introduced in 1996.
F-CP 3519D Fujicolor positive film. High-contrast. Polyester base. Introduced in 1999.
Super F-CP 3510/3610 Fujicolor positive film. Polyester base.[16]
Eterna-CP 3513DI/3613DI Fujicolor positive film. High-contrast. Polyester base.[16]
Eterna-CP 3521XD Fujicolor positive film. High-contrast. Polyester base. Introduced in 2007.
Eterna-CP 3514DI/3614DI Fujicolor positive film. High-contrast. Polyester base. Introduced in April 2010.
Eterna-CP 3523XD Fujicolor positive film. High-contrast. Polyester base. Introduced in 2010.
Eterna-CP 3512/3612 Fujicolor positive film. High-contrast. Polyester base. Introduced in 2010.
Intermediate film [ edit ]
Eterna-CI 8503/4503(Polyester base)/8603 Fujicolor intermediate film.[17]
Super F-CI 8702(65/70 mm )/8502/4502(Polyester base)/8602 Fujicolor intermediate film.[16]
Recording film [ edit ]
Eterna-RDI 8511/4511(Polyester base) Fujicolor recording film (RDI short for Recording for Digital Intermediate). Designed to be used with Arri Laser.[17]
Eterna-RDS 4791(Polyester base) Fujicolor recording film (RDS short for Recording for Digital Separation). The black-and-white recording film designed to be used for digital archive. Process with D96 or D97. Introduced in April 2010.
GAF/Ansco [ edit ]
GAF/Ansco no longer manufactures film.
GAF Anscochrome 500 D (discontinued)
GAF Anscochrome 100 T (discontinued)
The list below is of 35mm film stocks in use in 1956.[18]
Ansco Color Negative, Type 844. E.I. 16 Day (w/ Wratten #85 filter), 25 Tungsten (discontinued)
Ansco Color Dupe Negative, Type 846, for Intermediate Negatives (discontinued)
Ansco Color Print Film, Type 848, for release prints, balanced for approx. 3,000 degrees K (discontinued)
Ansco Color Reversal Duplicating Film, Type 538, for duplication of positive image originals (discontinued)
Ansco Supreme, Type 453, panchromatic (black & white?). E.I. 50 Day, 32 Tungsten (discontinued)
Ansco Ultra-Speed, Type 456, very high speed, medium grain, panchromatic. E.I. 100 Day, 64 Tungsten (discontinued)
Eastman Kodak [ edit ]
In films from 1950 on, the first two digits (the prefix) of the four-digit emulsion number identify the gauge and base of film:[19]
Prefix
Description
12 Nitrate-base 35 mm negative film
13 Nitrate-base 35 mm print film
22 ESTAR-base 35 mm (or larger) camera film
23 ESTAR-base 35 mm (or larger) lab/print film
32 ESTAR-base 16 mm or 8 mm camera film
33 ESTAR-base 16 mm or 8 mm lab/print film
Prefix
Description
52 Acetate-base 35 mm (or larger) camera film
53 Acetate-base 35 mm (or larger) lab/print film
72 Acetate-base 16 mm or 8 mm camera film
73 Acetate-base 16 mm or 8 mm lab/print film
A "T" suffix designates a tungsten (3200K) balanced negative and a "D" suffix designates a daylight (5600K) negative. The number preceding this is the film's exposure index as determined by Kodak (it is not ISO speed).
Early nitrate films (1916–1941) [ edit ]
Number
Name
Introduced
Discontinued
Cine Negative Film, Type E, orthochromatic
1916
1930
1201
Cine Negative Film, Type F, orthochromatic
1917
1930
Super Speed Cine Negative Film, orthochromatic
1922
1930
1203
Kodak Panchromatic Cine Film Type I
1922
1941
1218
Type II Cine Negative Panchromatic Films
1928
19??
Type III Cine Negative Panchromatic Films
1928
19??
1210
Panchromatic K, infrared[20]
1928
19??
