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Margaret Samu

Samu is an active member of the Society of Historians of East European, Eurasian, and Russian Art and Architecture [1], which she served as president from 2013 until 2015.^[2] She is a member of the Organizing Committee of the 19v Working Group on Nineteenth-Century Russian Culture, Literature, and the Arts, and co-organizes the 19v Art History Seminar.^[3]

Samu is a specialist in Russian art.^[4][5][6][7] In 2016 she was awarded the Mary Zirin Prize by the Association for Women In Slavic Studies.^[8]

• “Karl Briullov’s Last Day of Pompeii at the Paris Salon of 1834.” The Art Bulletin 103, no. 2 (June 2021). 77–103. DOI: 10.1080/00043079.2021.1847579
• “Exhibiting Westernization: Aleksei Venetsianov’s Nudes and the Russian Art Market 1820-1850.” Nineteenth-Century Studies 25 (2015). 131–147.
• “ ‘Serving Art…’ Artist and Model in the Nineteenth-Century Russia Art World.” Iskusstvoznanie. “ ‘Служа искусству…’ Художник и модель в русской художественной культуре XIX века.” Искусствознание] 3-4 (Autumn 2014). 434–447.
• From Realism to the Silver Age: New Studies in Russian Artistic Culture. DeKalb: Northern Illinois University Press, 2014 (co-editor and contributor).
• “Evelyn Beatrice Longman: Establishing a Career in Public Sculpture.” Woman's Art Journal 25, no. 2 (Fall 2004/Winter 2005). 8–15.

• "Margaret Samu". www.newschool.edu/. Retrieved 6 December 2017.

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