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Contents

   



(Top)
 


1 Early life  





2 Career  





3 Discography  





4 Films  





5 Instructional videos  





6 Instructional CDs  





7 Instructional books  





8 Notes  





9 References  





10 External links  














Mamady Keïta






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Mamady Keïta
BornAugust 1950
Died21 June 2021 (aged 70)
Brussels, Belgium
OccupationDjembefola

Mamady Keïta[a] (August 1950[1] – 21 June 2021[2]) was a drummer from the West African nation of Guinea. He specialized in the djembe. He was also the founder of the Tam Tam Mandingue school of drumming. He was a member of the Manding ethnic group.

Early life

[edit]

Keïta was born in the small village of Balandougou, Guinea, in the northeastern prefecture of Siguiri, near the border of Mali. Keïta was a direct descendant of the king Sundiata Keita.[3] By the age of five, he had developed his own technique of tone, slap, bass and learned the rhythms of his village and was playing Djembe in all of the ceremonies, celebrations and festivals. Technically, his actual initiation to the djembe started at the early age of seven, under Karinkadjan Kondé, elder master djembefola of Balandugu, who initiated him to the secrets of the djembe. Keïta was educated in the traditions of his village, learning the history and music of the Malinke people. At the age of twelve, he became a member of the first regional federal ballet of Siguiri after Balanka Sidiki, a recruiter for the group, came to Balandugu looking for performers.[4]

Career

[edit]

At the time, Guinea was governed by Sékou Touré, who put special emphasis on Guinean culture through live performances and a system of local, regional, and national competitions that recruited the greatest artists of the land. During the National Festival in 1964, Keïta, then aged fourteen, along with fifty other percussionists and numerous other artists, was selected by Guinea's Minister of Culture to form Le Ballet National Djoliba (The Djoliba National Ballet), which was intended to serve as a showcase for Touré's revolution in Guinea.[5] After nine months of training, he was one of only five percussionists retained.[6]

He was appointed lead soloist of Ballet Djoliba in 1965[7] and, in 1979, became its artistic director.[7] He stayed with Ballet Djoliba until 1986, when he joined Ballet Koteba in Côte d'Ivoire.[8]

In 1988, Keïta moved to Belgium where he worked as a performer and teacher. In 1991, he opened his first school Tam Tam Mandingue percussion school in Brussels, to be followed by additional schools in Europe, North America, and Asia,[9][10] each run by a school director personally certified by Keïta for his/her playing skill and teaching abilities.[11]

Up until his death, Keïta worked as a performer with his group Sewa Kan and recorded a number of CDs. He also taught internationally, running international workshops in Europe, North America, and Asia, as well as an annual camp in Africa.[12] He published a large body of djembe teaching materials on CD and DVD, as well as an instructional book.[4]

He resided in Monterrey, Mexico.[13] On 21 June 2021, Keïta died in Belgium after being admitted to hospital with a heart-related condition.

He performed with many other djembefola such as Bolokada Conde, Mohamed Diaby, Amara Kante, Barbara Bangoura, and many others. They all miss him very much, Bolokada Conde even created a rhythm for all passed djembefola but especially for Mamady.[2]

Discography

[edit]

Films

[edit]

Instructional videos

[edit]

Instructional CDs

[edit]

Instructional books

[edit]

Notes

[edit]
  1. ^ Surname sometimes spelled Keita.

References

[edit]
  1. ^ TTMDA. "Childhood". TTM Djembe Academy. Retrieved 24 May 2020.
  • ^ a b Doré, Tokpanon (21 June 2021). "Bruxelles: Mamady Djembé, un monument de la percussion mondiale s'est éteint". Guinéenews (in French). Retrieved 21 June 2021.
  • ^ "The Madness of the Elephant". San Francisco Classical Voice. Retrieved 24 May 2020.
  • ^ a b Billmeier, Uschi; Keïta, Mamady (2004) [1999]. A Life for the Djembé—Traditional Rhythms of the Malinké (5th ed.). Kirchhasel-Uhlstädt: Arun-Verlag. ISBN 978-3-935581-52-3.
  • ^ Flaig, Vera (2010). The Politics of Representation and Transmission in the Globalization of Guinea's Djembé (PDF) (Ph.D. thesis). University of Michigan. Archived (PDF) from the original on 28 April 2014. Retrieved 15 January 2012.
  • ^ Laurent Chevallier (director), Mamady Keïta (himself) (1991). "Djembefola". Archived from the original on 11 February 2017. Retrieved 24 March 2013.
  • ^ a b Lucas, Keen (24 June 2021). "Mamady Keïta, the djembe falls silent". PAM - Pan African Music. Retrieved 13 May 2022.
  • ^ "Mamady Keïta Master Drummer". us-africa.tripod.com. Retrieved 15 May 2022.
  • ^ "Teachers". TTM Djembe Academy. Tam Tam Mandingue International. Retrieved 6 March 2020.
  • ^ "TTM Schools & Teachers". Tam Tam Mandingue. Archived from the original on 5 March 2012. Retrieved 4 March 2012.
  • ^ "Tam Tam Mandingue Teacher/Director Certification Process". Tam Tam Mandingue. Archived from the original on 26 May 2024. Retrieved 1 January 2013.
  • ^ Kelly Pederson (producer) (2012). Messengers of Tradition (DVD). Tam Tam Mandingue. Archived from the original on 16 April 2013. Retrieved 24 March 2013.
  • ^ "inauthor:"United States. Congress. House" - Google Search". www.google.com. Retrieved 15 May 2022.
  • ^ Mamady Keïta & Sewa Kan - Wassolon (Percussion Malinké), retrieved 15 May 2022
  • ^ "Mamady Keïta". SoundCloud. Retrieved 7 June 2023.
  • [edit]
    Retrieved from "https://en.wikipedia.org/w/index.php?title=Mamady_Keïta&oldid=1234071890"

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    This page was last edited on 12 July 2024, at 12:43 (UTC).

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