Sherman was born in New York City. His mother, Edith Gordon,[5] was a Juilliard-trained soprano who performed with the Cleveland Symphony Orchestra and the Boston Symphony Orchestra. Sherman grew up around opera and studied classical piano as a child.
While still in his teens, Sherman played drums in a trio with pianist Kenny Kirkland. Later, Sherman introduced Kirkland to Wynton Marsalis, who would go on to hire Kirkland for his own band.
In 1978, at age 21, Sherman began working on Broadway and in New York's active studio scene, playing percussion, piano, drums and vibraphone.
Sherman released his first album, Fulcrum Point featuring Mark Gould, Delmar Brown, Rael Wesley Grant and Kenwood Denard, on Unisphere records in 1980. This recording turned out to be an unknown fusion classic.
He spent a lot of his time in the studio in the 1980s, working on commercial jingles. Pianist Mike Renzi took him under his wing, connecting him with Peggy Lee and other singers. Sherman performed with Lee, Tony Bennett, Mel Torme, Lena Horne and Ruth Brown.
In 1986, after being recommended by Wynton Marsalis, Sherman signed to Columbia Records and released his major label debut, A New Balance. Sherman also played on albums by Joe Beck, Maureen McGovern and Peggy Lee.
Sherman continued to perform with Peggy Lee in the early 1990s, appearing on albums by Lee in 1990 and 1993. He also began a seven-year playing relationship with Larry Coryell, producing and performing on Coryell's albums I'll Be Over You (1994) and Sketches of Coryell (1996).
In 1997, Sherman reemerged as a leader playing vibraphone. He also formed Miles High Records, releasing High Rolling[6] in 1998 and Spiral Staircase[6] in 1999.
Sherman ended his run with Larry Coryell at the start of the decade, having appearing on three of Coryell's recordings, as well as producing two of them. "It's All Over You" CTI, and "Sketches Of Coryell" (Shanachie records), and 2000 recording New High(High Note). In addition Coryell recorded 10 of Mark's tunes on these CD's. Mark also continued his active career as a sideman, recording with Capathia Jenkins, Jennifer Holliday, Lena Horne, Ann Hampton Callaway, Tony Bennett, Liza Minnelli and many others. He appeared on more than a dozen film and Broadway soundtracks, including The Last Mimzy, Failure To Launch, Miss Congeniality, Miss Congeniality 2: Armed and Fabulous, The Alamo and Two Weeks Notice.
Sherman continued to release his own albums on Miles High Records: The Motive Series (2004, featuring Michael Brecker),[7]One Step Closer (2005, featuring Joe Lovano),[8]Family First (2007), and Live At The Bird’s Eye (2008).[9] Sherman was selected as the winner in the Rising Star (Vibes) category in the Down Beat magazine critics poll in 2007-2018
Sherman has released several albums so far this decade, including "Interplay" (2015, Chesky Records with NEA Jazz Master Kenny Barron, Good Rhythm Good Vibes (2010), Explorations In Space And Time (2011, Chesky Records), Live At Chorus (2012), The LA Sessions (2012)[10] and Project THEM (2013). He recorded as a sideman with Dan Block as well as with Larry Cornell, Ruth Brown, Lena Horne, Tony Bennett, Peggy Lee, Maureen McGovern, Rodney Jones, Tim Horner, and Tim Hegarty.
Sherman has performed live in New York at top clubs like Dizzy's Club Coca-Cola, Smalls, and the Kitano, and in Europe with his Mark Sherman 4tet composed of some of the top performers in modern Jazz including Carl Allen and Kenny Barron in the US and with the Mark Sherman 4tet EuropaAntonio Farao, In 2013-2014 a band with the great Bob Franceschini "Project THEM" toured Europe 3 times with the CD release in 2013.
He produced and performed on Laura Perlman's debut 2016 release "Precious Moments" on his Miles High Records label and arranged all but two of the tracks, the latter being done by GRAMMY winning pianist Bill Cunliffe, who also performed on the album along with bassist Chris Colangelo, and drummer Joe LaBarbera.
In 2015, he wrote his first book "Skills for the Poetic Language of Jazz Improvisation, with School and Career Guidance" (Miles High Music Books), which was one of the first music education books to synthesize both instruction in performance, and in developing a professional career path as a working musician.
