List of neo-noir films
Appearance
The following is a list of films belonging to the neo-noir genre. Following a common convention of associating the 1940s and 1950s with film noir, the list takes 1960 to date the beginning of the genre.
List of films: 1960–1969[edit]
List of films: 1970–1979[edit]
Film | Director | Year | Country | Ref(s). |
---|---|---|---|---|
10 Rillington Place | Richard Fleischer | 1971 | United Kingdom | [8] |
99 and 44/100% Dead | John Frankenheimer | 1974 | United States | [42] |
Across 110th Street | Barry Shear | 1972 | United States | [1] |
All the President's Men | Alan J. Pakula | 1976 | United States | [1] |
The American Friend | Wim Wenders | 1977 | West Germany | [13] |
...And Justice for All. | Norman Jewison | 1979 | United States | [8] |
The Anderson Tapes | Sidney Lumet | 1971 | United States | [1] |
Assault on Precinct 13 | John Carpenter | 1976 | United States | [8] |
Badge 373 | Howard W. Koch | 1973 | United States | [8] |
Badlands | Terrence Malick | 1973 | United States | [27] |
The Big Fix | Jeremy Kagan | 1978 | United States | [53] |
The Big Sleep | Michael Winner | 1978 | United Kingdom, United States | [8] |
The Bird with the Crystal Plumage | Dario Argento | 1970 | Italy | [13] |
The Black Bird | David Giler | 1975 | United States | [53] |
Black Eye | Jack Arnold | 1974 | United States | [8] |
Black Gunn | Robert Hartford-Davis | 1972 | United States | [8] |
Black Sunday | John Frankenheimer | 1977 | United States | [53] |
Blue Collar | Paul Schrader | 1978 | United States | [54] |
Le Boucher | Claude Chabrol | 1970 | France | [18] |
Bring Me the Head of Alfredo Garcia | Sam Peckinpah | 1974 | United States, Mexico | [55] |
The Brink's Job | William Friedkin | 1978 | United States | [56] |
Buster and Billie | Daniel Petrie | 1974 | United States | [8] |
Capricorn One | Peter Hyams | 1977 | United States | [56] |
Le Cercle Rouge | Jean-Pierre Melville | 1970 | France/Italy | [57] |
The Champ | Franco Zeffirelli | 1979 | United States | [56] |
Chandler | Paul Magwood | 1971 | United States | [8] |
Charley Varrick | Don Siegel | 1973 | United States | [27] |
The China Syndrome | James Bridges | 1979 | United States | [8] |
Chinatown | Roman Polanski | 1974 | United States | [8] |
The Choirboys | Robert Aldrich | 1977 | United States | [56] |
Coffy | Jack Hill | 1973 | United States | [56] |
The Conversation | Francis Ford Coppola | 1974 | United States | [8] |
Cool Breeze | Barry Pollack | 1972 | United States | [56] |
Cotton Comes to Harlem | Ossie Davis | 1970 | United States | [23][58][59] |
Cuba | Richard Lester | 1979 | United States | [8] |
Deadly Strangers | Sidney Hayers | 1975 | United Kingdom | [24] |
Death Wish | Michael Winner | 1974 | United States | [8] |
Detroit 9000 | Arthur Marks | 1973 | United States | [23] |
Dirty Harry | Don Siegel | 1971 | United States | [8] |
Dog Day Afternoon | Sidney Lumet | 1975 | United States | [8] |
The Domino Principle | Stanley Kramer | 1977 | United States | [60] |
The Driver | Walter Hill | 1978 | United States | [8] |
The Drowning Pool | Stuart Rosenberg | 1975 | United States | [8] |
Endless Night | Sidney Gilliat | 1972 | United Kingdom | [24] |
The Enforcer | James Fargo | 1976 | United States | [8] |
Escape to Nowhere | Claude Pinoteau | 1973 | France | [8] |
The Executioner | Sam Wanamaker | 1970 | United Kingdom | [8] |
Executive Action | David Miller | 1973 | United States | [60] |
Eyes of Laura Mars | Irvin Kershner | 1978 | United States | [60] |
Farewell, My Lovely | Dick Richards | 1975 | United States | [8] |
Fat City | John Huston | 1972 | United States | [60] |
Fingers | James Toback | 1978 | United States | [60] |
The First Great Train Robbery | Michael Crichton | 1978 | United Kingdom | [8] |
F.I.S.T | Norman Jewison | 1978 | United States | [8] |
Foxy Brown | Jack Hill | 1974 | United States | [61] |
Framed | Phil Karlson | 1975 | United States | [61] |
The French Connection | William Friedkin | 1971 | United States | [8] |
French Connection II | John Frankenheimer | 1975 | United States | [8] |
Frenzy | Alfred Hitchcock | 1972 | United Kingdom | [24] |
Friday Foster | Arthur Marks | 1975 | United States | [61] |
The Friends of Eddie Coyle | Peter Yates | 1973 | United States | [8] |
The Fury | Brian De Palma | 1978 | United States | [61] |
The Gauntlet | Clint Eastwood | 1977 | United States | [61] |
Get Carter | Mike Hodges | 1971 | United Kingdom | [13][14] |
The Getaway | Sam Peckinpah | 1972 | United States | [27] |
Going Home | Herbert B. Leonard | 1971 | United States | [61] |
The Grissom Gang | Robert Aldrich | 1971 | United States | [61] |
The Groundstar Conspiracy | Lamont Johnson | 1972 | United States | [61] |
Gumshoe | Stephen Frears | 1971 | United Kingdom | [62] |
Hard Times | Walter Hill | 1975 | United States | [8] |
Hardcore | Paul Schrader | 1979 | United States | [8] |
Hell Up in Harlem | Larry Cohen | 1973 | United States | [27] |
Hickey & Boggs | Robert Culp | 1972 | United States | [8] |
Hit Man | George Armitage | 1972 | United States | [32] |
The "Human" Factor | Edward Dmytryk | 1975 | United States | [32] |
The Human Factor | Otto Preminger | 1979 | United Kingdom | [8] |
Hustle | Robert Aldrich | 1975 | United States | [8] |
I... comme Icare | Henri Verneuil | 1979 | France | [8] |
I Walk the Line | John Frankenheimer | 1970 | United States | [32] |
Jaguar | Lino Brocka | 1979 | Philippines | [8] |
The Killer Inside Me | Burt Kennedy | 1976 | United States | [8] |
The Killing of a Chinese Bookie | John Cassavetes | 1976 | United States | [8] |
Klute | Alan J. Pakula | 1971 | United States | [8] |
The Kremlin Letter | John Huston | 1970 | United States | [8] |
Last Embrace | Jonathan Demme | 1979 | United States | [8] |
The Last of Sheila | Herbert Ross | 1973 | United States | [8] |
The Late Show | Robert Benton | 1977 | United States | [63] |
The Liberation of L.B. Jones | William Wyler | 1970 | United States | [8] |
The Long Goodbye | Robert Altman | 1973 | United States | [8] |
The Looking Glass War | Frank Pierson | 1970 | United Kingdom | [24] |
The MacKintosh Man | John Huston | 1973 | United Kingdom | [8] |
Magnum Force | Ted Post | 1973 | United States | [37] |
Manila in the Claws of Light | Lino Brocka | 1975 | Philippines | [8] |
Mean Streets | Martin Scorsese | 1973 | United States | [37] |
Midnight Express | Alan Parker | 1978 | United States | [37] |
The Midnight Man | Roland Kibbee and Burt Lancaster | 1974 | United States | [28] |
Mikey and Nicky | Elaine May | 1976 | United States | [64] |
Money Movers | Bruce Beresford | 1978 | Australia | [65] |
The New Centurions | Richard Fleischer | 1972 | United States | [8] |
The Nickel Ride | Robert Mulligan | 1974 | United States | [8] |
Night Moves | Arthur Penn | 1975 | United States | [8][58][59] |
Obsession | Brian De Palma | 1976 | United States | [42] |
The Offence | Sidney Lumet | 1972 | United Kingdom | [24] |
The One Man Jury | Charles Martin | 1978 | United States | [42] |
The Onion Field | Harold Becker | 1979 | United States | [8] |
The Organization | Don Medford | 1971 | United States | [42] |
The Outfit | John Flynn | 1973 | United States | [8] |
The Parallax View | Alan J. Pakula | 1974 | United States | [42] |
The Passenger | Michelangelo Antonioni | 1975 | Italy, France, Spain | [8] |
Performance | Nicolas Roeg | 1970 | United Kingdom | [13][14] |
Play Misty for Me | Clint Eastwood | 1971 | United States | [27] |
Prime Cut | Michael Ritchie | 1972 | United States | [31] |
Pulp | Mike Hodges | 1972 | United Kingdom | [24] |
Rage | George C. Scott | 1972 | United States | [8] |
Remember My Name | Alan Rudolph | 1978 | United States | [66] |
Rider on the Rain | René Clément | 1970 | France | [21] |
Rolling Thunder | John Flynn | 1977 | United States | [8] |
The Seduction of Joe Tynan | Jerry Schatzberg | 1979 | United States | [8] |
Série noire | Alain Corneau | 1979 | France | [13] |
Serpico | Sidney Lumet | 1973 | United States | [8] |
Seven | Andy Sidaris | 1979 | United States | [8] |
Shaft | Gordon Parks | 1971 | United States | [8] |