1217
Super-Sensitive Cine Negative Panchromatic
1931
19??
1227
Eastman Super-X
1935
1938
1230
Eastman Background-X
1938
1956 (5230 Safety)
1231
Eastman Plus-X
1938
19?? (5231 Safety)
1232
Eastman Super-XX
1938
19?? (5323 Safety)
Super-XX reversal film, panchromatic
1938
1958
Kodacolor 16 mm 1928
19??
Black-and-White (1954–1967) [ edit ]
Eastman Tri-X panchromatic Negative film 5233 320D/250T introduced in 1954
Plus-X reversal film 7276 50D/40T introduced in 1955
Tri-X reversal film 7278 200D/160T introduced in 1955
Plus-X Panchromatic Negative film 5231/7231 80D/64T introduced in 1956 (discontinued in 2010)
Double-X 5222/7222 250D/200T introduced in 1959
Plus-X reversal 7265 (16 mm & 8 mm ) 100D/80T
Tri-X reversal 7266 (16 mm & 8 mm ) 200D/160T
Eastman 4-X negative Pan film 5224/7224 500D/400T introduced in 1964 (discontinued in 1990)
Kodak 4-X reversal film 7277 400D/320T introduced in 1967 discontinued in 1990
Kodak Tri-X TV reversal film 7727, TVTX, no longer identified by EKC 7727
Eastman Background-X Negative Film 5230, ISO 32 (discontinued)
Eastman XT Panchromatic Negative Film 5220, 25D/20T, 1964–1970, replacing Background-X
Fine grain color negative films (1950–1968) [ edit ]
Eastman Color Negative film 5247 16D introduced in 1950 (discontinued in 1952)
Eastman Color Negative film 5248 25T introduced in 1952 (discontinued in 1959)
Eastman Color Negative film 5250 50T introduced in 1959 (discontinued in 1962)
Eastman Color Negative film 5251 50T introduced in 1962 (discontinued in 1968)
Eastman Color Negative film 5254/7254 100T introduced in 1968 (discontinued March, 1977)
Eastman Color Negative II (ECN-2 process 1974–1976) [ edit ]
5247 100T Process ECN-2 introduced in 1974 (discontinued in 1976), it has sharper/finer grain compared to its predecessor 5254
5247/7247 100T (updated) introduced in 1976 (discontinued March, 1983)
Video News Film 16 mm (VNF-1)(1976–1981) [ edit ]
Eastman Ektachrome Video News Film 7239 (VNF) 160D, introduced in 1976. Replaced 7241.
Eastman Ektachrome Video News Film 7240 125T, introduced in 1976. Replaced 7242.
Eastman Ektachrome High-Speed Video News Film 7250 400T, introduced in 1977.
Eastman Ektachrome High-Speed Daylight Film 7251 400D, introduced in 1981.
