Michael Fay
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|---|---|
| Born | Allentown, Pennsylvania |
| Allegiance |  United States |
| Service/ |  United States Marine Corps |
| Years of service | 1975-1978 1983-1993 |
| Rank |  Chief Warrant Officer-2[1] |
| Battles/wars | |
| Awards | |
Michael D. Fay is a former United States Marine Corps combat artist. Before his retirement from the Corps,[1] he was a war artist serving in Iraq.[3][4][5] He was deployed as an artist-correspondent embedded with US troops in Afghanistan.[3][4][6][7] He resides in Fredericksburg, Virginia.[5][8]
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Fay enlisted in the United States Marine Corps in 1975 and was discharged in 1978[9] as an 81 mm mortarman (MOS 0341). In 1978, he returned to Pennsylvania State University and graduated in 1982 with a Bachelor of Science in Art Education.[10] In 1983, re-enlisted into the Marines and served as an avionics technician (MOS 6322) working on CH-46s, VH-3Ds, CH-53Es and UH/AH-1s in the Presidential Helicopter Squadron (HMX-1) and Marine Medium Helicopter Squadron 365 (HMM-365) until 1993.[10] Fay served a tour on recruiting duty (MOS 8411) at Recruiting Station Baltimore as a recruiter of the year for 1989 and 1990. He left active duty at the end of September 1993.[citation needed]
Fay returned to service in the Marine Corps Reserve in January 2000. He was assigned as an official combat artist with the National Museum of the Marine Corps Combat Art Collection.[5] He is now retired from the Marine Corps.[1][6]
The United States Marine Corps supports three combat artists[note 1] to produce fine art based on their experiences of combat and the life of Marines on the battlefield.[11] The orders are "Go to war. Do art."[12] The artists are unfettered in their choice of subject.[1][13] Fay's artwork is in the Marine Corps Combat Art collection,[5] the National Museum of the Marine Corps and the collection of the James A. Michener Art MuseuminDoylestown, Pennsylvania.[14][15]
Fay has also had solo exhibitions at the Farnsworth Museum, where he was the target of a protest group.[16] His artwork has been published in Leatherneck Magazine—the official magazine of the Marine Corps Association—and the New York Times. The Guardian called his work "exceptionally moving and thought-provoking", and said, "Over the past decade, Fay has seen action as a war artist with US troops in both Iraq and Afghanistan, but his latest journey was to a military veterans' hospital in Richmond, Virginia. In the resulting New York Times blogs, he relays his meetings with three young men severely wounded in Afghanistan. His account of their injuries and rehabilitation is gripping, but what really deepens the reporting are his drawings, reproduced alongside the articles."[17]
Fay has also recorded wounded veterans recovering from their injuries.[18] As part of this work he founded the Joe Bonham Project to document the experiences of the wounded.[3][19][20] After retirement, Fay campaigned for enhanced recognition and improved working opportunities for war artists.[21] Fay also uses sculpture.[22] He holds a Master of Fine Arts in Illustration; his thesis was called The Boy Who Drew Soldiers.[23]
One such artist is Michael D. Fay, a painter, illustrator, and retired chief warrant officer for the Marine Corps.
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Michael D. Fay and was the official combat artist for the United States Marine Corps from 2000-2010. In this capacity he completed four combat tours as a war artist, two each in Iraq and Afghanistan, for the National Museum of the Marine Corps. In 2010 Mike retired and, among other things, founded The Joe Bonham Project. The JBP is a reportage art program documenting the faces and experiences of profoundly battle wounded soldiers and Marines.
For nearly 100 years, since World War I, the U.S. military has used combat artists to create a visual record of America's wars. Among those artists in Iraq and Afghanistan was a Marine named Michael Fay.
Marine Staff Sgt. Michael D. Fay, 49, a reservist from Fredericksburg, Va., can be best described as one of a kind. Classified as a combat illustrator, he is the only one in the Marine Corps Reserves with his occupation. Fay is serving in Iraq, and carrying on the long lineage of modern combat illustrators, beginning with artist Winslow Homer, who captured the intensity of the Civil War on canvas.
In 2005, then Chief Warrant Officer Michael D. Fay traveled to Iraq in his capacity as official Marine Corps artist. There he fought with Marines engaged in Operation Steel Curtain against insurgents along the Euphrates River, and documented the events in sketches, photographs and audio recordings.
To his left flank, there is a line of trees. He is in the Taliban heartland of southern Afghanistan. [...] This is only a painting by American war artist Michael Fay. But it could sum up the fears of many in the US military that President Barack Obama is pulling out his troops too quickly from Afghanistan, sacrificing any gains they have made on the battlefield.
Fay, a Fredericksburg resident, is a member of the field history reserve unit, which is part of the Marine Corps Historical Center in Washington.
Fay, 48, has a bachelor's degree in art education from Penn State. He worked on helicopters during 13 years of active duty, including earlier tours in Somalia and Desert Storm.
Michael Fay is an official US Marine war artist, one of only three in the service. His mission - "Go do art" - has taken him to Iraq and Afghanistan.
They are on active duty and are fully armed and deployed in the roughest combat zones of their day. "And we are given one order when we go forward, and that is, 'Go to war, do art,'" said Chief Warrant Officer Michael Fay.
The Marine Corps gives the combat artists all the art supplies they need and allows them to sketch anything they see. "It's like having a very good patron."
When Sgt. Michael Fay arrived at his first one-man show at the Farnsworth Museum, he found peace protesters outside the museum with flyers with his name all over them, saying his art glorified war.
Mike Fay visits veteran recovering from war wounds and sketches them "to get their stories into the culture.
