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Opera by Gaetano Donizetti
Maria Padilla melodramma opera , in three acts by Gaetano Donizetti . Gaetano Rossi and the composer wrote the Italian libretto after François Ancelot 's play. It premiered on 26 December 1841 at La Scala , Milan. The plot is loosely based on the historical figure María de Padilla , the mistress of Pedro the Cruel , King of Castile .
Performance history [ edit ]
The first 20th century performance, and UK premiere, took place at the Queen Elizabeth Hall on 8 April 1973 by Opera Rara with Janet Price in the lead role, Margreta Elkins , Christian du Plessis and Gunnar Drago, with the Bournemouth Sinfonietta conducted by Kenneth Montgomery .[1] Stony Brook on 23 April 1983 by the Long Island Opera Society (an uncut concert performance of the Naples version) with Marilyn Brustadt in the title role, conducted by David Lawton.[2] Renée Fleming made her major debut in the opera with Opera Omaha .[3] Dorset Opera in Sherborne in 1988,[4] Buxton Festival in 2003[5] Minnesota Opera in 2005.[6]
Sophie Löwe , who created the role of Maria Padilla
Roles, voice types, premiere cast
Role
Voice type
Premiere cast, 26 December 1841[7] Eugenio Cavallini
Donna Maria Padilla , Ruiz' daughter [8] soprano
Sophie Löwe
Donna Ines Padilla, Ruiz' daughter
mezzo-soprano
Luigia Abbadia
Don Pedro , prince of Castile
baritone
Giorgio Ronconi
Don Ruiz di Padilla
tenor
Domenico Donzelli
Don Ramiro, duke of Albuquerque
bass
Gaetano Rossi
Francisca
mezzo-soprano
Teresa Ruggeri
Don Luigi, count of Aguillar
tenor
Ranieri Pochini
Don Alfonso di Pardo
bass
Agostino Berini
Bianca di Francia
silent
Gentlemen, Castilian and French dignitaries, hunters, vassals of Padilla, guards, Castilian and French pages
Synopsis [ edit ]
Place: Castile
Time: 14th century
Maria tells her sister Ines that she hopes to marry Don Pedro, the ruler of Castile. When he sneaks into her room disguised as Mendez, Maria tells him that she knows his true identity and demands marriage to save her honour. Don Pedro acquiesces, although the marriage must be kept secret. After their elopement, a faction of the Don Pedro's court wants him marry Bianca, a Bourbon princess, in order to avoid a civil war. He appears to be negotiating this, despite his secret marriage to Maria.
Meanwhile, Maria's father, Don Ruiz di Padilla, appears at the court. Believing that she is merely Don Pedro's mistress, he challenges the prince to a duel, but is led away in disgrace. Maria visits her father and tries to explain that she is the secret wife of Don Pedro, but her father refuses to listen.
Much to Maria's horror, Bianca arrives at the court, and is welcomed by Maria's enemies there as Don Pedro's bride and their queen. Instead, Don Pedro proclaims Maria as his queen and she dies of joy. (In the original ending which was changed by the censors, Maria grabbed the crown from Bianca's head and then committed suicide.[9]
Recordings [ edit ]
Year
Cast:
Conductor,
Label[10]
1980
Lois McDonall ,Della Jones ,Graham Clark ,Christian du Plessis
Alun Francis London Symphony Orchestra and Geoffrey Mitchell Choir Henry Wood Hall )
CD: Opera Rara
1990
Renée Fleming ,Stella Zambalis ,John DeMain Opera Omaha Orchestra and ChorusJoslyn Art Museum , Omaha, Nebraska, September)
CD: Premiere Opera
References [ edit ]
^ Blyth, Alan . Concert performances - Maria Padilla. Opera Rara at the Queen Elizabeth Hall, April 8. Opera , June 1973, Vol 24, No 6, p. 559.
^ Ashbrook, William. Our Critics Abroad - America. Opera
^ Leo Dagambina, "Opera Omaha Presents the American Premiere of Maria Padilla Starring Renée Fleming" , leoadambiga.wordpress.com. Retrieved 1 November 2013
^ Forbes, Elizabeth . Maria Padilla. Dorset Opera at Sherborne School Hall, August 19. Opera , Vol 39, No.10, October 1988, p. 1247.