Kodachrome color reversal film [ edit ]
Kodachrome 16 mm introduced in 1935
Kodachrome 35 mm (135 ) & 8 mm introduced in 1936 (discontinued in 2009)
5262 (16 mm ) introduced in 1938 (discontinued in 1946)
5265 (16 mm ) introduced in 1940 (discontinued in 1950)
5267 (35 mm ) introduced in 1942
5268 (16 mm ) introduced in 1946 (discontinued in 1958)
5269 (16 mm ) introduced in 1950
7267 25D (16 mm & 8 mm ) (discontinued)
7270 40T (16 mm & 8 mm ) (discontinued)
Ektachrome color reversal film (E1–E6 and related processes) [ edit ]
5239/7239 (reversal) 160D
5240/7240 (16 mm & 8 mm ) (reversal) 125T
5285/7285 100D (reversal) introduced in 1999 (discontinued in 2012)
7241 160D, introduced 1966, replaced 7257
7242 125T, introduced 1966, replaced 7258
7250 High Speed 400T
7251 High Speed 400D introduced in 1981
7252 25T introduced in 1970 (discontinued in 1984)
7255 introduced in 1958 (discontinued in 1970, replaced by 7252)
5256/7256 64D, 1963–1984
7257 160D, introduced 1959
7258 125T, introduced 1959
7280 (8 mm ) 64T (discontinued in 2010)
Ektachrome (Type A) 160T (super 8 mm ) introduced in 1971
Ektachrome SM 7244 (super 8 mm )(reversal) introduced in 1975
7294 100D (Super-8, 16mm) introduced in 2018, reformulated version of 5285/7285 100D
Eastmancolor Negative (1982–1986) [ edit ]
7291 100T introduced in 1983 (discontinued in 1989)
7292 320T introduced in 1986 (discontinued in 1992) (First partial "T-Grain " stock)
5293/7293 250T introduced in 1982 (discontinued 1983)
5294/7294 400T (35 mm )/320T (16 mm ) introduced in 1983, discontinued in 1986
5295 400T introduced in 1986
5297/7297 HS Day 250D introduced in 1986 (discontinued in 1997)
EXR color negative (ECN-2 process 1989–1996) [ edit ]
5245/7245 EXR 50D introduced in 1989 (discontinued in 2006)
5248/7248 EXR 100T introduced in 1989 (discontinued in 2005)
5287/7287 EXR 200T introduced in 1996 (discontinued in 1996)
5293/7293 EXR 200T introduced in 1992 (discontinued in 2004)
5296/7296 EXR 500T introduced in 1989 (discontinued in 1995)
5298/7298 EXR 500T introduced in 1994 (discontinued in 2003)
Vision color negative (ECN-2 process 1996–2002) [ edit ]
5246/7246 Vision 250D introduced in 1997 (discontinued in 2005)
5263/7263 Vision 500T introduced in 2002 (discontinued in 2003)
5274/7274 Vision 200T introduced in 1997 (discontinued in 2006)
5277/7277 Vision 320T introduced in 1996 (discontinued in 2005)
5279/7279 Vision 500T introduced in 1996 (discontinued in 2006)
5284/7284 Vision 500T "Expression" introduced in 2001 (discontinued in 2003)
5289 Vision 800T introduced in 1998 (discontinued in 2004)
7289 Vision 800T (16 mm ) introduced in 1999 (discontinued in 2004)
Vision2 color negative (ECN-2 process 2002–2007) [ edit ]
5201/7201 Vision2 50D introduced in 2005. discontinued in 2012.
5205/7205 Vision2 250D introduced in 2004. discontinued in 2009.
5212/7212 Vision2 100T introduced in 2004. discontinued in 2010.
5217/7217 (35, 16, & 8 mm ) Vision2 200T introduced in 2004. discontinued in 2010.
5218/7218 (35, 16, & 8 mm ) Vision2 500T introduced in 2002. discontinued in 2009.
5229/7229 Vision2 "Expression" 500T introduced in 2003. discontinued in 2011.
5260 Vision2 500T introduced in 2009 (35 mm only). discontinued in 2011.
5299/7299 Vision2 "HD Color Scan film" 500T introduced in 2005. discontinued in 2009.
Vision3 color negative (ECN-2 process 2007–present) [ edit ]
5219/7219 Vision3 500T introduced in 2007. SO-219 is ESTAR-base variant.
5207/7207 Vision3 250D introduced in 2009.
5213/7213 (35, 16, & 8 mm ) Vision3 200T introduced in 2010.
5203/7203 Vision3 50D introduced in 2011.
Print films (1941–present) [ edit ]
Introduced/Discontinued?
Number
Name
Intro.
Disc.?
Notes
1302
Eastman Fine Grain Release Positive
1941
1950
Black-and-white, nitrate-base. Replaced by 5302.[21]
5302/7302
Eastman Fine Grain Release Positive
1950
2015
Replaced 1302.
