| Margot at the Wedding | |
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Theatrical release poster
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| Directed by | Noah Baumbach |
| Written by | Noah Baumbach |
| Produced by | Scott Rudin |
| Starring |
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| Cinematography | Harris Savides |
| Edited by | Carol Littleton |
Production | |
| Distributed by | Paramount Vantage |
Release dates |
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Running time | 93 minutes |
| Country | United States |
| Language | English |
| Budget | $10 million[1] |
| Box office | $2.9 million[2] |
Margot at the Wedding is a 2007 American comedy-drama film written and directed by Noah Baumbach. It stars Nicole Kidman, Jennifer Jason Leigh, Jack Black, John Turturro, and Ciarán Hinds. The film is about the familial storm that arises when Margot, a writer, comes to visit her sister Pauline on the eve of the latter's wedding.
The film premiered at the 34th Telluride Film Festival on August 31, 2007, and was released in the United States on December 7, 2007, by Paramount Vantage.
Margot is a successful, self-absorbed writer; it is suggested that she has borderline personality disorder. She brings her 11-year-old son Claude to spend a weekend visiting her free-spirited sister Pauline on the eve of the latter's wedding to Malcolm at their home on Long Island, New York.
Margot disapproves of Pauline's choice of fiancé: Malcolm is an unsuccessful musician whom Margot considers "completely unattractive". While in town, Margot is interviewed in public in a local bookstore by Dick Koosman, a successful author with whom she is collaborating on a screenplay. Dick's teenage daughter Maisy also visits the house.
Margot and Pauline have an uneasy relationship. Margot disapproves of Pauline's life choices—besides marrying Malcolm, she is pregnant, a fact that she has not shared with Malcolm or her pre-teen daughter Ingrid. Pauline, meanwhile, resents Margot for writing and publishing thinly disguised stories about her life and blames her for the break-up of Pauline's first marriage. She is also incensed when Margot shares secrets told to her in confidence, including that of her pregnancy. Rather than confront each other, Pauline and Margot take out their frustrations on Malcolm and Claude, respectively.
Tensions come to a head twice. Firstly, Margot's interview goes disastrously wrong when Dick's questions become personal. Then, when Pauline interrogates Malcolm about emails he received from one of her 20-year-old students, he admits he kissed Maisy. Returning to the house, Pauline finds Maisy inside. Although she says nothing, it is obvious to Maisy that Pauline knows the truth. When Maisy forestalls exposure by telling her arriving father, he chases and beats Malcolm.
Margot and Pauline get into a heated argument, unleashing years of resentment. Following a climactic moment, the women leave with their children, leaving Malcolm behind. After the car runs off the road due to malfunctioning brakes, Pauline defecates in her skirt and removes her soiled underwear.
The next day, Pauline calls Malcolm, intent on breaking up with him. When he begs for forgiveness, she gives in and takes him back. Margot decides to stay with her sister and puts Claude on a bus to Vermont so he can live with his father. As the bus pulls away, she has a change of heart and chases after it, abandoning her handbag. Taking a seat next to a surprised Claude, Margot catches her breath.
Noah Baumbach originally wanted to title the film Nicole at the Beach, in reference to French New Wave director Éric Rohmer's Pauline at the Beach (1983).[3] The title was changed when Nicole Kidman was cast.[3] During filming, Kidman, Jennifer Jason Leigh, Zane Pais, and Jack Black lived in a house together in order to perfect the roles of a dysfunctional family.[4]
Of her character Margot, Kidman said, "I hope you see that the spikiness and the guardedness and the anger is actually a manifestation of her need to protect herself. She's not in a safe place, really, because her sister doesn't know how to take care of her, and she doesn't know how to take care of her sister...They feel like they should be very, very close, but they actually do not bring out the best in each other."[4]
Margot at the Wedding was shot from April to June 2006 in various New York locations, including Shelter Island, Hampton Bays, East Quogue, Long Island and City Island in the Bronx.[4][5]
Dean Wareham and Britta Phillips acted as the film's music consultants, and the film "features the more obscure singer-songwriters that Baumbach is obsessed with...like [1970s] post-Dylan folkie Steve Forbert, British singer-songwriter and occasional Pink Floyd guest Lesley Duncan, Brooklyn-born singer-songwriter Evie Sands (covered both Beck and Beth Orton) and New York anti-folk artist Diane Cluck."[6]
Margot at the Wedding premiered at the 34th Telluride Film Festival on August 31, 2007. It was also shown at the Toronto International Film Festival, the New York Film Festival, and the Mill Valley Film Festival. The film was given a limited theatrical release in the United States on November 16, 2007. It opened in Australia on February 21, 2008,[7] and in the United Kingdom on February 28, 2008.[8]
The film grossed $2 million in the United States and Canada and a total of $2.9 million worldwide.[2]
On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 51% based on 167 reviews, with an average rating of 5.7/10. The website's critics consensus reads, "Despite a great cast, the characters in Margot at the Wedding are too unlikable to enthrall viewers."[9] Metacritic, which uses a weighted average, assigned the film a score of 66 out of 100, based on 37 critics, indicating "generally favorable" reviews.[10]
A positive review in The Guardian compared the film to the director's previous film, stating: "Margot at the Wedding, [is] an intelligent, subtle new movie by American writer-director Noah Baumbach, who made a considerable impression three years ago with The Squid and the Whale, his first film to reach this country. The Squid was a witty, affecting and painfully truthful account of two teenagers reacting to the separation of their parents, both writers living in New York, the father a pompous novelist whose once considerable career is in freefall, the mother a writer whose reputation is rapidly rising. Margot at the Wedding, less sharply focused than its predecessor, explores similar territory in an equally allusive and indirect way."[11]
Todd McCarthyofVariety wrote, "Kidman is the rawest as the most dangerously neurotic and manipulative of the bunch, Leigh the most prone to mood swings, while Black, whose character is not yet a family insider – more luck to him – works in a mode of emotional opaqueness that itself may mask the man's intense neuroses. Newcomer Pais is very good as the son who learns way too much too fast."[12]
| Award | Category | Recipient(s) | Result | Ref. |
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| Chicago Film Critics Association Awards | Best Supporting Actress | Jennifer Jason Leigh | Nominated | |
| Satellite Award | Satellite Award for Best Actress – Motion Picture Musical or Comedy | Nicole Kidman | Nominated | |
| Satellite Award for Best Film – Musical or Comedy | Noah Baumbach | Nominated | ||
| Independent Spirit Award | Independent Spirit Award for Best Supporting Female | Jennifer Jason Leigh | Nominated | |
| Gotham Awards | Best Ensemble Cast | Cast | Nominated | |
| Best Feature | Noah Baumbach | Nominated | ||
| Peñíscola Comedy Film Festival | Best Actress | Jennifer Jason Leigh | Won | |
| Best Director | Noah Baumbach | Won |
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