| Mari Kannu Hori Myage | |
|---|---|
 | |
| Directed by | Kumar |
| Written by | Kumar Ra Prakash Thrishuli |
| Produced by |
|
| Starring |
|
| Cinematography | Sundarnath Suvarna |
| Edited by | T. Shashikumar |
| Music by | Rajesh Ramanath |
Production | Best Films |
Release date |
|
Running time | 133 minutes |
| Country | India |
| Language | Kannada |
Mari Kannu Hori Myage also spelled as Maari Kannu Hori Myaage (transl. Maari's eyes are on the Bull) is a 1998 Indian Kannada-language comedy film starring Jaggesh, Archana, Utthara and Dheerendra Gopal.[1] The film written and directed by Kumar was named after a famous track from the Kannada film A released in the same year. The movie humorously deals with the troubles of a man from a middle-class family who becomes the victim of a slight misunderstanding. The film edited by T. Shashikumar has soundtrack scored by Rajesh Ramanath and cinematography handled by Sundarnath Suvarna.[2][3] The film upon release met with positive reception.
| Mari Kannu Hori Myage | ||||
|---|---|---|---|---|
| Soundtrack album by | ||||
| Released | 1998 | |||
| Genre | Filmi | |||
| Length | 25:30 | |||
| Language | Kannada | |||
| Label | Lahari Music | |||
| Rajesh Ramanath chronology | ||||
| ||||
| No. | Track | Singers | Lyrics | Length |
|---|---|---|---|---|
| 1. | Matthade Besara Ade Sanje | Rajesh Krishnan, Sowmya Raoh | K. S. Nissar Ahmad | 2:53 |
| 2. | Brahmange Thalkettu | S. P. Balasubrahmanyam | Prakash Thrishuli | 3:44 |
| 3. | Love Madutthenatha | Rajesh Krishnan Soumya Raoh |
Prakash Thrishuli | 4:32 |
| 4. | Podeyali Kedige | Soumya Raoh | Prakash Thrishuli | 4:57 |
| 5. | Henda Sarayi Thanni | B. Jayashree | Bhangi Ranga | 4:52 |
| 6. | Shishira Shinchana Ee Prema | Badari Prasad Sujatha |
Prakash Thrishuli | 4:27 |
Srikanth Srinivasa of Deccan Herald felt the audience would fail to understand what director Kumar "is trying to convey" with this film. He added, "Kumar, in trying to be different, has neither made good use of the story at his disposal nor has he capitalised on Jaggesh's screen presence, leaving the audience totally at sea." About the acting performances, he wrote, ""Jaggesh is as usual in his element... Uttara has nothing much to do. Dhirendra Gopal is wasted. The dialogues are loud, vulgar and unparliamentary. Papamma is a delight, though her dialogues are atrocious."[5]
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