5381
Eastman Color Print
1950
1953
Replaced by 5382.[22] [23]
5382
Eastman Color Print
1952
1966
Replaced 5381 ("Better definition"), replaced by 5385.[22]
7282
Eastman Color Print
1952
1961
Replaced by 7383.
7303
Eastman Fine Grain Release Positive
1960
1962
"16mm only. Better image structure than 7302."[24]
5385/7385
Eastman Color Print
1962
1972
Replaced 5382 and 7383. "Improved definition and speed".[24] [23]
7381
Eastman Color Print (super 8 only)
1970
19??
Replaced 7380.[24]
7381
Eastman Color Print (16 mm )
1971
Jan. 1982
Replaced 7385.[24]
5381
Eastman Color Print
1972
Jan. 1982
Replaced 5385 "for 35mm end use".[24]
Number
Name
Intro.
Disc.?
Notes
5383/7383
Eastman Color SP Print
1974
1983
Process ECP-2. Similar quality to 5381/7381.[24] [25] [23]
5738/7738
Eastman Color SP Low Contrast Print
1977
c.1983
Process ECP-2.[24]
7378
Eastman Color LF print
1978
1982
Process ECP. "Improved cyan dye dark-keeping stability"[23] [26]
7379
Eastman Color LFSP print
1978
1983[24]
Process ECP-2 counterpart of 7379[23] [26]
5384/7384
Eastman Color Print
1982
19??
Replaced 5381/7381, 5383/7283, 7378, 7379. So-called low-fade "LPP." Brought "improved cyan dye dark-keeping" and ECP-2 from 7379, and "reduced sensitivity to process variations" introducing process ECP-2A (persulfate bleach replaced ferricyanide bleach, and bromide concentration was increased). Modified in 1998 for ECP-2B (eliminating formalin).[23] [27]
5380/7380
Eastman Color LC Print
1983
c.1993
Replaced 5738/7738. "Low contrast for video transfers."[27] [28]
5385/7385
Eastman Color LC Print
1993
19??
Replaced 5380/7380.[27]
5386/7386
Eastman EXR Color Print
1993
c.2002
Replaced 5384/7384[27]
2386/3386
Eastman EXR Color Print
1994[29]
c.1999
ESTAR-base version of 5386, with rem-jet backing.
SO-886
Special Order 886
1997
1998?
ESTAR-base. Antistatic layer.[25]
Number
Name
Intro.
Disc.?
Notes
2383/3383
Vision Color Print
1998
no Replaced 5386.[27]
2393
Vision Premier Color Print
1998
2015
[27]
2395
Vision Color Teleprint
c.1999
2010
Low-contrast prints[30]
2302
Black-and-white Print
c.1999
no Complements 5302. Process D97.[31]
Number
Name
Intro.
Disc.?
Notes
Lab films [ edit ]
Introduced/Discontinued?
Number
Name
Intro.
Disc.?
Notes
5234/7234
Eastman Fine Grain Duplicating Panchromatic Negative film
1958
2017
[22]
2234/3234
Eastman Fine Grain Duplicating Panchromatic Negative film
1958
no ESTAR-based version of 5234.
5235
Eastman Panchromatic film
unknown
1998
35 and 70 mm only.
7361
Eastman Reversal BW Print Film
1962
unknown, but disc.
16 mm only, Black-and White.[24]
5249/7249
Eastman Color Reversal Intermediate film
1968
unknown, but disc.
Process CRI-1.[24]
5360/7360
Eastman Direct MP Film
1968
unknown, but disc.
[24]
Number
Name
Intro.
Disc.?
Notes
5369
Eastman High Contrast Panchromatic Film
unknown
2011
35 and 70 mm only.
2369/3369
Eastman High Contrast Panchromatic Film
unknown
2011
ESTAR-based version of 5369. Also provided 16 mm.
5272/7272
Eastman Color Internegative II Film
1980
2014
Process ECN-2. Replaced 5271/7271.[27]
5243
Eastman Color Intermediate Film
1976
unknown, but disc.
