In 1966, France's Cultural Affairs minister André Malraux appointed Landowski as the ministry's director of music, a controversial appointment made in the teeth of opposition from the then ascendant modernists, led by Pierre Boulez.[2]
One of his first acts was the establishment, in 1967, of the Orchestre de Paris, appointing Charles Munch as its first director. He also championed the establishment of regional orchestras at a time when interest in them appeared to be waning.[3] This was part of a so-called "ten-year plan for music", instituted with the intention of establishing an opera company and conservatoire in each of the Regions of France. The new Orchestre de Paris was also built on the model intended to be followed by planned regional orchestras. In this endeavour Landowski worked with local authorities, especially those in the regional centres such as Bordeaux, Lille, Lyon, Strasbourg and Toulouse, who signed agreements under which the French State would finance a third of each company or ensemble's operating budget. Landowski also oversaw modernisation of regional concert halls and theatres.
In 1975 Landowski was appointed Inspector General of Music, and was Director of Cultural Affairs of the City of Paris from 1977 to 1979. He succeeded Emmanuel Bondeville as President of the Maurice Ravel Foundation and was in turn succeeded by Manuel Rosenthal.
Landowski eschewed the avant-garde approaches to music of his contemporaries, preferring a more conservative style. His greatest musical influence was Arthur Honegger. His entire output includes five symphonies, several concertos (notably two for piano and one each for bassoon, for cello, for flute, for trumpet, for trombone, for violin), operas as well as a Mass and bears testimony to Honegger's impact. Landowski went on to write a biography of his mentor.
^Les Landowski, une famille d’artistes à Boulogne-Billancourt. Musique, Sculpture, Architecture, Peinture, Chant, Poésie. (CD-ROM) Espace Landowski, Ville de Boulogne-Billancourt 1998.