Shamus | Buzz Kulik | 1973 | United States | [67] |
Sheba, Baby | William Girdler | 1975 | United States | [67] |
The Silent Partner | Daryl Duke | 1978 | Canada | [68] |
Sisters | Brian De Palma | 1973 | United States | [67] |
Sitting Target | Douglas Hickox | 1972 | United Kingdom | [45] |
Sorcerer | William Friedkin | 1977 | United States, Mexico | [8] |
Soylent Green | Richard Fleischer | 1973 | United States | [67] |
Special Delivery | Paul Wendkos | 1976 | United States | [8] |
The Stone Killer | Michael Winner | 1973 | United States | [8] |
Straight Time | Ulu Grosbard | 1978 | United States | [67] |
Super Fly | Gordon Parks Jr. | 1972 | United States | [67] |
Sweet Sweetback's Baadasssss Song | Melvin Van Peebles | 1971 | United States | [51] |
The Take | Robert Hartford-Davis | 1974 | United States | [8] |
The Taking of Pelham One Two Three | Joseph Sargent | 1974 | United States | [51] |
Taxi Driver | Martin Scorsese | 1976 | United States | [8] |
They Call Me Mister Tibbs! | Gordon Douglas | 1970 | United States | [34] |
Thieves Like Us | Robert Altman | 1974 | United States | [8] |
Twilight's Last Gleaming | Robert Aldrich | 1977 | United States | [51] |
Vanishing Point | Richard C. Sarafian | 1971 | United States | [69] |
Villain | Michael Tuchner | 1971 | United Kingdom | [45] |
Walking Tall | Phil Karlson | 1973 | United States | [69] |
White Line Fever | Jonathan Kaplan | 1975 | Canada, United States | [8] |
Winter Kills | William Richert | 1979 | United States | [69] |
The Yakuza | Sydney Pollack | 1974 | United States | [69] |
List of films: 1980–1989[edit]
List of films: 1990–1999[edit]
Film | Director | Year | Country | Ref(s). |
---|---|---|---|---|
12 Monkeys | Terry Gilliam | 1995 | United States | [85] |
Affliction | Paul Schrader | 1997 | United States | [1] |
After Dark, My Sweet | James Foley | 1990 | United States | [8] |
Arlington Road | Mark Pellington | 1999 | United States | [8] |
Bad Influence | Curtis Hanson | 1990 | United States | [27] |
Bad Lieutenant | Abel Ferrara | 1992 | United States | [1] |
Basic Instinct | Paul Verhoeven | 1992 | United States | [8] |
Batman Returns | Tim Burton | 1992 | United States | [27] |
Batman: Mask of the Phantasm | Bruce Timm | 1993 | United States | [27] |
Belly | Hype Williams | 1998 | United States | [86] |
Best Laid Plans | Mike Barker | 1999 | United States | [53] |
The Big Lebowski | Joel and Ethan Coen | 1998 | United States, United Kingdom | [87] |
Blink | Michael Apted | 1994 | United States | [27] |
Blood and Wine | Bob Rafelson | 1996 | United States | [88] |
Blue Steel | Kathryn Bigelow | 1990 | United States | [89] |
Bound | Lana and Lilly Wachowski | 1996 | United States | [27] |
Boys Don't Cry | Kimberly Peirce | 1999 | United States | [8] |
Bugsy | Barry Levinson | 1991 | United States | [8] |
Cape Fear | Martin Scorsese | 1991 | United States | [8] |
Carlito's Way | Brian De Palma | 1993 | United States | [90] |
La Cérémonie | Claude Chabrol | 1995 | France | [26] |
China Moon | John Bailey | 1994 | United States | [27] |
Clockers | Spike Lee | 1995 | United States | [91] |
Cop Land | James Mangold | 1997 | United States | [23] |
Croupier | Mike Hodges | 1998 | United Kingdom | [13][14] |
The Crow | Alex Proyas | 1994 | United States | |
Dark City | Alex Proyas | 1998 | United States, Australia | [27] |
Dead Again | Kenneth Branagh | 1991 | United States | [8] |
Dead Presidents | Albert and Allen Hughes | 1995 | United States | [92] |
Deceiver | Jonas Pate and Josh Pate | 1997 | United States | [27] |
Deep Cover | Bill Duke | 1992 | United States | [27] |
Deep Crimson | Arturo Ripstein | 1996 | Mexico | [13] |
Delusion | Carl Colpaert | 1991 | United States | [27] |
Desperate Hours | Michael Cimino | 1990 | United States | [8] |
Devil in a Blue Dress | Carl Franklin | 1995 | United States | [27] |
Diary of a Hitman | Roy London | 1991 | United States | [27] |
Dick Tracy | Warren Beatty | 1990 | United States | [8] |
Donnie Brasco | Mike Newell | 1997 | United States | [8] |
Emma Salazar Case | Jose Javier Reyes | 1991 | Philippines | [8] |
Face/Off | John Woo | 1997 | United States | [14] |
Fallen Angels | Wong Kar-wai | 1995 | Hong Kong | [13] |
Fargo | Joel and Ethan Coen | 1996 | United States, United Kingdom | [13] |
Fear | James Foley | 1996 | United States | [27] |
La Femme Nikita | Luc Besson | 1990 | France/Italy | [13] |
Fight Club | David Fincher | 1999 | United States | [27] |
Final Analysis | Phil Joanou | 1992 | United States | [8] |
Flesh and Bone | Steve Kloves | 1993 | United States | [93] |
Following | Christopher Nolan | 1998 | United Kingdom | [94] |
Foreign Land | Walter Salles and Daniela Thomas | 1996 | Brazil | [13] |
The Game | David Fincher | 1997 | United States | [27] |
Gattaca | Andrew Niccol | 1997 | United States | [95] |
The Getaway | Roger Donaldson | 1994 | United States | [27] |
Ghost Dog: The Way of the Samurai | Jim Jarmusch | 1999 | United States | [96] |
The Glass Shield | Charles Burnett | 1994 | United States | [91] |
Gloria | Sidney Lumet | 1999 | United States | [8] |
The Grifters | Stephen Frears | 1990 | United States | [8] |
Guncrazy | Tamra Davis | 1992 | United States | [27] |
La Haine | Mathieu Kassovitz | 1995 | France | [97] |
Hana-bi | Takeshi Kitano | 1997 | Japan | [98] |
Hard Boiled | John Woo | 1992 | Hong Kong | [79] |
Hard Eight | Paul Thomas Anderson | 1996 | United States | [12] |
Heat | Michael Mann | 1995 | United States | [27] |
Homicide | David Mamet | 1991 | United States | [8] |
The Hot Spot | Dennis Hopper | 1990 | United States | [8] |
Ikaw Naman ang Iiyak | Joel Lamangan | 1996 | Philippines | [8] |
In the Line of Fire | Wolfgang Petersen | 1993 | United States | [8] |
Insomnia | Erik Skjoldbjærg | 1997 | Norway | [99] |
Internal Affairs | Mike Figgis | 1990 | United States | [8] |
Jackie Brown | Quentin Tarantino | 1997 | United States | [27] |
The Kill-Off | Maggie Greenwald | 1990 | United States | [27] |
King of New York | Abel Ferrara | 1990 | United States | [8] |
A Kiss Before Dying | James Dearden | 1991 | United States | [8] |
Kiss of Death | Barbet Schroeder | 1995 | United States | [27] |
Kiss or Kill | Bill Bennett | 1997 | Australia | [13] |
The Krays | Peter Medak | 1990 | United Kingdom | [27] |
L.A. Confidential | Curtis Hanson | 1997 | United States | [12][27] |
The Last Seduction | John Dahl | 1994 | United States | [27] |
Léon: The Professional | Luc Besson | 1994 | France | [13] |
Lethal Weapon 3 | Richard Donner | 1992 | United States | [8] |
Liebestraum | Mike Figgis | 1991 | United States | [27] |
Light Sleeper | Paul Schrader | 1992 | United States | [100] |
The Limey | Steven Soderbergh | 1999 | United States | [27] |
Live Flesh | Pedro Almodóvar | 1997 | Spain | [19] |
Lock, Stock and Two Smoking Barrels | Guy Ritchie | 1998 | United Kingdom | [14] |
Lone Star | John Sayles | 1996 | United States | [101] |
Lord of Illusions | Clive Barker | 1995 | United States | [102] |
Lost Highway | David Lynch | 1997 | United States | [27] |
Love Crimes | Lizzie Borden | 1992 | United States | [27] |
Malice | Harold Becker | 1993 | United States | [8] |
The Matrix | Lana and Lilly Wachowski | 1999 | Australia, United States | [103] |
Menace II Society | Albert and Allen Hughes | 1993 | United States | [92] |
Miami Blues | George Armitage | 1990 | United States | [27] |
Miller's Crossing | Joel and Ethan Coen | 1990 | United States | [8] |
Mulholland Falls | Lee Tamahori | 1996 | United States | [27] |
Narrow Margin | Peter Hyams | 1990 | United States | [27] |
New Jack City | Melvin Van Peebles | 1991 | United States | [27] |
Night and the City | Irwin Winkler | 1992 | United States | [8] |
Night Train | Les Bernstien | 1999 | United States | [104] |
The Ninth Gate | Roman Polanski | 1999 | United States | [12] |
One False Move | Carl Franklin | 1992 | United States | [27] |
Out of Sight | Steven Soderbergh | 1998 | United States | [105] |
Pacific Heights | John Schlesinger | 1990 | United States | [27] |
Palmetto | Volker Schlöndorff | 1998 | United States | [106][107] |
