Le Sueur, the daughter of William Winston Wharton and Marian "Mary Del" Lucy, was born into a family of social and political activists.[1] Her grandfather was a supporter of the Protestant fundamentalist temperance movement, and she "grew up among the radical farmer and labor groups ... like the Populists, the Farmers' Alliance and the Wobblies, the Industrial Workers of the World."[2] Le Sueur was heavily influenced by poems and stories that she heard from Native American women.
Starting in her late teens, she wrote for liberal newspapers about unemployment, migrant workers, and the Native American fight for autonomy. By 1925, she had become a member of the Communist Party.[5]
Like other writers of the period such as John Steinbeck, Nelson Algren, and Jack Conroy, Le Sueur wrote about the struggles of the working class during the Great Depression. She published articles in the New Masses and The American Mercury. She wrote several popular children's books, including the biographies, Nancy Hanks of Wilderness Road, The Story of Davy Crockett, and The Story of Johnny Appleseed, and Sparrow Hawk, among others.[6]
Her best known books are North Star Country (1945), a people's history of Minnesota, Salute to Spring, and the novel The Girl, which was written in the 1930s but not published until 1978. In the 1950s, Le Sueur was blacklisted as a communist, but her reputation was revived in the 1970s, when she was hailed as a proto-feminist for her writings in support of women's rights.[1] She also wrote on goddess[citation needed] spirituality in a poetry volume titled Rites of Ancient Ripening, which was illustrated by her daughter.
In the late 1940s and early 1950s, she taught writing classes in her mother's home on Dupont Avenue near Douglas Avenue in Minneapolis. She was something of a magnet for aspiring writers, drawing students from as far as New York City. She lived in the Twin Cities for some time.
During the 1960s, she traveled around the country, attending campus protests and conducting interviews.[7]
In the 1970s, she spent much time living among the Navajo people in Arizona, returning to Minnesota in the summers to visit her growing extended family and friends. Late in her life, she lived with family in Minnesota.
The short 1932 piece "Women on the Breadlines" is one of Le Sueur's most recognized proletarian works. Here, LeSueur wrote of the struggles that women faced during the Depression Era and how they were confined to limiting roles. While most of the characters presented in this work are struggling women searching for work, some are depicted as having nowhere to go but to "work in the streets." Through this and other works, Le Sueur opened the door for future female artists that wanted to write confrontational poetry, mediating the personal and the political.[8]
The song "Go" on the 1999 Indigo Girls album Come On Now Social has a spoken passage inspired by Le Sueur's "I Was Marching".[3]Amy Ray said the song was written in honor of Le Sueur before performing it during the Indigo Girls Tiny Desk Concert.[9]
A play based on LeSueur's life, Hard Times Come Again No More, written by her friend Martha Boesing was performed at the Hennepin Center for the Arts' Illusion Theater in Minneapolis in 1994.[5]
Boehnlein, James M. (1994). The sociocognitive rhetoric of Meridel Le Sueur: feminist discourse and reportage of the thirties. Lewiston: E. Mellen Press. ISBN0773491368.
Coiner, Constance (1998). Better Red: the writing and resistance of Tillie Olsen and Meridel Le Sueur (Illini Books ed.). Urbana: University of Illinois Press. ISBN0252066952.
