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Luzzago Altarpiece

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Luzzago Altarpiece (1542) by Moretto da Brescia

The Luzzago Altarpiece is a 1542 oil on canvas painting by Moretto da Brescia, now in the Pinacoteca Tosio Martinengo in Brescia. It was recorded in San Giuseppe church in Brescia in 1630 and moved to its present home in 1868.^[1]^[2] In the lower register Michael the Archangel points the kneeling donor to the Madonna and Child above, whilst Francis of Assisi stands to the right with a cross.

References

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^ Bernardino Faino, pag. 94

^ Pier Virgilio Begni Redona, pag. 383

Bibliography

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(in Italian) Giulio Antonio Averoldi, Le scelte pitture di Brescia additate al forestiere, Brescia 1700
(in Italian) Paolo Brognoli, Nuova Guida di Brescia, Brescia 1826
Joseph Archer Crowe, Giovanni Battista Cavalcaselle, A history of painting in North Italy, Londra 1871
(in Italian) Bernardino Faino, Catalogo Delle Chiese riuerite in Brescia, et delle Pitture et Scolture memorabili, che si uedono in esse in questi tempi, Brescia 1630
(in Italian) Gustavo Frizzoni, La Pinacoteca comunale Martinengo in Brescia in "Archivio storico dell'arte", Brescia 1889
György Gombosi, Moretto da Brescia, Basel 1943
(in Italian) Francesco Paglia, Il Giardino della Pittura, Brescia 1675
(in Italian) Gaetano Panazza, I Civici Musei e la Pinacoteca di Brescia, Bergamo 1958
(in Italian) Pier Virgilio Begni Redona, Alessandro Bonvicino - Il Moretto da Brescia, Editrice La Scuola, Brescia 1988
(in Italian) Carlo Ridolfi, Le maraviglie dell'arte Ouero le vite de gl'illvstri pittori veneti, e dello stato. Oue sono raccolte le Opere insigni, i costumi, & i ritratti loro. Con la narratione delle Historie, delle Fauole, e delle Moralità da quelli dipinte, Brescia 1648

Moretto da Brescia

Paintings

Enthroned Madonna and Child with Saint James the Great and Saint Jerome (1517)
Christ with the Cross (1518)
The Dead Christ Adored by Saint Jerome and Saint Dorothy (1520–1521)
Holy Cross Standard (1520–1521)
Standard of Our Lady of Mercy (1520–1522)
Salvation Triptych (1521–1524 or 1527–1528)
Our Lady of Mount Carmel (c. 1522)
Assumption of the Virgin (1524–1526)
Portrait of a Man (1526)
Supper at Emmaus (c. 1526)
Madonna and Child with Saint Roch and Saint Sebastian (c. 1528)
Orzinuovi Altarpiece (1525–1530}
Lament over the Dead Christ (1526–1530)
Sant'Eufemia Altarpiece (1526–1530)
Assumption Altarpiece (1529–1530)
St Anthony of Padua with Two Saints (1530)
St Justina of Padua with a Donor (c. 1530)
Madonna and Child with Saint Martin and Saint Catherine (c. 1530)
Massacre of the Innocents (1531–1532)
Saint Anthony Abbot (1530–1534)
Coronation of the Virgin Altarpiece (c. 1534)
The Deaf-Mute Filippo Viotti's Vision of the Virgin Mary (c. 1534)
Annunciation (1535–1540)
The Assassination of Saint Peter Martyr (1535–1540)
Portrait of a Gentleman with a Letter (1535–1540)
Chiesa di San Giovanni Evangelista Organ Case (c. 1535)
Madonna and Child Enthroned with Saints (1536–1537)
Rovelli Altarpiece (1539)
Adoration of the Shepherds with Saints Nazarius and Celsus (1540)
Madonna and Child with Saints (Verona, 1540)
Salomé (1540)
Pralboino Altarpiece (1540–1545)
Christ in Glory with Saint Peter and Saint Paul (c. 1540)
Christ with the Eucharist and Saints Cosmas and Damian (c. 1540)
Madonna and Child with Four Doctors of the Church (c. 1540–1545)
Madonna and Child with Saints (London, c. 1540–1545)
Madonna and Child with an Angel (c. 1540–1550)
Christ with Moses and Solomon (1541–1542)
Portrait of Fortunato Martinengo Cesaresco (1542)
Luzzago Altarpiece (1542)
Madonna and Child with Four Saints (c. 1543)
Mystic Marriage of Saint Catherine (c. 1543)
Pentecost (1543–1544)
Supper in the House of Simon the Pharisee (1544)
Christ with the Eucharist and Saints Bartholomew and Roch (c. 1545)
Portrait of an Ecclesiastic (c. 1545)
Christ and the Angel (c. 1550)

This article about a sixteenth-century painting is a stub. You can help Wikipedia by expanding it.

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