El Patrullero | Alex Cox | 1991 | Mexico | [13] |
Payback | Brian Helgeland | 1999 | United States | [27] |
Pi | Darren Aronofsky | 1998 | United States | [12] |
The Player | Robert Altman | 1992 | United States | [108] |
Point Break | Kathryn Bigelow | 1991 | United States | [109] |
Poison Ivy | Katt Shea | 1992 | United States | [42] |
Poodle Springs | Bob Rafelson | 1998 | United States | [31] |
The Public Eye | Howard Franklin | 1992 | United States | [27] |
Pulp Fiction | Quentin Tarantino | 1994 | United States | [12] |
Pusher | Nicolas Winding Refn | 1996 | Denmark | [5] |
The Rapture | Michael Tolkin | 1991 | United States | [54] |
Red Rock West | John Dahl | 1993 | United States | [8] |
Reservoir Dogs | Quentin Tarantino | 1992 | United States | [8][12] |
Revenge | Tony Scott | 1990 | United States, Mexico | [27] |
Romeo Is Bleeding | Peter Medak | 1993 | United States | [27] |
Ronin | John Frankenheimer | 1998 | United States | [110] |
Rush | Lili Fini Zanuck | 1991 | United States | [27] |
Set It Off | F. Gary Gray | 1994 | United States | [111] |
Seven | David Fincher | 1995 | United States | [27] |
Shallow Grave | Danny Boyle | 1994 | United Kingdom | [14][17] |
Shattered | Wolfgang Petersen | 1991 | United States | [8] |
The Silence of the Lambs | Jonathan Demme | 1991 | United States | [27] |
Simpatico | Matthew Warchus | 1999 | United States | [27] |
A Simple Plan | Sam Raimi | 1998 | United States | [27] |
Sleeping with the Enemy | Joseph Ruben | 1991 | United States | [27] |
Sling Blade | Billy Bob Thornton | 1996 | United States | [112] |
Sonatine | Takeshi Kitano | 1993 | Japan | [83] |
The Spanish Prisoner | David Mamet | 1997 | United States | [67] |
Strange Days | Kathryn Bigelow | 1995 | United States | [54] |
Suture | Scott McGehee and David Siegel | 1993 | United States | [27] |
Swoon | Tom Kalin | 1992 | United States | [101] |
The Talented Mr. Ripley | Anthony Minghella | 1999 | United States | [113] |
The Temp | Tom Holland | 1993 | United States | [114] |
Things to Do in Denver When You're Dead | Gary Fleder | 1995 | United States | [27] |
This World, Then the Fireworks | Michael Oblowitz | 1997 | United States | [51] |
True Romance | Tony Scott | 1993 | United States | [27] |
Twilight | Robert Benton | 1998 | United States | [27] |
Twin Peaks: Fire Walk with Me | David Lynch | 1992 | United States | [51] |
The Two Jakes | Jack Nicholson | 1990 | United States | [8] |
U Turn | Oliver Stone | 1997 | United States | [14] |
The Underneath | Steven Soderbergh | 1995 | United States | [27] |
Unlawful Entry | Jonathan Kaplan | 1992 | United States | [51] |
The Usual Suspects | Bryan Singer | 1995 | United States | [12][27] |
Where the Day Takes You | Marc Rocco | 1992 | United States | [8] |
White Sands | Roger Donaldson | 1992 | United States | [8] |
Wild at Heart | David Lynch | 1990 | United States | [69] |
Wild Things | John McNaughton | 1998 | United States | [8] |
The X-Files | Rob Bowman | 1998 | United States | [12] |
Zero Effect | Jake Kasdan | 1998 | United States | [101] |
List of films: 2000–2009[edit]
List of films: 2010–2019[edit]
Film | Director | Year | Country | Ref(s). |
---|---|---|---|---|
A Land Imagined | Yeo Siew Hua | 2018 | Singapore, France, Netherlands | [138] |
Aa Drushya | Shiva Ganesh | 2019 | India | [139] |
Aake | K. M. Chaitanya | 2017 | India | [140] |
Aaranya Kaandam | Thiagarajan Kumararaja | 2011 | India | [141] |
Alois Nebel | Tomáš Luňák | 2011 | Czech Republic | [142] |
The American | Anton Corbijn | 2010 | United States | [143] |
American Dreamer | Derrick Borte | 2018 | United States | [144] |
Animal Kingdom | David Michôd | 2010 | Australia | [145] |
Anon | Andrew Niccol | 2018 | United Kingdom, United States | [146] |
Anti Matter | Keir Burrows | 2017 | United Kingdom | [147] |
Ash Is Purest White | Jia Zhangke | 2018 | China | [148] |
Asura: The City of Madness | Kim Sung-su | 2016 | South Korea | [149] |
B.A. Pass | Ajay Bahl | 2013 | India | [150] |
Badlapur | Sriram Raghavan | 2015 | India | [151] |
Bad Times at the El Royale | Drew Goddard | 2018 | United States | [152] |
Bad Turn Worse | Zeke and Simon Hawkins | 2014 | United States | [153] |
The Bag Man | David Grovic | 2014 | United States | [154] |
Bastards | Claire Denis | 2013 | France/Germany | [155] |
Black Coal, Thin Ice | Diao Yinan | 2014 | China | [156] |
Blade Runner 2049 | Denis Villeneuve | 2017 | United States | [157] |
Blow the Man Down | Bridget Savage Cole and Danielle Krudy | 2019 | United States | [158] |
Blue Ruin | Jeremy Saulnier | 2014 | United States | [159] |
Bornoporichoy | Mainak Bhowmick | 2019 | India | [160] |
Brawl in Cell Block 99 | S. Craig Zahler | 2017 | United States | [161] |
Brighton Rock | Rowan Joffé | 2011 | United Kingdom | [162] |
Broken City | Allen Hughes | 2013 | United States | [163] |
Burning | Lee Chang-dong | 2018 | South Korea | [164] |
Burning Kiss | Robbie Studsor | 2018 | Australia | [165] |
Cities of Last Things | Ho Wi Ding | 2018 | Taiwan, China, France, United States |
[166] |
Cold in July | Jim Mickle | 2014 | United States | [167] |
The Dark Knight Rises | Christopher Nolan | 2012 | United Kingdom, United States | [168] |
Destroyer | Karyn Kusama | 2018 | United States | [169] |
Detour | Christopher Smith | 2016 | United Kingdom, South Africa | [170] |
Disappearance at Clifton Hill | Albert Shin | 2019 | Canada | [171] |
Dragged Across Concrete | S. Craig Zahler | 2018 | United States | [172] |
Drive | Nicolas Winding Refn | 2011 | United States | [173][174] |
Drum | Keywan Karimi | 2016 | Iran/France | [175] |
Earthquake Bird | Wash Westmoreland | 2019 | United States, United Kingdom | [176] |
Elena | Andrey Zvyagintsev | 2011 | Russia | [110] |
Elle | Paul Verhoeven | 2016 | France/Germany | [110] |
Enemy | Denis Villeneuve | 2013 | United States, United Kingdom | [177] |
Ex Machina | Alex Garland | 2015 | United States, United Kingdom | [178] |
Flatland | Jenna Bass | 2019 | South Africa | [179] |
Frank & Lola | Matthew Ross | 2016 | United States | [180] |
Gemini | Aaron Katz | 2018 | United States | [181] |
The Ghost Writer | Roman Polanski | 2010 | United Kingdom, France, Germany | [182] |
The Girl with the Dragon Tattoo | David Fincher | 2011 | United States | [183] |
Glass Chin | Noah Buschel | 2015 | United States | [184] |
Gone Girl | David Fincher | 2014 | United States | [54] |
Good Time | Josh and Benny Safdie | 2017 | United States | [185] |
The Handmaiden | Park Chan-wook | 2016 | South Korea | [54] |
Hell or High Water | David Mackenzie | 2016 | United States | [54] |
I Saw the Devil | Kim Jee-woon | 2010 | South Korea | [186] |
In the Shadow | David Ondříček | 2012 | Czech Republic | [142] |
In the Shadow of the Moon | Jim Mickle | 2019 | United States | [187] |
Inception | Christopher Nolan | 2010 | United Kingdom, United States | [188] |
Inherent Vice | Paul Thomas Anderson | 2014 | United States | [189] |
John Wick | Chad Stahelski | 2014 | United States | [190] |
John Wick: Chapter 2 | Chad Stahelski | 2017 | United States | [191] |
John Wick: Chapter 3 – Parabellum | Chad Stahelski | 2019 | United States | [192] |
Kill Chain | Ken Sanzel | 2019 | United States | [193] |
Kill List | Ben Wheatley | 2011 | United Kingdom | [194] |
The Killer Inside Me | Michael Winterbottom | 2010 | United States | [31] |
Killer Joe | William Friedkin | 2012 | United States | [195] |
Killing Them Softly | Andrew Dominik | 2012 | United States | [196] |
Knives and Skin | Jennifer Reeder | 2019 | United States | [197] |
Long Day's Journey into Night | Bi Gan | 2018 | China | [198] |
The Looming Storm | Dong Yue | 2017 | China | [199] |
Looper | Rian Johnson | 2012 | United States | [200] |
Lost River | Ryan Gosling | 2014 | United States | [201] |
Magical Girl | Carlos Vermut | 2014 | Spain | [202] |
The Man from Nowhere | Lee Jeong-beom | 2010 | South Korea | [203] |
Man from Reno | Dave Boyle | 2015 | United States | [204] |
Manila Kingpin: The Asiong Salonga Story | Tikoy Aguiluz | 2011 | Philippines | [54] |