Introduced in 1976,[24] [27]
5244/7244
Eastman Color Intermediate Film
1992
unknown, but disc.
Replaced 5243/7243.[27]
2244
Eastman Color Intermediate Film
1992
unknown, but disc.
ESTAR-based version of 5244.
Number
Name
Intro.
Disc.?
Notes
5363/7363
Eastman High Contrast Black/White Positive Film
c. 1999
no Used for title production
5366/7366
Eastman Fine Grain Duplicating Positive Film
c. 1999
no
2374
Kodak Panchromatic Sound Recording Film
c. 1999
no ESTAR-based and 35 mm only. For optical soundtrack recording use.
2378E/3378E
Eastman EXR Sound Recording Film
c. 1999
no ESTAR-based only. For optical soundtrack recording use.
2238
Kodak Panchromatic Separation Film
c. 1999
2023[32]
ESTAR-based version and 35 mm only too.
5242/7242
Kodak Vision Color Intermediate Film
c. 1998
no Process ECN-2.
2242/3242
Kodak Vision Color Intermediate Film
c. 1998
no ESTAR-based version of 5242. Process ECN-2.
Number
Name
Intro.
Disc.?
Notes
5254/2254
Kodak Vision3 Color Digital Intermediate Film
2010
no Recording film.
2332
Kodak Color Asset Protection Film
2012
2014
Recording film. ESTAR-based. Optimized for productions that originate or are finished digitally.
2237
Kodak Vision3 Digital Separation Film
2012
no Black-and-white recording film. ESTAR-based. Intended for making archival separations from color digital masters.
5600 Primetime EXR 640T Teleproduction Film introduced in 1995 (discontinued)
5620/7620 Primetime 640T introduced in 1997 (discontinued)
SFX 200T Color Negative Film (35 mm only) introduced in 1998. Special-order film intended for special effects.[33]
5230/7230 500T Color Negative Film introduced in 2011 (discontinued in 2012)
Ektagraphic High Contrast Slide (HCS) orthochromatic negative film for making reverse-text title slides etc.
Fine Grain Release Positive, blue-sensitive negative film specially for motion film duplication
Rapid Process Copy (RPC) ultra-slow duplicating film with a blue-tinted base
Ilford specialises in B&W films and, until 2003, produced motion picture versions of their photographic films for 16mm and 35mm cameras.
(As used in Hollywood, 1960s)[34] [35] [36]
Ilford Pan F Negative, ASA 25 Day, 20 Tungsten (B&W, 35mm & 16mm)
Ilford FP3 Negative, ASA 80 Day, 64 Tungsten (B&W, 35mm & 16mm)
Ilford HP3 Negative, ASA 200 Day, 160 Tungsten (B&W, 35mm & 16mm
Ilford Mark V Negative, ASA 250 Day, 200 Tungsten (B&W, 35mm & 16mm)
Ilford HPS Negative, ASA 400 Day, 320 Tungsten (B&W, 35mm & 16mm)
Ilford HRT Television Recording Film (B&W, 16mm)
Ilford Fine Grain Safety Positive for release prints (B&W, 35mm & 16mm)
Ilford Newsreel Positive (B&W, 35mm)
Ilford SFX 200 Negative for Special Effects, ASA 200 Day, 100 Tungsten (B&W, 16mm)
Note: 1973 is last appearance in American Cinematographer Manual (fourth edition).
Slavich [ edit ]
Slavich is a Russian film manufacturer. They no longer produce motion picture film but do still produce photographic emulsion paper.
Black-and-white negative film NK-2 ISO/GOST 32D/25T
Black-and-white negative NK-2Sh ISO/GOST 100D/80T
Black-and-white positive print film МZ-3 ISO/GOST ~5T
Svema was a Soviet/Ukrainian film manufacturer.
