J u m p t o c o n t e n t
M a i n m e n u
M a i n m e n u
N a v i g a t i o n
● M a i n p a g e ● C o n t e n t s ● C u r r e n t e v e n t s ● R a n d o m a r t i c l e ● A b o u t W i k i p e d i a ● C o n t a c t u s ● D o n a t e
C o n t r i b u t e
● H e l p ● L e a r n t o e d i t ● C o m m u n i t y p o r t a l ● R e c e n t c h a n g e s ● U p l o a d f i l e
S e a r c h
Search
A p p e a r a n c e
● C r e a t e a c c o u n t ● L o g i n
P e r s o n a l t o o l s
● C r e a t e a c c o u n t ● L o g i n
P a g e s f o r l o g g e d o u t e d i t o r s l e a r n m o r e ● C o n t r i b u t i o n s ● T a l k
( T o p )
1 T h e o r y
2 B e h a v i o r
3 R e f e r e n c e s
4 E x t e r n a l l i n k s
T o g g l e t h e t a b l e o f c o n t e n t s
M a l g u n j i
2 l a n g u a g e s
● ಕ ನ ್ ನ ಡ ● न े प ा ल भ ा ष ा
E d i t l i n k s
● A r t i c l e ● T a l k
E n g l i s h
● R e a d ● E d i t ● V i e w h i s t o r y
T o o l s
T o o l s
A c t i o n s
● R e a d ● E d i t ● V i e w h i s t o r y
G e n e r a l
● W h a t l i n k s h e r e ● R e l a t e d c h a n g e s ● U p l o a d f i l e ● S p e c i a l p a g e s ● P e r m a n e n t l i n k ● P a g e i n f o r m a t i o n ● C i t e t h i s p a g e ● G e t s h o r t e n e d U R L ● D o w n l o a d Q R c o d e ● W i k i d a t a i t e m
P r i n t / e x p o r t
● D o w n l o a d a s P D F ● P r i n t a b l e v e r s i o n
A p p e a r a n c e
F r o m W i k i p e d i a , t h e f r e e e n c y c l o p e d i a
3rd Prahar of the night
S G m D n S[1]
S' n D P m G R G m g R S[1]
G m g R S n S D n S G m[1]
Ma [1]
Sa [1]
Raga Malgunji is a Hindustani classical raga Khamaj Thaat . Some say it is a part of the Kafi Thaat too.[1]
Malgunji is a mixture of Khamaj , Bageshree , Rageshwari and Jaijaiwanti ragas. Raga Malgunji is similar to Raag Bageshree but it employs Shuddha Gandhar in Aaroh which makes it different from Bageshree. Malgunji also has some elements of Raga Khamaj. This Raag employs Shuddha Gandhar in Aaroh and Komal Gandhar in Avroh. Raga Vachak notes of Raag Malgunji are S, D, n S G, R G m which are recurring. Shuddha Gāndhāra is a Prominent note. Vadi is Madhyama and Samavadi is Ṣaḍja . This Raga can be expanded in all the three octaves. This Raga creates a heavy atmosphere.
Svaras
The Svaras in the raga are,
Panchama Varjyit in the Aaroh. Both Nishads, Both Gāndhāras . Rest all Shuddha Svaras.
Arohana & Avarohana
Arohana
S G m D n S[1]
Avarohana
S' n D P m G R G m g R S[1]
Vadi & Samavadi
Vadi : Madhyama (Ma )[1]
Samavadi : Ṣaḍja (Sa )[1]
Pakad or Chalan
G m g R S n S D n S G m[1]
Relationships
Related ragas: Bageshree and Rageshree . Thaat : Khamaj
Behavior [ edit ]
Behavior refers to practical aspects of the music. In Hindustani music many of the concepts are fluid, changing, or archaic. The following information reflects how the music once existed.
The raga is generally performed during the hours form 3rd Prahar of the night.[1] [2]
Certain ragas have seasonal associations.
References [ edit ]
2. Raag Malgunji - Indian Classical Music - Tanarang.com
External links [ edit ]
Asavari
Bairagi Bhairav
Basant Mukhari
Bhairav
Bhankar
Bhatiyar
Bhoopal Todi
Bilaskhani Todi
Bilawal
Deshkar
Desi
Gunakri
Gurjari
Hindol
Jaunpuri
Jogiya
Kalingada
Lalit
Nat Bhairav
Sohni
Todi
Vibhas
Gaud Sarang
Madhuvanti
Madhyamad Sarang
Marwa
Multani
Patdeep
Poorvi
Shree
Shuddh Sarang
Bhoopali
Desh
Hansdhwani
Hamsa Kalyan
Kamod
Khamaj
Maru Bihag
Pahadi
Puriya
Puriya Dhanashree
Sham Kalyan
Shankara
Shuddh Kalyan
Tilang
Yaman
Yaman Kalyan
Bageshri
Bahar
Basant
Bhinna Shadja
Bhimsen
Bihag
Chandani Kedar
Chandrakauns
Chhayanat
Darbari
Durga
Gorakh Kalyan
Hameer
Jaijaivanti
Jhinjhoti
Kalavati
Kedar
Kirwani
Malgunji
Malhar
Malkauns
Malkauns Pancham
Nand
Rageshri
Shivranjani
Tilak Kamod
Charukeshi
Dhani
Gara
JanaSammohini
Kafi
Mand
Piloo
Vrindavani Sarang
Miyan Malhar
t
e
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Malgunji&oldid=1157453535 " C a t e g o r i e s : ● H i n d u s t a n i r a g a s ● I n d i a n m u s i c s t u b s H i d d e n c a t e g o r i e s : ● A r t i c l e s w i t h s h o r t d e s c r i p t i o n ● S h o r t d e s c r i p t i o n m a t c h e s W i k i d a t a ● U s e d m y d a t e s f r o m A u g u s t 2 0 1 9 ● A l l s t u b a r t i c l e s
● T h i s p a g e w a s l a s t e d i t e d o n 2 8 M a y 2 0 2 3 , a t 1 8 : 2 2 ( U T C ) . ● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n . ● P r i v a c y p o l i c y ● A b o u t W i k i p e d i a ● D i s c l a i m e r s ● C o n t a c t W i k i p e d i a ● C o d e o f C o n d u c t ● D e v e l o p e r s ● S t a t i s t i c s ● C o o k i e s t a t e m e n t ● M o b i l e v i e w