The Merciless | Byun Sung-hyun | 2017 | South Korea | [205] |
Miss Bala | Gerardo Naranjo | 2011 | Mexico | [110] |
A Morass | Shane James Bordas | 2011 | United Kingdom | [206] |
Motherless Brooklyn | Edward Norton | 2019 | United States | [207] |
Mute | Duncan Jones | 2018 | United Kingdom, Germany | [208] |
The Nice Guys | Shane Black | 2016 | United States | [209] |
Nightcrawler | Dan Gilroy | 2014 | United States | [210] |
Night Moves | Kelly Reichardt | 2014 | United States | [211] |
Nocturnal Animals | Tom Ford | 2016 | United States | [212] |
No Other Woman | Ruel S. Bayani | 2011 | Philippines | [54] |
Only God Forgives | Nicolas Winding Refn | 2013 | Denmark/France | [213] |
On the Job | Erik Matti | 2013 | Philippines | [54] |
Paradox | Wilson Yip | 2017 | Hong Kong | [214] |
Phoenix | Christian Petzold | 2014 | Germany | [54] |
Pickings | Usher Morgan | 2018 | United States | [215] |
The Place Beyond the Pines | Derek Cianfrance | 2013 | United States | [216][217][218] |
Pocket Listing | Conor Allyn | 2016 | United States | [219] |
The Poison Rose | George Gallo and Francesco Cinquemani | 2019 | United States | [220] |
Polar | Jonas Åkerlund | 2019 | United States, Germany, Canada | [221] |
Prisoners | Denis Villeneuve | 2013 | United States | [222] |
A Quiet Life | Claudio Cupellini | 2010 | Italy | [223] |
Señorita | Isabel Sandoval | 2011 | Philippines | [224] |
Serenity | Steven Knight | 2019 | United States | [225] |
Shanghai | Mikael Håfström | 2010 | United States, China | [226] |
Shutter Island | Martin Scorsese | 2010 | United States | [31] |
Sin Island | Gino M. Santos | 2018 | Philippines | [54] |
Spring Breakers | Harmony Korine | 2012 | United States | [227] |
Strangled | Árpád Sopsits | 2016 | Hungary | [228] |
Sunrise | Partho Sen-Gupta | 2014 | India, France | [229] |
Taniel | Garo Berberian | 2017 | United Kingdom, Armenia | [230] |
A Touch of Sin | Jia Zhangke | 2013 | China, Japan, France | [231] |
Thin Ice | Jill Sprecher | 2012 | United States | [232] |
The Town | Ben Affleck | 2010 | United States | [233] |
Trance | Danny Boyle | 2013 | United Kingdom | [227] |
Trouble Is My Business | Tom Konkle | 2018 | United States | [234] |
Uncut Gems | Josh and Benny Safdie | 2019 | United States | [235] |
Under the Silver Lake | David Robert Mitchell | 2018 | United States | [236] |
Upgrade | Leigh Whannell | 2018 | Australia, United States | [237] |
Victoria | Sebastian Schipper | 2015 | Germany | [238] |
The Villainess | Jung Byung-gil | 2017 | South Korea | [205] |
A Walk Among the Tombstones | Scott Frank | 2014 | United States | [239] |
Walking Too Fast | Radim Špaček | 2010 | Czech Republic | [240] |
The Whistlers | Corneliu Porumboiu | 2019 | Romania, France, Germany | [241] |
Who Killed Cock Robin | Cheng Wei-hao | 2017 | Taiwan | [242][243] |
Widows | Steve McQueen | 2018 | United States | [244] |
The Wild Goose Lake | Diao Yinan | 2019 | China/France | [245] |
Wind River | Taylor Sheridan | 2017 | United States | [246] |
Winter's Bone | Debra Granik | 2010 | United States | [247] |
You Were Never Really Here | Lynne Ramsay | 2017 | United Kingdom, United States, France |
[248] |
List of films: 2020–2029[edit]
Film | Director | Year | Country | Ref(s). |
---|---|---|---|---|
Adverse | Brian Metcalf | 2021 | United States | [249] |
Abang Adik | Jin Ong Lay | 2023 | Malaysia | [250] |
Arishadvarga | Arvind Kamath | 2020 | India | [140] |
The Batman | Matt Reeves | 2022 | United States | [251] |
Brut Force | Eve Symington | 2022 | United States | [252] |
Calm with Horses | Nick Rowland | 2020 | Ireland | [253] |
The Card Counter | Paul Schrader | 2021 | United States | [254] |
City of Love | Èric Boadella | 2023 | United States | [255] |
Decision to Leave | Park Chan-wook | 2022 | South Korea | [256] |
Eileen | William Oldroyd | 2023 | United States, United Kingdom | [257] |
Emily the Criminal | John Patton Ford | 2022 | United States | [258] |
The Empty Man | David Prior | 2020 | United States | [259] |
Femme | Sam H. Freeman and Ng Choon Ping | 2023 | United Kingdom | [260] |
Hand Rolled Cigarette | Kin Long Chan | 2020 | China | [261] |
Hit Man | Richard Linklater | 2023 | United States | [262] |
Holy Spider | Ali Abbasi | 2022 | Germany, France, Denmark, Sweden | [263] |
I'm Your Woman | Julia Hart | 2020 | United States | [264] |
John Wick: Chapter 4 | Chad Stahelski | 2023 | United States | [265] |
Kabadadaari | Pradeep Krishnamoorthy | 2021 | India | [266] |
Kapatadhaari | Pradeep Krishnamoorthy | 2021 | India | [267] |
The Kid Detective | Evan Morgan | 2020 | Canada | [268] |
The Kill Room | Nicol Paone | 2023 | United States | [269] |
The Killer | David Fincher | 2023 | United States | [270] |
Killers of the Flower Moon | Martin Scorsese | 2023 | United States | [271] |
Knox Goes Away | Michael Keaton | 2024 | United States | [272] |
Last Moment of Clarity | James and Colin Krisel | 2020 | United States | [273] |
Last Night in Soho | Edgar Wright | 2021 | United Kingdom | [274] |
The Last Stop in Yuma County | Francis Galluppi | 2024 | United States | [275] |
The Last Victim | Naveen A Chathapuram | 2021 | United States | [276] |
The Lesson | Alice Troughton | 2023 | United Kingdom | [277] |
Limbo | Soi Cheang | 2021 | China, Hong Kong | [278] |
Limbo | Ivan Sen | 2023 | Australia | [279] |
The Little Things | John Lee Hancock | 2021 | United States | [280] |
Longlegs | Oz Perkins | 2024 | United States | [281] |
Love Lies Bleeding | Rose Glass | 2024 | United States, United Kingdom | [282] |
Magpie | Sam Yates | 2024 | United Kingdom | [283] |
Marlowe | Neil Jordan | 2023 | France, Ireland, Spain | [284] |
Master Gardener | Paul Schrader | 2023 | United States | [285] |
MaXXXine | Ti West | 2024 | United States | [286] |
Michael | Ranjit Jeyakodi | 2023 | India | [287] |
Night in Paradise | Park Hoon-jung | 2021 | South Korea | [288] |
Nightmare Alley | Guillermo del Toro | 2021 | United States | [289] |
No Sudden Move | Steven Soderbergh | 2021 | United States | [290] |
Only the River Flows | Wei Shujun | 2023 | China | [291] |
Pamfir | Dmytro Sukholytkyy-Sobchuk | 2022 | Ukraine, Poland, France, Luxembourg | [292] |
Pig | Michael Sarnoski | 2021 | United States | [293] |
Poolman | Chris Pine | 2023 | United States | [294] |
Preparations to Be Together for an Unknown Period of Time | Lili Horvát | 2020 | Hungary | [295] |
Reminiscence | Lisa Joy | 2021 | United States | [296] |
Reptile | Grant Singer | 2023 | United States | [297] |
Sharper | Benjamin Caron | 2023 | United States | [298] |
Spears | Gerard Lough | 2022 | Ireland | [299] |
A State of Madness | Leticia Tonos | 2020 | Dominican Republic | [300] |
Vengeance | B. J. Novak | 2022 | United States | [301] |
The Virtuoso | Nick Stagliano | 2021 | United States | [302] |
The Voyeurs | Michael Mohan | 2022 | United States | [303] |
Wildland | Jeanette Nordahl | 2020 | Denmark | [304] |
Windfall | Charlie McDowell | 2022 | United States | [305] |
Wrath of Man | Guy Ritchie | 2021 | United Kingdom, United States | [306] |
See also[edit]
References[edit]
(一)^ abcdefghijklmnoSpicer 2010, p. 424
(二)^ abcdefghijklmnopqrSelby 1984
(三)^ abcdefghSpicer 2010, p. 466
(四)^ abcSpicer 2010, p. 441
(五)^ abcdefgSpicer 2010, p. 452
(六)^ abcdefghijklSpicer 2010, p. 454
(七)^ abcdefghSpicer 2010, p. 463
(八)^ abcdefghijklmnopqrstuvwxyzaaabacadaeafagahaiajakalamanaoapaqarasatauavawaxayazbabbbcbdbebfbgbhbibjbkblbmbnbobpbqbrbsbtbubvbwbxbybzcacbcccdcecfcgchcicjckclcmcncocpcqcrcsctcucvcwcxcyczdadbdcdddedfdgdhdidjdkdldmdndodpdqdrdsdtdudvdwdxdydzeaebecedeeefegeheiejekelemeneoepeqereseteuevewexeyezfafbfcfdfefffgfhfifjfkflfmfnfofpfqfrfsftfufvfwfxfyfzgagbgcgdgegfggghgigjgkglgmgngogpgqgrgsgtgugvgwgxgygzhahbhchdhehfhghhSilver & Ward 1992
(九)^ "L'Avventura". Senses of Cinema. 21 September 2013. Retrieved 5 June 2022.
(十)^ abcdSpicer 2010, p. 464
(11)^ abcSpicer 2010, p. 449
(12)^ abcdefghijklmnopqrsConard 2009
(13)^ abcdefghijklmnopqrstuvwxyzaaabacadaeafagahaiajakBallinger & Graydon 2007
(14)^ abcdefghijklmnopqrsSpicer 2002
(15)^ "Bullitt (1968)". Allmovie. Retrieved 22 July 2023.