OCh 50 Black-and-white reversal, Asa 50 D, 40 T discontinued
OCh 200 Black-and-white reversal, Asa 200 D, 160 T discontinued
OCH 50 and OCH 200: Products of TASMA company
Tasma is a Russian company (Russian : Тасма ), located in the Russian Republic of Tatarstan
NK-1 – ISO/GOST 250D/200T
NK-2 – ISO/GOST 100D/80T
NK-3 – ISO/GOST 32D/25T
See also [ edit ]
References [ edit ]
^ American Cinematographer Manual , Hollywood, 1973, pp 234, 238.
^ Katz, Ephraim (1994). The Film Encyclopedia (2nd ed.) HarperCollins Press. ISBN 0-06-273089-4 .
^ Salt, Barry. Film Style and Technology: History and Analysis , Starword, London, third edition, 2009, pg 198.
^ American Cinematographer ; vol. 6, #11, February 1926, pg 2
^ American Cinematographer Hand Book and Reference Guide , Jackson J. Rose, 9th Edition 1956, pages 52–53
^ American Cinematographer Manual , first edition, 1960, pages 128–130
^ American Cinematographer Manual , 2nd edition, 1966, pages 247–251
^ American Cinematographer Manual , 3rd edition, 1969, pages 188–192
^ Carlson, Verne and Sylvia. Professional 16/35mm Cameraman's Handbook , first edition, 1970, page 23
^ "A New Motion Picture Film Stock Arrives Thanks To ORWO" . No Film School . 2023-03-13. Retrieved 2023-03-24 .
^ "Discontinued Films" . Fujifilm USA . Archived from the original on 18 January 2018.
^ Fuji (January 12, 2006). Fujifilm Expands Eterna Family with the Introduction of Eterna 400, Eterna 250 Archived 2006-10-17 at the Wayback Machine
^ "Discontinuation of Motion Picture Film production" . Fujifilm Global . April 2, 2013. Archived from the original on 5 April 2013.
^ {ja}Discontinue announcement from fujifilm.jp.
^ {ja}Discontinue announcement from fujifilm.jp.
^ a b c Fujifilm Motion Picture "FUJIFILM Global | Products | Motion Picture Films | Product Line-up" . Archived from the original on 2007-10-07. Retrieved 2007-10-10 .
^ a b Released starts early summer of 2007"Fujifilm: Motion Picture Imaging News" . Archived from the original on 2007-11-12. Retrieved 2007-10-18 .
^ American Cinematographer Hand Book and Reference Guide , Jackson J. Rose, 9th Edition 1956, page 51
^ Kodak H-1: Selecting Films: Film Types, Names, and Numbers , Retrieved 28 March 2007. Archived May 24, 2006, at the Wayback Machine
^ Mees, C. E. Kenneth . "History of Professional Black-and-White Motion-Picture film", Journal of the SMPTE , Volume 63, October 1954.
