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F r o m W i k i p e d i a , t h e f r e e e n c y c l o p e d i a
Salzburger Festspiele 2014 – The Forbidden Zone
Lizzie Clachan is a British theatre designer. She has designed for many theatres in the United Kingdom , including London's West End , as well as across Europe . Clachan has worked at the National Theatre for several decades and prior to that, worked with the alternative theater company, Shunt .[1]
In 1998, Clachan was a co-founder of the theater company, Shunt , and designed all of their productions including The Architects, Money, Tropicana, Amato Saltone, Ether Frolics, Dance Bear Dance, The Ballad of Bobby Francois and The Tennis Show .[2] [3] Clachan designed Yerma (2016, Young Vic ),[4] The Truth (Menier Chocolate Factory / West End) and The Suppliant Woman (Royal Lyceum /ATC).[2]
Variety praised Clachan's set design for the 2013 performance of Port at the Lyttelton .[5] She created a Mondrian -inspired set for the Wyndham Theatre's performance of The Letter in 2007.[citation needed ] The New York Times called Clachan's set design on Macbeth (2015–16) a "startling coup de théâtre."[6] For Yerma , the New York Times wrote that the set design, using glass siding, helped convey the themes of "private grief and public exposure."[7] The Times described her set design for Ladybird (2004) by Vassily Sigarev , as "so lifelike you almost believe you could move in."[8]
Clachan is known for her collaborations with director Katie Mitchell including The Forbidden Zone (Salzburg Festival/Schaubühne Berlin),[9] A Sorrow Beyond Dreams (Burgtheater Vienna), Frank Martin's Le Vin herbé (Staatsoper im Schiller Berlin), The Rings of Saturn (Schauspiel Cologne) and Wastwater (Royal Court/Vienna Festival).[1] Clachan's work with Mitchell on A Woman Killed With Kindness was considered well done by Daily Variety , when the stage was split into parallel sets.[10] Her work on The Forbidden Zone (2016), was called "haunting" by The Guardian .[9] Her designs for The Beaux Stratagem , were "integral to the Restoration comedy's success," according to Exeunt Magazine .[1] The set for The Beaux' Stratagem was convertible, "with many doors and a long and serpentine staircase."[11]
In 2011, Clachan won 'Best Design' at the Theatre Awards UK for Happy Days at Sheffield Crucible Theatre .[12]
Set and costume design credits [ edit ]
2004, Set design, Ladybird, Royal Court Theatre .[8]
2006, Set design, Woman and Scarecrow , Royal Court Theatre[13]
2007, Set design, The Letter , Wyndham Theatre . [citation needed ]
2011, Set design, Happy Days, Sheffield Crucible Theatre . [12]
2011, Set design, A Woman Killed With Kindness , Lyttelton .[10]
2011, Set design and costumes, Wastwater , Royal Court Theater .[14]
2012, Set design and costumes, Die Ringe des Saturn , Festival D'Avignon .[15]
2013, Set design, Port , Lyttelton .[5]
2013, Set design and costumes, Longing , Hampstead Theater .[16]
2015, Set design, Treasure Island , Orcas Center.[17]
2015, Set design, As You Like It , National Theatre.[1]
2015, Set design, Carmen , Almeida Theatre .[18]
2015, Set design, The Beaux' Stratagem , National's Olivier Theater.[19]
2015, Set design, The Skriker , Royal Exchange Theatre.[20]
2015-16, Set design, Macbeth , Young Vic Theatre .[21]
2016, Set design, Yerma [4]
2016, Set design, The Forbidden Zone , Schaubühne Berlin.[9]
2017, Set design, The Truth , Menier Chocolate Factory [22]
2018, Set design, Cyprus Avenue, The Public Theater [23]
2020, Set design, Blindness , Donmar Warehouse [24]
2022, Set design, Lucia di Lammermoor , Lincoln Center [25]
2023, Set design, Days of Wine and Roses [26] [27]
2023, Set design, The Witches , National Theatre[28]
References [ edit ]
^ a b "Lizzie Clachan - Theatre Designer" . AHA Talent . Archived from the original on 2 October 2023. Retrieved 1 December 2023 .
^ "Parallels H-Sphere" .
^ a b Arditti, Michael (14 August 2016). "Theatre reviews: Yerma and Breakfast At Tiffany's" . Daily Express . Archived from the original on 16 May 2022. Retrieved 3 January 2017 .
^ a b Benedict, David (30 January 2013). "Port" . Variety . 429 (12 ) (published 4 February 2013): 37. Archived from the original on 28 November 2020. Retrieved 1 December 2023 .
^ Wolf, Matt (14 January 2016). "Review: 'Cymbeline,' 'Macbeth' and 'As You Like It' in London" . The New York Times . Archived from the original on 1 December 2023. Retrieved 3 January 2017 .