(16)^ abcdefghijklmnSpicer 2010, p. 423
(17)^ abcdeMayer & McDonnell 2007
(18)^ abcdeSpicer 2010, p. 453
(19)^ abcdSpicer 2010, p. 470
(20)^ abcSpicer 2010, p. 442
(21)^ abcdefghiSpicer 2010, p. 455
(22)^ abc"Noir and Neonoir". Criterion. 2020. Retrieved 27 February 2019.
(23)^ abcdefgSpicer 2010, p. 427
(24)^ abcdefghSpicer 2010, p. 450
(25)^ "Diabolically Yours [Diaboliquement Vôtre] ** (1967, Alain Delon, Senta Berger, Peter Mosbacher, Sergio Fantoni) – Classic Movie Review 9307". Derek Winnert. 2020. Retrieved 27 January 2020.
(26)^ abcdefghijklmSpicer 2010, p. 456
(27)^ abcdefghijklmnopqrstuvwxyzaaabacadaeafagahaiajakalamanaoapaqarasatauavawaxayazbabbbcbdbebfbgbhbibjbkblbmbnbobpbqbrbsbtbubvbwbxbybzcacbcccdcecfcgchcicjckclcmSilver, Ward, Ursini, Porfirio 2010
(28)^ abSpicer 2010, p. 443
(29)^ "A Fugitive from the Past". IFFR. 2005.
(30)^ "Hra bez pravidel – Revue – Filmový přehled". Filmový přehled (in Czech). Retrieved 23 July 2017.
(31)^ abcdefgHogan 2013
(32)^ abcdSpicer 2010, p. 430
(33)^ "THE HOUSEMAID". Noir City International. 2020. Retrieved 13 November 2020.
(34)^ abcCovey, William (Summer 2003). "The Genre Don't Know Where It Came From: African American Neo-Noir Since the 1960s". Journal of Film and Video. 55(2/3). JSTOR: 59–72. JSTOR 20688414.
(35)^ "Intimidation (1960)". Criterion. 2020. Retrieved 27 February 2019.
(36)^ abSpicer 2010, p. 460
(37)^ abcdefgSpicer 2010, p. 432
(38)^ abSpicer 2010, p. 445
(39)^ Red Zone Cuba (1966)|MUBI
(40)^ FilmAffinity
(41)^ "The Night of the Generals". The Wee Review. 2020. Retrieved 13 May 2019.
(42)^ abcdefghSpicer 2010, p. 433
(43)^ abSpicer 2010, p. 446
(44)^ "Japanese Noir". Criterion. 2020. Retrieved 27 February 2019.
(45)^ abcdSpicer 2010, p. 451
(46)^ "Requiem for a Heavyweight: The Haunting Tale of Mountain Rivera". The Fight City. 23 January 2023. Retrieved 23 January 2023.
(47)^ abSpicer 2010, p. 447
(48)^ "The great lost London beat thriller: why to watch The Small World of Sammy Lee". The Guardian. 8 November 2016. Retrieved 8 November 2016.
(49)^ "Film Noir - Examples". Filmsite. Retrieved 21 September 2021.
(50)^ "TAKE AIM AT THE POLICE VAN is a forgotten noir classic". Screen Rex. 1 March 2016. Retrieved 1 March 2016.
(51)^ abcdefghSpicer 2010, p. 436
(52)^ abSpicer 2010, p. 448
(53)^ abcdefgSpicer 2010, p. 425
(54)^ abcdefghijklmn"The Best Neo-Noir Movies". Vulture. 27 February 2019. Retrieved 27 February 2019.
(55)^ "Wednesday Nightmares Bring Me The Head Of Alfredo Garcia (1974)". TimeOut. 22 July 2015. Retrieved 9 November 2021.
(56)^ abcdefSpicer 2010, p. 426
(57)^ "Nights of Alienation in the Noir Classic 'Le Cercle Rouge'". The Village Voice. 25 June 2021. Retrieved 25 June 2021.
(58)^ abcde"Neonoir - The Criterion Channel". Archived from the original on 1 July 2021. Retrieved 2 July 2021.
(59)^ abcdeNeonoir - Criterion Channel teaser - criterioncollection on YouTube
(60)^ abcdefSpicer 2010, p. 428
(61)^ abcdefghSpicer 2010, p. 429
(62)^ "GUMSHOE: a noir fan plays detective". The Movie Gourmet. 2020. Retrieved 27 February 2019.
(63)^ Spicer 2010, p. 431
(64)^ "Mikey and Nicky". Time Out. 30 January 2021.
(65)^ abcSpicer 2010, p. 438
(66)^ "The Best Old Movies on a Big Screen This Week: December 3". The L Magazine. 12 March 2014.
(67)^ abcdefghSpicer 2010, p. 435
(68)^ "FORGET 'DIE HARD'— THIS CHRISTMAS, WATCH 'THE SILENT PARTNER'". CrimeReads. 20 December 2019. Retrieved 20 December 2019.
(69)^ abcdefSpicer 2010, p. 437
(70)^ "After Hours (1985): Scorsese's Film Noir, Ulysses in SoHo". Emanuel Levy. Retrieved 30 May 2006.
(71)^ Schwartz 2005, p. 110.
(72)^ "Atlantic City (1981)". Filmsite. Retrieved 21 September 2021.
(73)^ abcdSpicer 2010, p. 462
(74)^ "Blu-ray Review: Ken Russell's Crimes of Passion on Arrow Video". Slant Magazine. 26 July 2016. Retrieved 26 July 2016.
(75)^ group of authors/critics (5 September 2011). "Monday Editor's Pick: Cruising (1980)". Alt Screen.
(76)^ Spicer & Hanson 2013
(77)^ The 10 Most Underrated Neo-Noir Films of The 1980s — Taste of Cinema
(78)^ Schwartz 2005, p. 120.
(79)^ abSpicer 2010, p. 461
(80)^ Ebert, Roger (19 December 1986). "No Mercy Movie Review". Chicago Sun-Times. Retrieved 8 April 2019.
But up until then, "N
o Mercy" is an above-average fi
lm noir, and its creepy feeling
for the back streets of New Or
leans and the sultry evil of it
s red-light suburbs got under m
y skin.(81)^ The 10 Most Underrated Neo-Noir Films of The 1980s — Page 2 — Taste of Cinema (82)^ "'TROUBLE IN MIND': NOIR TURNED INSIDE OUT". PopMatters. 27 February 2019. Retrieved 12 December 2010. (83)^ abSpicer 2010, p. 467 (84)^ "An Alternative Guide to Great Movies: Who Framed Roger Rabbit? (1988)". East Anglian Daily Times. 2 July 2018. Retrieved 11 October 2020. (85)^ "25 Years Ago '12 Monkeys' Taught Us the Futility of Time Travel in a Pandemic". Black Girl Nerds. 12 May 2020. (86)^ "Belly (1998)". Blacklisted Culture. 1 June 2020. (87)^ "Best Coast Bleakness: Five L.A. Neo-Noirs to Watch Right Now". The Ringer. 7 April 2019. (88)^ Brennan, Sandra. "Blood and Wine – Cast, Reviews, Summary, and Awards". AllRovi. Archived from the original on 22 December 2011. Retrieved 30 October 2011. (89)^ "Girl Power: Female Centred Neo-Noir" (PDF). Film Noir Reader 2. 1 August 1999. (90)^ The 20 Best Neo-Noir Films Of The 1990s — Page 2 — Taste of Cinema (91)^ ab"Black noir: 10 essential black performances in film noir and neo-noir". BFI. 2 August 2017. (92)^ ab"The Black Neo-noirs of the '90s". The Ringer. 29 December 2021. (93)^ Gods Like Us: On Movie Stardom and Modern Fame By Ty Burr, p. 304 (94)^ Dark Roots - Christopher Nolan and Noir (95)^ "'Gattaca,' The Dystopian Science Fiction Film Whose Time Has Come". Outtake. 6 March 2017. (96)^ "Whitaker Haunts in 'Ghost Dog'". Chicago Tribune. 17 March 2000. (97)^ abSpicer 2010, p. 457 (98)^ abSpicer 2010, p. 465 (99)^ abcSpicer 2010, p. 469 (100)^ "Light Sleeper". Time Out. 6 February 2021. (101)^ abc"Unpunished Evil: When Neo-noirs Took Over the '90s". The Ringer. 12 May 2020. (102)^ "Lord of Illusions (1995) - Clive Barker | Synopsis, Characteristics, Moods, Themes and Related | AllMovie". (103)^ The Matrix as a Neo Noir – An Analysis of The Matrix with Special ... | Self-Publishing at GRIN. Grin.com. 14 October 2005. ISBN 9783638427852. Retrieved 4 December 2016. (104)^ "Night Train: Synopsis". Synapse Films. Archived from the original on 30 March 2019. Retrieved 14 June 2014. (105)^ "What If: The Sexy Noir of Out of Sight". Bright Wall/Dark Room. 21 March 2018. (106)^ Holden, Stephen (20 February 1998). "She Smolders, He Fumes: Gee, It's Hot". The New York Times. (107)^ MATHEWS, JACK (20 February 1998). "'Palmetto' Gets Stuck in the Thick of Film Noir". Los Angeles Times. Retrieved 14 October 2017. (108)^ "Double Take: The Player (1992)". Popmatters. 23 March 2015. Retrieved 23 March 2015. (109)^ The 20 Best Neo-Noir Films Of The 1990s — Taste of Cinema (110)^ abcdefghijkl"Twenty-first century noir". BFI. 27 November 2020. (111)^ "10 Female-Led Noirs to Watch If You Loved Widows". Vulture. 21 November 2018. (112)^ abcdefghijklmnopqrNaremore 2008 (113)^ "How Every Element in the Final Sequence from 'The Talented Mr. Ripley' Works To Create A Wonderfully Disturbing Finale". The Film Magazine. July 2020. Retrieved 1 July 2020. (114)^ Williams, Linda Ruth (2009). "A Woman Scorned: The Neo-Noir Erotic Thriller as Revenge Drama". In Bould, Mark; Glitre, Kathrina; Tuck, Greg (eds.). Neo-Noir. New York: Columbia University Press. p. 168. ISBN 978-0-231-85047-6. (115)^ "Prison Bound". Metroactive Movies. Retrieved 9 January 2003. (116)^ Spicer 2010, p. 471 (117)^ ab"The World of Korean Noir". The Independent. Retrieved 7 November 2017. (118)^ "The 20 Best Neo-Noir Films of the 2000s". Taste of Cinema. 3 May 2014. (119)^ "'Review: "Kala" Mixes Neo-Noir Elements with Javanese Myth to Create A Truly Unique Vision". CINEMA ESCAPIST. 