^ "Donizett's Maria Padilla" . donizettisociety.com . Retrieved 20 April 2018 .
^ "Maria Padilla" . donizettisociety.com . Retrieved 20 April 2018 .
^ Casaglia, Gherardo (2005). "Maria Padilla , 26 December 1841" . L'Almanacco di Gherardo Casaglia (in Italian) .
^ Premiere cast and conductor from Casaglia
^ Ashbrook, William (1982). Donizetti and His Operas . Cambridge University Press. p. 572. ISBN 0-521-23526-X
^ Source of recording on operadis-opera-discography.org.uk
Further reading [ edit ]
Allitt, John Stewart (1991), Donizetti: In the Light of Romanticism and the Teaching of Johann Simon Mayr , Shaftesbury: Element Books (UK ); Rockport, Massachusetts: Element, Inc. (US )
Ashbrook, William (1998), "Donizetti, Gaetano" in Stanley Sadie (ed.), The New Grove Dictionary of Opera ISBN 0-333-73432-7 ISBN 1-56159-228-5
Ashbrook, William and Sarah Hibberd (2001), in Holden, Amanda (ed.), The New Penguin Opera Guide , New York: Penguin Putnam. ISBN 0-14-029312-4 . pp. 224 – 247.
Black, John (1982), Donizetti's Operas in Naples, 1822–1848 . London: The Donizetti Society.
Loewenberg, Alfred (1970). Annals of Opera, 1597–1940 , 2nd edition. Rowman and Littlefield
Osborne, Charles , (1994), The Bel Canto Operas of Rossini, Donizetti, and Bellini , Portland, Oregon: Amadeus Press. ISBN 0-931340-71-3
Sadie, Stanley , (ed.); John Tyrell (exec. ed.) (2004), The New Grove Dictionary of Music and Musicians ISBN 978-0-19-517067-2 (hardcover). ISBN 0-19-517067-9 OCLC 419285866 (eBook).
Weinstock, Herbert (1963), Donizetti and the World of Opera in Italy, Paris, and Vienna in the First Half of the Nineteenth Century , New York: Pantheon Books. LCCN 63-13703
External links [ edit ]
International
National
Other
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Maria_Padilla&oldid=1163819687 " C a t e g o r i e s : ● I t a l i a n - l a n g u a g e o p e r a s ● O p e r a s b y G a e t a n o D o n i z e t t i ● 1 8 4 1 o p e r a s ● O p e r a s ● O p e r a w o r l d p r e m i e r e s a t L a S c a l a ● O p e r a s s e t i n S p a i n ● O p e r a s b a s e d o n p l a y s ● L i b r e t t i b y G a e t a n o R o s s i H i d d e n c a t e g o r i e s : ● A r t i c l e s w i t h I t a l i a n - l a n g u a g e s o u r c e s ( it ) ● A r t i c l e s w i t h s h o r t d e s c r i p t i o n ● S h o r t d e s c r i p t i o n i s d i f f e r e n t f r o m W i k i d a t a ● W o r k s w i t h I M S L P l i n k s ● A r t i c l e s w i t h I n t e r n a t i o n a l M u s i c S c o r e L i b r a r y P r o j e c t l i n k s ● A r t i c l e s w i t h V I A F i d e n t i f i e r s ● A r t i c l e s w i t h G N D i d e n t i f i e r s ● A r t i c l e s w i t h L C C N i d e n t i f i e r s ● A r t i c l e s w i t h M u s i c B r a i n z w o r k i d e n t i f i e r s
● T h i s p a g e w a s l a s t e d i t e d o n 6 J u l y 2 0 2 3 , a t 1 6 : 0 4 ( U T C ) . ● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n . ● P r i v a c y p o l i c y ● A b o u t W i k i p e d i a ● D i s c l a i m e r s ● C o n t a c t W i k i p e d i a ● C o d e o f C o n d u c t ● D e v e l o p e r s ● S t a t i s t i c s ● C o o k i e s t a t e m e n t ● M o b i l e v i e w