^ Kodak | Motion Picture Imaging Chronology of Motion Picture Films: 1889–1939 (Part 1) Archived 2011-07-23 at the Wayback Machine ,
^ a b c Kodak | Motion Picture Imaging Chronology of Motion Picture Films: 1940–1959 (Part 2) Archived 2009-06-25 at the Wayback Machine ,
^ a b c d e f
K.J. Carl, Jr.; J.W. Erwin; S.J. Powell; F.R. Reinking; R.C. Sehlin; S.W. Spakowsky; W.A. Szafranski; R.W. Wien (December 1982), "Eastman Color Print Film 5384", SMPTE Journal , 91 12 ): 1161–1170, doi :10.5594/J02009
^ a b c d e f g h i j k l Kodak | Motion Picture Imaging Chronology of Motion Picture Films: 1960–1979 (Part 3) ,
^ a b Pytlak, John P. Eastman Kodak Corporation. At Film-Tech Forums : Film Handler's Forum , topic "Kodak '4B' print stock" (topic #2835), page 1 (post #4). 27 November 2001 02:22PM (CT )
^ a b
J. Baptista; J. Erwin; F. Franzwa; C. Hunt; H. Johnston; E. Knutssen; C. Maggiulli; R. O'Connell (1978), "Two New Eastman Color Print Films with Improved Cyan Dye Dark-Keeping Stability", SMPTE 120th Technical Conference , SMPTE
^ a b c d e f g h i Kodak | Motion Picture Imaging Chronology of Motion Picture Films: 1980-today (Part 4 ),
^ S.J. Powell; C. Didier; B. Gagny; K.J. Carl; J.W. Erwin; I.A. Halman (March 1984), "Eastman Color LC Print Film 5380/7380", SMPTE Journal , 92 3 ): 228–234, doi :10.5594/J03621
^ Pytlak, John P. "Film Notes For the Reel People: A Technical Service for Filmhandlers from Eastman Kodak Company"; Publication H-50-34, October 1994 and H-50-35, December 1994. 2386 was first used on Maverick Getting Even with Dad
^ Kodak Vision Color Teleprint Film Archived February 12, 2007, at the Wayback Machine
^ Kodak Black-and-white print film 2302 Archived July 7, 2006, at the Wayback Machine
^ "Discontinued Listings" (PDF) . Kodak . Retrieved 2024-04-07 .
^ Kodak | Color Negative Films SFX 200T Color Negative Film Archived November 5, 2006, at the Wayback Machine
^ American Cinematographer Manual , Hollywood, 2nd edition, 1966, pp 278–281.
^ American Cinematographer Manual , Hollywood, 3rd edition, 1969, pp 209–211.
^ American Cinematographer Manual , Hollywood, 4th edition, 1973, pp 235–237.
´
www.pixpast.com for samples of original 35mm agfacolor film from 1936 to 1945.
Brown, Blaine (1994). The Filmmaker's Pocket Reference Focal Press. pp. 160–161. ISBN 0-240-80058-3 .
Detmers, Fred H. (ed.) (1986). American Cinematographer Manual (6th ed.) ASC Press pp. 67. ISBN 0-935578-07-2 .
Dr. Ryan, Rod (ed.) (1993). American Cinematographer Manual (7th ed.) ASC Press pp. 127. ISBN 0-935578-11-0 .
Hummel, Rob (ed.) (2001). American Cinematographer Manual (8th ed.) ASC Press pp. 860–861. ISBN 0-935578-15-3 .
Herrmann, Karl (January 1990). "Film Stock Tests: Eastman (third in a series)" American Cinematographer Magazine ASC Press. pp. 83–88.
Kodak Cinematographer's Field Guide Kodak publication H-2 (September 1998). pp. MPF-4 – MPF-5.
Kodak Cinematographer's Field Guide Kodak publication H-2 (January 2006) (12th ed.). pp. MPF-4 – MPF-5.
https://web.archive.org/web/20070703225400/http://www.filmotec.de/English_Site/Products/products.html
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=List_of_motion_picture_film_stocks&oldid=1217741970 " C a t e g o r y : ● F i l m a n d v i d e o t e c h n o l o g y H i d d e n c a t e g o r i e s : ● W e b a r c h i v e t e m p l a t e w a y b a c k l i n k s ● A r t i c l e s w i t h s h o r t d e s c r i p t i o n ● S h o r t d e s c r i p t i o n i s d i f f e r e n t f r o m W i k i d a t a ● A r t i c l e s c o n t a i n i n g R u s s i a n - l a n g u a g e t e x t
● T h i s p a g e w a s l a s t e d i t e d o n 7 A p r i l 2 0 2 4 , a t 1 6 : 1 7 ( U T C ) . ● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n . ● P r i v a c y p o l i c y ● A b o u t W i k i p e d i a ● D i s c l a i m e r s ● C o n t a c t W i k i p e d i a ● C o d e o f C o n d u c t ● D e v e l o p e r s ● S t a t i s t i c s ● C o o k i e s t a t e m e n t ● M o b i l e v i e w