17 October 2019. (120)^ abSpicer 2010, p. xxxvi (121)^ ""Fucking Queer": Eastern Promises and the Traditions of Noir". Bright Lights. Retrieved 30 April 2010. (122)^ "Movie Review: The Girl with the Dragon Tattoo- An Exceptional Neo-Noir With Complex Characters and a Mesmerizing Plot". Generation Film. 23 April 2010. (123)^ "5 Ways 'I, Robot' Was So Prescient For Its Time". Inverse. 17 July 2017. (124)^ Beech, Peter (18 November 2011). "My favourite film: In Bruges". The Guardian. Retrieved 14 April 2017. (125)^ "14 Must Watch Film Noir/Neo Noir Films from India !". www.ss.filmelon.com. Archived from the original on 29 May 2016. Retrieved 17 January 2022. (126)^ Savage, Guy. "The Trap (2007)". Film Noir of the Week. Retrieved 14 June 2020. (127)^ "Film: The Trap (Klopka)". liberalarts.utexas.edu. Retrieved 14 June 2020. (128)^ Spicer 2010, p. 458 (129)^ Sanders 2008, p. 95[full citation needed] (130)^ Hong Kong Neo-Noir, p. 226 (131)^ abSpicer 2010, p. 434 (132)^ ab"The 'Pusher' trilogy: A desperate trip into Copenhagen's neon lit underworld". SBS. 20 March 2017. Retrieved 30 March 2017. (133)^ "A Scanner Darkly. 2006. Directed by Richard Linklater". MoMA. Retrieved 19 July 2017. (134)^ Hong Kong Neo-Noir, p. 227 (135)^ Puckett, Terek (3 May 2014). "The 20 Best Neo-Noir Films of the 2000s". Taste of Cinema. (136)^ "The Elements of Neo Noir". Geek Centricity. Retrieved 4 November 2016. (137)^ "The Way of the Gun: A Violent Neo-Noir Thriller In The Likes Of Tarantino". The Reporter. Retrieved 11 September 2012. (138)^ Ehrlich, David (13 August 2018). "'A Land Imagined' Review: A Dreamy Neo-Noir that Unfolds Like a Singaporean 'Chinatown'". IndieWire. Retrieved 22 March 2022. (139)^ "'Aa Drushya' movie review: A narrative that captivates the viewer". The New Indian Express. 9 November 2019. (140)^ ab"'Aake' to 'Arishadvarga': 5 Kannada neo-noir films and where you can watch them". The News Minute. 24 December 2020. (141)^ Kamath, Sudhish (5 February 2011). "A new chapter". The Hindu. Chennai, India. Archived from the original on 25 October 2012. Retrieved 14 April 2017. (142)^ abFeikusová, Klára. "Film noir po česku". Kinobox.cz. Retrieved 14 April 2015. (143)^ "'The American' Review". The Telegraph. 25 November 2010. (144)^ "'American Dreamer' is here to ruin Jim Gaffigan for you". Mashable. 27 September 2019. (145)^ "'Australian crime noir 'Animal Kingdom' is hypnotic and chilling". St. Louis Post-Dispatch. 3 September 2010. (146)^ "'Anon' Review". Empire. 8 May 2018. (147)^ "'Anti Matter': Film Review". The Hollywood Reporter. 6 September 2017. (148)^ "'Ash' the perfect shade of intriguing noir". Boston Herald. 22 March 2019. (149)^ "ASURA: THE CITY OF MADNESS Trailer Delivers Noir Thrills". Screen Anarchy. 28 September 2016. (150)^ "Harper Collins uses B.A. Pass' movie still as cover of Delhi Noir". Urban Asia. 8 April 2013. (151)^ "Movie Badlapur 2015, Story, Trailers | Times of India", The Times of India, retrieved 15 November 2022 (152)^ "Drew Goddard turns his dial to "noir" in the twisty crime thriller Bad Times At The El Royale". The AV Club. 10 October 2018. (153)^ "Cotton Mills, Venom and Dead Ends". The New York Times. 13 November 2014. (154)^ "Ebiri on The Bag Man: Whatever You Do, Don't Look Inside". The New York Times. 28 February 2014. (155)^ "The Perfect and Perfectly Inexplicable Genius of Claire Denis". The Ringer. 4 April 2019. (156)^ Buckmaster, Luke (12 June 2014). "Black Coal, Thin Ice review – a chilly, neo-noir thriller | Film". The Guardian. Retrieved 4 December 2016. (157)^ Egner, Jeremy (8 September 2017). "'Blade Runner 2049': Harrison Ford, Ryan Gosling and the Creators Discuss the Sequel". The New York Times. Retrieved 14 October 2017. (158)^ "How the Coen-esque 'Blow the Man Down' Enlivens the Noir Genre with Feminine Flair". IndieWire. 13 March 2020. Retrieved 20 July 2021. (159)^ "Blue Ruin, film review: Revenge story is as darkly melodramatic as any Greek tragedy". The Independent. 1 May 2014. (160)^ "Bornoporichoy: A Grammar of Death (2019)". Famous Fix. 26 July 2019. (161)^ Nobile Jr., Phil (24 September 2017). "'Fantastic Fest Review: BRAWL IN CELL BLOCK 99 Is A Misanthropic Masterpiece". Birth.Movies.Death. Retrieved 24 April 2019. (162)^ "Bornoporichoy: A Grammar of Death (2019)". Evening Standard. 6 March 2014. (163)^ "'Broken City,' Broken Movie: An Undernourished Noir". NPR. 17 January 2013. Archived from the original on 17 June 2016. (164)^ "Burning review - an explosive psychological thriller". The Arts Desk. 2 February 2019. (165)^ Adam Patterson (26 November 2013). "Aussie Thriller THE BURNING KISS Teaser Trailer". Film Pulse. Archived from the original on 14 January 2022. Retrieved 14 January 2022. (166)^ "Ho Wi Ding's dystopian noir 'Cities of Last Things' looks back knowingly". LA Times. 10 July 2019. (167)^ "Forbes review of Cold in July". Forbes. Retrieved 4 April 2017. (168)^ Chang, Justin (16 July 2012). "Film Review: 'The Dark Knight Rises'". Variety. Retrieved 11 April 2017. (169)^ "'Destroyer' review: Nicole Kidman's performance in dense neo-noir admirable". The Gazette. 10 January 2019. (170)^ "The gimmicky neo-noir Detour feels like a film school project". The AV Club. 18 January 2017. (171)^ "Review: Disappearance at Clifton Hill – A Neo-Noir that Resembles More of a Concept". The Edge. 12 July 2020. (172)^ Knight, Jacob (10 October 2018). "Beyond Fest: DRAGGED ACROSS CONCRETE Is Outlaw Cinema At Its Finest". Birth. Movies. Death. (173)^ Thomson, David. "Thomson on Films: 'Drive,' a Cool, New Noir That Degenerates Into a Bloodbath". The New Republic. (174)^ Harris, Brandon (14 September 2011). "Nicolas Winding Refn, Drive". (175)^ “I’m not an exile”: Iranian director Keywan Karimi talks returning to the city where he was imprisoned|Features|Screen Daily (176)^ "'Earthquake Bird' review: 'Gone Girl' is transported to Tokyo in a darkly meditative neo-noir thriller". NME. 22 November 2019. (177)^ "This Jake Gyllenhaal Noir Has the Most Unsettling Ending of a Non-Horror Movie". Collider. 27 September 2023. (178)^ "'Ex Machina' and the Reinvention of the Femme Fatale". Lit Reactor. 4 June 2015. (179)^ "Wild Women and the Great Karoo: Jenna Bass's Flatland (Toronto International Film Festival)". Film International. 24 September 2019. (180)^ "FRANK & LOLA: Soul Affirming Neon Noir". Film Inquiry. 8 December 2016. (181)^ "Gemini review – Hollywood-set hipster neo-noir is stylish but slight". The Guardian. 28 March 2018. (182)^ Phillips, Gene D. (2012). Out of the Shadows: Expanding the Canon of Classic Film Noir. Scarecrow Press. p. 225. ISBN 9780810881891. (183)^ "The Girl with the Dragon Tattoo- Film Noir". Film Communication. 12 December 2012. (184)^ "The 10 Best Neo-Noir Films of The 2010s (So Far)". Taste of Cinema. 7 March 2016. Retrieved 7 March 2016. (185)^ "The Safdies: Good Time, guerrilla film and gangs of New York". Dazed. 1 November 2017. (186)^ "The 20 Best Neo-Noir Films Of The 2000s". Taste of Cinema. 3 May 2014. (187)^ "Stream It Or Skip It: 'In the Shadow of the Moon' on Netflix, a Noir Sci-Fi Thriller That Bites Off More Than it Can Chew". Decider. 27 September 2019. (188)^ Steinberg, Marc. "Postmodernity is the New Black: The Evolution of American Film Noir". Academia.edu. Retrieved 11 April 2017. (189)^ Bradshaw, Peter (29 January 2015). "Inherent Vice review – deliriously masterful sunlight noir | Peter Bradshaw's film of the week | Film". The Guardian. Retrieved 4 December 2016. (190)^ "Review: John Wick (2014)". Daniel Switzer. Archived from the original on 31 March 2019. Retrieved 18 May 2016. (191)^ [1] Archived 12 May 2017 at the Wayback Machine, The Advocate, 20 June 2017 (192)^ "Method Studios's Smashing 'John Wick: Chapter 3 – Parabellum' Invisible VFX". Animation World Network. Retrieved 22 October 2019. (193)^ "Nicolas Cage Takes a Stab at Noir with 'Kill Chain'". Film School Rejects. 