| Love Me or Leave Me | |
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Theatrical release poster
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| Directed by | Charles Vidor |
| Written by | Daniel Fuchs Isobel Lennart |
| Produced by | Joe Pasternak |
| Starring | Doris Day James Cagney Cameron Mitchell |
| Cinematography | Arthur E. Arling |
| Edited by | Ralph E. Winters |
| Music by | George Stoll |
Production | |
| Distributed by | Loew's Inc. |
Release date |
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Running time | 122 minutes |
| Country | United States |
| Language | English |
| Budget | $2.76 million[1] |
| Box office | $5.6 million[1][2] |
Love Me or Leave Me is a 1955 American romantic musical drama film starring Doris Day, with James Cagney and Cameron Mitchell in support. Also a biopic, the MGM production recounts the life of Ruth Etting, a singer who rose from dancer to movie star. Nominated for six Academy Awards, the picture was directed by Charles Vidor, and written by Daniel Fuchs and Isobel Lennart.
Nineteen-twenties Chicago nightclub singer and dime-a-dance girl Ruth Etting is in jeopardy of losing her job for kicking a customer for his unwelcome attention. Martin Snyder, known as "The Gimp" because of his game leg, intervenes on her behalf. A man of considerable clout, he owns a laundry business as a front and runs a thriving protection racket.
Etting is desperate to get into show business. Snyder gets her a job dancing in a floor show, then pays for a singing coach, Johnny Alderman, who is also attracted to her.
Etting and Alderman are grateful, but Snyder makes it clear he expects Etting to travel to Miami with him, not for business but for pleasure. Etting declines, but Snyder's interest in her continues. Through an agent, Bernie Loomis, he arranges a radio program to feature Etting, followed by a job with the Ziegfeld Follies. His crude behavior and violent temper cause Etting multiple problems.
Johnny continues to woo Etting, but under heavy pressure from Snyder she marries him instead. His heavy-handed management continues as her career blossoms. Goaded to enter the entertainment business, Snyder decides to open a nightclub of his own, sinking his wealth heavily into it. Upset at sensing a relationship resuming between Etting and Johnny during their filming of a Hollywood movie, Snyder strikes her; she runs off and seeks a divorce. Snyder then catches them together, shoots Johnny and is arrested.
Horrified but conflicted because of all Snyder has done for her career, Etting arranges for Loomis to bail him out of jail. At his nightclub which he expects to find deserted, Snyder arrives to find Etting performing there herself. At first enraged by what he perceives as an act of charity, Snyder finally realizes this is Etting's way of showing her appreciation, even if she can't be part of his life any longer.
The role of Snyder was originally intended for Spencer Tracy, but he turned it down. After the Etting role was turned down by Ava Gardner, Cagney suggested Doris Day to producer Joe Pasternak. Gardner was subsequently placed on a temporary salary suspension by MGM as a punishment.
Variety called the film "a rich canvas of the Roaring '20s, with gutsy and excellent performances."[3]
| Award | Category | Nominee(s) | Result |
|---|---|---|---|
| Academy Awards[4] | Best Actor | James Cagney | Nominated |
| Best Screenplay | Daniel Fuchs and Isobel Lennart | Nominated | |
| Best Motion Picture Story | Daniel Fuchs | Won | |
| Best Scoring of a Musical Picture | Percy Faith and Georgie Stoll | Nominated | |
| Best Song | "I'll Never Stop Loving You" Music by Nicholas Brodszky; Lyrics by Sammy Cahn |
Nominated | |
| Best Sound Recording | Wesley C. Miller | Nominated | |
| Directors Guild of America Awards | Outstanding Directorial Achievement in Motion Pictures | Charles Vidor | Nominated |
| Writers Guild of America Awards | Best Written American Musical | Daniel Fuchs and Isobel Lennart | Won |
According to MGM records the film earned $4,035,000 in the US and Canada and $1,597,000 elsewhere, resulting in a profit of $595,000.[1] Love Me or Leave Me was the eighth ranked movie in 1955.
All but two of the songs in the movie were hits that Etting had recorded originally back in the 1920s and early 1930s. These new songs, written specifically for the film, are "Never Look Back" by Chilton Price and "I'll Never Stop Loving You" by Nicholas Brodzsky and Sammy Cahn.[3]
The songs as they appear in the film (all sung by Doris Day except as shown):
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Films directed by Charles Vidor
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