^ Brantley, Ben (8 August 2016). "On the London Stage, Love Doesn't Just Hurt, It Kills" . The New York Times . Archived from the original on 1 December 2023. Retrieved 4 January 2017 .
^ a b Marlowe, Sam (10 March 2004). "No Escape from the Eastern Block". The Times – via EBSCOhost .
^ a b c Clapp, Susannah (5 June 2016). "The Forbidden Zone review – poisoned by a 'higher form of killing' " . The Guardian . Archived from the original on 27 June 2023. Retrieved 3 January 2017 .
^ a b Benedict, David (2 August 2011). "A Woman Killed With Kindness" . Variety . Archived from the original on 24 October 2013. Retrieved 1 December 2023 .
^ Brantley, Ben (15 September 2015). "London Theater Journal: Getting Giddy" . The New York Times . Archived from the original on 1 December 2023. Retrieved 4 January 2017 .
^ a b Amer, Matthew (30 October 2011). "Jacobi and Sheen honoured at Theatre Awards UK" . Official London Theatre . Society of London Theatre . Archived from the original on 20 December 2016.
^ Leeney, Cathy (Winter 2007). "Character, Writing, and Landscape in Woman and Scarecrow and Other Plays by Marina Carr" . The Princeton University Library Chronicle . 68 (1–2): 712, 717. doi :10.25290/prinunivlibrchro.68.1-2.0705 . ISSN 0032-8456 . JSTOR prinunivlibrchro.68.1-2.0705 .
^ Benedict, David (7 April 2011). "Wastwater" . Daily Variety . Archived from the original on 2 December 2023. Retrieved 1 December 2023 .
^ "Die Ringe des Saturn (The Rings of Saturn)" . Festival d'Avignon . 2012. Archived from the original on 2 December 2023. Retrieved 2 December 2023 .
^ Benedict, David (9 March 2013). "Legit Review: 'Longing' Leaves Audiences Wanting" . Daily Variety . Archived from the original on 8 December 2021. Retrieved 3 January 2017 .
^ Kass, Artha (15 January 2015). "Family-friendly Treasure Island to Stream Live" . Orcas Issues . Archived from the original on 4 January 2017. Retrieved 3 January 2017 . {{cite news }}
: CS1 maint: unfit URL (link )
^ Sadler, Victoria (19 April 2015). "Theatre Review: Carmen Disruption, Almeida Theatre" . Victoria Sadler . Archived from the original on 4 January 2017. Retrieved 3 January 2017 .
^ Billington, Michael (27 May 2015). "The Beaux' Stratagem review – true love and liberation lead a merry dance in Lichfield" . The Guardian . Archived from the original on 12 September 2022. Retrieved 3 January 2017 .
^ Billington, Michael (5 July 2015). "The Skriker review – Maxine Peake in a Midsummer Night's vision of climate catastrophe" . The Guardian . Archived from the original on 31 May 2023. Retrieved 3 January 2017 .
^ Woddis, Carole (17 December 2015). "Macbeth" . Carole Woddis: Theatre Writer & Journalist . Archived from the original on 29 June 2022. Retrieved 3 January 2017 .
^ Provenzano, Thomas (June 2017). "Review of The Truth" . Theatre Journal . 69 (2 ): 277. ISSN 0192-2882 . JSTOR 26367321 .
^ Brantley, Ben (25 June 2018). "Review: Stephen Rea Is One Really Mad Man in 'Cyprus Avenue' " . The New York Times . Archived from the original on 9 November 2020. Retrieved 2 December 2023 .
^ Wolf, Matt (13 August 2020). "Some Light in the Darkness for London's West End" . The New York Times . Archived from the original on 22 March 2022. Retrieved 2 December 2023 .
^ Broudeur, Michael Andor (24 April 2022). "A thoroughly modern meltdown in Met's reimagined 'Lucia di Lammermoor' " . The Washington Post . Archived from the original on 26 April 2022. Retrieved 2 December 2023 .
^ "Days of Wine and Roses" . Atlantic Theater Company . 2023. Archived from the original on 14 September 2023. Retrieved 16 June 2023 .
^ Marks, Peter (7 June 2023). "Kelli O'Hara and Brian d'Arcy James soar in 'Days of Wine and Roses' " . The Washington Post . pp. C.1. Archived from the original on 2 December 2023. Retrieved 2 December 2023 .
^ Barekat, Houman (22 November 2023). "Review: In 'The Witches' Musical, the Playful and the Macabre" . The New York Times . pp. C.4. Archived from the original on 23 November 2023. Retrieved 2 December 2023 .
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Lizzie_Clachan&oldid=1208983665 "
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