9 May 2018. (194)^ "THE SOCIAL-REALIST NOIR HORROR [INSERT ADJECTIVE HERE] FREAKOUT OF KILL LIST". Luddite Robot. 31 May 2017. (195)^ "Killer Joe Review: Masterfully Savage, Darkly Comic Neo-Noir". WhatCulture. 1 July 2012. (196)^ "'Killing Them Softly's' Condemnation Of Corporate America During A Recession Has Aged Perfectly". The Playlist. 2 April 2020. (197)^ "A cult classic is in our midst with Jennifer Reeder's teen noir 'Knives and Skin'". Cinema Femme. 5 December 2019. (198)^ "EAFFI 2019 | Long Day's Journey Into Night Puts The Neo in Neo-Noir". HeadStuff. 8 April 2019. Retrieved 2 June 2019. (199)^ 周智瑛 (25 July 2019). "国产悬疑片中"黑色"的内在意蕴探讨". 卫星电视与宽带多媒体杂志. 参考网. Retrieved 5 September 2022. (200)^ ""Looper" is a neo-noir mind bender done right". People's World. 2 October 2012. Retrieved 4 December 2016. (201)^ "Ryan Gosling's Lost River: A Neo-Noir Near Future". Step On Magazine. 21 April 2015. Archived from the original on 2 August 2016. (202)^ "Magical Girl" (in Spanish). AQUÍ Y ALLÍ FILMS. 2014. Archived from the original on 22 May 2019. Retrieved 27 August 2019. (203)^ "13 of the Best Neo-Noir Films You Can't Miss". Murder & Mayhem. 18 November 2020. (204)^ "The 10 Best Neo-Noir Films of The 2010s (So Far)". Taste of Cinema. 7 March 2016. Retrieved 7 March 2016. (205)^ abKemp, Philip (7 November 2017). "The world of Korean noir: Extreme violence, dwelt on with relish, seems to be de rigueur". The Independent. Archived from the original on 20 April 2022. Retrieved 5 October 2023. (206)^ BFI. "British Films Directory – A Morass". britishcouncil.org. Archived from the original on 6 September 2011. (207)^ A CERTAIN PROVOCATION: EDWARD NORTON ON THE NEO-NOIR MOTHERLESS BROOKLYN (208)^ Mute Is an Excellent Film Noir That Just Happens to Be Set in a Cyberpunk World|Gizmodo (209)^ "THE NICE GUYS Review: 10 (Neo-Noir, Action, and Laughs? Yeah Buddy!)". Tim Day, Day at the Movies. Archived from the original on 7 October 2016. (210)^ "Nightcrawler: Here's Why This Neo-Noir Thriller Is So Creepy". Patheos. 10 March 2015. (211)^ "Night Moves review – Jesse Eisenberg makes a convincingly numb dam-buster". The Guardian. 28 August 2014. (212)^ Fuller, Graham. "Jilted Husband Takes Novel Revenge in Sadistic Neo-Noir 'Nocturnal Animals'". Culture Trip. Retrieved 4 December 2016. (213)^ "ONLY GOD FORGIVES – BEYOND NEO-NOIR". INHALE MAG. (214)^ 陳廣隆 (30 August 2017). "︻殺破狼‥貪狼.影評︼古天樂未竟全功的轉型嘗試?". HK01 (in Chinese). Archived from the original on 5 January 2019.
︽殺破狼︾的精
髓,在於其﹁野﹂︵raw︶,在於其﹁黑﹂︵noir︶,在於其﹁
冷﹂︵cool︶,缺一不可。(The feature of P
aradox is on its raw feeling, o
f noir, of cool, none of them a
re not included.)(215)^ Goldstein, Gary (1 March 2018). "'Los Angeles Times': Film Review". Los Angeles Times. Retrieved 10 March 2018. (216)^ "Neo-Noir: The Place Beyond the Pines". Retrieved 27 December 2016. (217)^ "'The Place Beyond the Pines': Greco-Biblical Epic in Neo-Noir Clothing". Archived from the original on 28 December 2016. Retrieved 27 December 2016. (218)^ "The Place Beyond The Pines (2012)". 11 May 2013. Retrieved 27 December 2016. (219)^ Scheck, Frank (9 December 2016). "'Pocket Listing': Film Review". The Hollywood Reporter. Retrieved 19 February 2017. (220)^ "Film Review: The Poison Rose". Variety. 24 May 2019. (221)^ "5 recent neo-noir films to add to your OTT watchlist". Telegraph India. 21 November 2022. (222)^ "Film Review: Prisoners". Variety. 30 August 2013. (223)^ "Film Review: A Quiet Life". Cineuropa. 4 July 2011. (224)^ "Isabel Sandoval: Uncompromising Vision". Indiana University Bloomington. 18 September 2020. (225)^ "Review: Serenity is a ridiculous neo-noir mess". NOW magazine. 24 January 2019. Archived from the original on 19 April 2019. (226)^ "World War II-Set Neo-Noir 'Shanghai' Finally Gets U.S. Release". Deadline. 27 July 2015. (227)^ abKohn, Eric (23 March 2013). "From 'Trance' to 'Spring Breakers,' Is This the Golden Age of Film Noir?". Indie Wire. Retrieved 22 September 2016. (228)^ Whittle, Matt (17 November 2017). "Strangled – Review". One Room with a View. Retrieved 3 April 2019. (229)^ Kuipers, Richard (4 October 2014). "Busan Film Review: 'Sunrise'". Variety. Retrieved 19 December 2022. (230)^ Armenpress (16 April 2018). "Short film about Taniel Varoujan wins two awards at Bermuda Int'l Film Festival". Armenpress. Retrieved 30 November 2018. (231)^ "Acting on China's Stage: Jia Zhangke Discusses "Ash Is Purest White"". MUBI. 14 March 2019. Retrieved 14 March 2019. (232)^ "Review: Thin Ice". Slant Magazine. 12 February 2012. Retrieved 12 February 2012. (233)^ "The 10 Best Neo-Noir Films of The 2010s (So Far)". Taste of Cinema. 7 March 2016. Retrieved 7 March 2016. (234)^ "'Trouble Is My Business': Film Review". Movie Crypt. 16 October 2017. (235)^ "Uncut Gems review – this sparkler will be the most exciting film of the year". The Guardian. 9 January 2020. (236)^ "'Under the Silver Lake': Film Review". The Village Voice. 17 May 2018. (237)^ "Upgrade: Sci-Fi John Wick, and That's Not a Bad Thing". The Pop Break. 4 June 2018. (238)^ "Film Noir Files - Victoria". The MacGuffin. 21 February 2017. (239)^ "'A Walk Among the Tombstones': Film Review". The Hollywood Reporter. 17 September 2014. Archived from the original on 10 December 2017. (240)^ "Classy Crime-Noir POUTA (Walking Too Fast)". CineHouse. 13 February 2010. Retrieved 14 April 2015. (241)^ "Corneliu Porumboiu on his Romanian neo-noir thriller, The Whistlers". Dazed. 4 May 2020. (242)^ "Review: Stylish Taiwanese neo-noir 'Who Killed Cock Robin' lacks pep". Los Angeles Times. 21 February 2019. Archived from the original on 20 April 2019. (243)^ Daniel XIII (26 January 2019). "Movie Review: Who Killed Cock Robin (2017)". horrorfuel. Archived from the original on 23 April 2019. (244)^ "Widows: Viola Davis sparkles in this superb modern noir". Raidió Teilifís Éireann. 5 November 2018. (245)^ "Diao Yinan's shady lady noir is no quacker". The Guardian. 18 May 2019. (246)^ Collin, Robbie (7 September 2017). "Taylor Sheridan's chilly noir gets the riveting best out of Jeremy Renner". The Daily Telegraph. Retrieved 15 January 2018. (247)^ "WINTER'S BONE and the Rural Noir". Bright Lights Film Journal. 27 December 2010. (248)^ "Exploring the Dark Character Study of You Were Never Really Here". Den of Geek. 4 April 2018. (249)^ "Grindstone Entertainment Group Acquires Neo-Noir Thriller 'Adverse'". Deadline. 15 September 2020. (250)^ "Film Review: Abang Adik (2023) by Jin Ong". Asian Movie Pulse. May 2023. (251)^ "The Batman: Matt Reeves Cites Chinatown and Other 1970s Noirs as Influences". 22 August 2020. (252)^ "'Brut Force' review: Promising modern day noir in wine country". 21 April 2022. (253)^ "'Calm with Horses' Review: A Raw and Thrilling Irish Noir". Headstuff. 28 October 2020. (254)^ "The Card Counter Trailer: Oscar Isaac Is A Gambler With A Dark Past". Screenrant. 27 July 2021. (255)^ Nigrin, Al (23 January 2023). "Neo-noir thriller City of Love screens on opening weekend of the Spring 2023 New Jersey Film Festival!". NewJerseyStage.com. Retrieved 18 December 2023. (256)^ George, Joe (26 October 2022). "Review: 'Decision to Leave' Is a Noir for the Surveillance Age". Progressive.org. Retrieved 21 November 2022. (257)^ "Eileen review – Anne Hathaway is magnetic in uneven neo-noir thriller". The Guardian. 3 December 2023. (258)^ "'Emily the Criminal' Review: Aubrey Plaza Is a Sympathetic Scammer in This Cold Character Study". Variety. 24 January 2022. (259)^ "How The Empty Man Became the Ring Video of Streaming". Den of Geek. 23 July 2021. (260)^ "Femme (2023)". TimeOut. 21 February 2023. (261)^ "殺入烏甸尼遠東電影節︽手捲煙︾獲推舉純正黑色港片" (in Chinese). Apple Daily. 12 May 2021. Archived from the original on 18 June 2021. Retrieved 7 June 2021.
Sabrina Baracetti,
the founder and chairman of the
Udinese Far East Film Festival,
expressed his thoughts on "Han
d-Rolled Cigarette". "It is a p
ure Hong Kong film noir, repres
enting the Hong Kong film we ha
ve loved for more than 20 years
!"(262)^ "NYFF overview: 'Hit Man' is a seductive noir comedy fit for the big screen". USC Annenberg Media. 25 October 2023. (263)^ "Holy Spider: why this Iranian neo-noir is attracting so much controversy". Dazed. 20 January 2023. (264)^ "'I'm Your Woman' Review". RogerEbert.com. 10 December 2020. (265)^ Gaughan, Liam (18 March 2022). "'John Wick: Chapter 4' Homages Every Era of Action Films". Collider. Retrieved 25 March 2023. (266)^ "Kabadadaari (2021)". Filmibeat. 28 January 2021. (267)^ "Kapatadhaari (U/A) – Telugu-language neo-noir thriller film- Rating 3*". FilmGappa. 3 February 2021. (268)^ "'The Kid Detective' Review: This Smart, Handsomely Noir-esque Whodunit Is No Child's Play". Variety. 15 October 2020. (269)^ "The Kill Room". Spectrum Culture. 1 October 2023. (270)^ "The Killer: first trailer for David Fincher's Netflix thriller". The Guardian. 29 August 2023. (271)^ Bray, Catherine (24 May 2023). "'Killers of the Flower Moon'". Filmoftheweek. Retrieved 21 March 2022. (272)^ "'Knox Goes Away' Review: Michael Keaton Is a Hitman With Dementia in Neo-Noir Misfire". The Hollywood Reporter. 10 September 2023. (273)^ "LAST MOMENT OF CLARITY -- A Schlocky and Predictable Thriller". disappointment media. 18 May 2020. (274)^ "'Last Night in Soho' Trailer: Edgar Wright Sends Anya Taylor-Joy Into a Colorful Nightmare". 25 May 2021. (275)^ "'The Last Stop in Yuma County' Review: An Accomplished Pressure-Cooker Thriller That's Like a Tarantino-Fueled Noir, 30 Years Later". Variety. 9 May 2024. (276)^ "'The Last Victim is a Languid Neo-noir partly redeemed by Ali Larter's strong performance'". 13 May 2022. (277)^ "'The Lesson' Review: Richard E. Grant and Julie Delpy Are in Top Form in an Exquisite Sun-Drenched Noir". The Hollywood Reporter. 13 June 2023. (278)^ "Review: Hong Kong Neo-noir "Limbo" Is Dark in More Ways Than One". Cinema Escapist. 14 July 2022. (279)^ "Limbo review – hardbitten outback noir with a compassionate heart". The Guardian. 23 February 2023. (280)^ "'The Little Things': Denzel Washington, Rami Malek, and John Lee Hancock Tease a Twisted Neo-Noir with Incredible Performances". FilmSpeak. 16 January 2021. (281)^ "Longlegs isn't bad. It also isn't scary". CBC. 12 July 2024. (282)^ "'Love Lies Bleeding' Review: Kristen Stewart and Katy O'Brian in a Queer Romantic Noir That Goes to Extremes". Variety. 21 January 2024. (283)^ "'Magpie' Review: Daisy Ridley Revolts in a Tight, Twisty Battle of the Sexes". IndieWire. 10 March 2024. (284)^ "'Marlowe' Review: Liam Neeson Is The Dullest Denizen Of A Noir Lacking Energy and Wit". Observer. 20 February 2023. (285)^ "Venice Review: Paul Schrader's 'Master Gardener'". Deadline. 4 September 2022. (286)^ "Raw, Real, Ruthless: MaXXXine Has Arrived". Flood Magazine. 8 July 2024. (287)^ "'Michael' Twitter review: Sundeep Kishan's neo-noir action thriller impresses the audience". Times of India. 3 February 2023. (288)^ "'Night In Paradise' review: blood and bullets rain down in Korean gang noir". NME. 9 April 2021. (289)^ "'Nightmare Alley': 9 Things to Know About Guillermo del Toro's Big Return to Theaters". Indiewire. 23 May 2021. (290)^ "No Sudden Move Stars Don Cheadle in a Heist Gone Sideways". 23 May 2021. (291)^ "'Only the River Flows' Review: Wei Shujun's Gritty Neo-Noir Grips with Old-Fashioned Storytelling". 6 October 2023.
{{cit
e web}}
: Missing or empty |url=
(help); Text "url https://awardswatch.com/only-the-river-flows-review-wei-shujuns-gritty-neo-noir-grips-with-old-fashioned-storytelling-lff/" ignored (help)
(292)^ "Cannes 2022 review: Pamfir (Dmytro Sukholytkyy-Sobchuk)". International Cinephile Society. 21 May 2022.
(293)^ "13 Best Unconventional Neo Noir Films". Collider. 6 March 2022.
(294)^ "'Poolman' Review: Chris Pine's Noir-Drenched L.A. Comedy Is a Shrill Misfire". The Hollywood Reporter. 12 September 2023.
(295)^ "'Preparations to Be Together for an Unknown Period of Time' Review: Superb Noirish Hungarian Drama". Variety. 15 September 2020.
(296)^ "'Reminiscence' Trailer: Hugh Jackman in a New Film From the Creators of 'Westworld'". 3 June 2021.
(297)^ "'Reptile': Release Date, Cast, Plot, and Everything We Know About the Benicio del Toro Thriller". Collider. 5 September 2023.
(298)^ "'Sharper' Review: Julianne Moore & Sebastian Stan In A Deliciously Twisty New York Noir Full Of Secrets And Lies". Deadline. 7 February 2023.
(299)^ "Irish Film Review: Spears". filmireland.net. 18 February 2022. Retrieved 24 February 2022.
(300)^ "Programs Foster Local Talent in the Dominican Republic". Variety. 24 June 2020.
(301)^ "The 10 Best Noir Comedies of the 21st Century, Ranked". Collider. 9 March 2023.
(302)^ "Neo-Noir Thriller 'The Virtuoso' set for release". Bloody Flicks. 15 April 2021.
(303)^ "10 of the Best, True-Blue Modern Neo-Noirs". Paste Magazine. 3 November 2023. Retrieved 3 November 2023.
(304)^ "Wildland review – Danish crime drama with the makings of a big hit". The Guardian. 21 February 2020.
(305)^ Gruder, Susannah (18 March 2022). "'Windfall' Review: Lily Collins and Jesse Plemons Are Held Hostage in Netflix's Simplistic Neo-Noir". IndieWire. Retrieved 21 March 2022.
(306)^ Seitz, Matt Zoller. "Wrath of Man movie review & film summary (2021) | Roger Ebert". www.rogerebert.com. Retrieved 26 September 2021.
Bibliography[edit]
- Ballinger, Alexander; Graydon, Danny (2007). The Rough Guide to Film Noir. London & New York: Rough Guides. ISBN 978-1-84353-474-7.
- Conard, Mark T.; ed. (2009). The Philosophy of Neo-Noir. Lexington: University Press of Kentucky. ISBN 081319217X.
- Hogan, David J. (2013). Film Noir FAQ: All That's Left to Know About Hollywood's Golden Age of Dames, Detectives, and Danger. Milwaukee, WI: Hal Leonard. ISBN 978-1-55783-855-1.
- Mayer, Geoff; McDonnell, Brian (2007). Encyclopedia of Film Noir. Westport, CT: Greenwood Press. ISBN 978-0-313-33306-4.
- Naremore, James (2008). More Than Night: Film Noir in Its Contexts (2d ed.). Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0-520-25402-2.
- Schwartz, Robert (2005). Neo-Noir: The New Film Noir Style from Psycho to Collateral. Lanham, Maryland: Scarecrow Press. ISBN 978-0-810-85676-9.
- Selby, Spencer (1984). Dark City: The Film Noir. Jefferson, N.C. & London: McFarland Publishing. ISBN 0-89950-103-6.
- Silver, Alain; Ward, Elizabeth; eds. (1992). Film Noir: An Encyclopedic Reference to the American Style (3rd ed.). Woodstock, New York: The Overlook Press. ISBN 0-87951-479-5.
- Silver, Alain; Ward, Elizabeth; Ursini, James; Porfirio, Robert; eds. (2010). Film Noir: The Encyclopedia. New York & London: Overlook/Duckworth. ISBN 978-1-59020-144-2.
- Spicer, Andrew (2002). Film Noir. Harlow, UK: Longman/Pearson Education. ISBN 978-0-582-43712-8.
- Spicer, Andrew (2010). Historical Dictionary of Film Noir. Lanham, MD: Scarecrow Press. ISBN 978-0-8108-5960-9.
- Spicer, Andrew; Hanson, Helen (2013). A Companion to Film Noir. Oxford: Wiley-Blackwell. ISBN 978-1-4443-3627-6.
- Williams, Tony (2017). Hong Kong Neo-Noir. Yau, Esther (ed.). Edinburgh University Press. ISBN 9781474412674.