Michael John Hurd (19 December 1928 – 8 August 2006) was a composer, teacher and author, principally known for his dramatic cantatas for schools and for his choral music.[1]
After National Service he taught at the Royal Marines Band SchoolatDeal,[4] (1953–59) before settling as a freelance composer in East Hampshire, where he took a leading role in the area's music-making.[5] He bought the terraced, two-bedroom cottage at 4, Church Street, West Liss in 1961 and lived there for the rest of his life.[6]
Like his fellow Petersfield resident, the tenor Wilfred Brown, Hurd championed the memory of Gerald Finzi (co-editing the composer's correspondence with Howard Ferguson),[7] as well as Rutland Boughton (he was music advisor to the Rutland Boughton Music Trust from 1978 to 2006), Ivor Gurney and Cyril Scott.[8]Stephen Banfield, unimpressed by the critical stance of his 1962 biography of Boughton ("Hurd seemed unable to accept the poverty of Boughton's musical imagination - it would perhaps have been difficult to justify the biography had he done so"), was much more positive about The Ordeal of Ivor Gurney, published in 1978 ("not only authoritative and rounded but intensely moving").[9] From the 1960s Hurd acted as general editor to the Novello Short Biographies series and wrote the volumes on Britten and Tippett. He also wrote three volumes in the Faber Great Composers series.[10]
As a composer, Hurd was prolific.[1] His numerous dramatic works for schoolchildren,[12] especially the "pop cantata" Jonah-Man Jazz (1966), were widely performed during his lifetime and are still heard in schools today.[13]Jonah-Man Jazz followed on in the tradition of Herbert Chappell'sThe Daniel Jazz (1963), which had previously been issued by Hurd's publisher Novello. Its popular success led Novello to pay Andrew Lloyd Webber a 100-guinea advance to compose a work along the same lines. This resulted in Joseph and the Amazing Technicolor Dreamcoat (1968).[14]
However, as Geoffrey Bush pointed out, more serious pieces by Hurd such as the Missa brevis (also 1966) share equally the lyrical invention, sensitivity to words and understanding of the voice seen in his most popular works.[3] There are three chamber operas: The Widow of Ephesus (1971),[15]The Aspern Papers (1994), and The Night of the Wedding (1998).[16] Of those, the three-act Aspern Papers, derived from the novellabyHenry James, is the most substantial. It was a success at the Port Fairy Spring Festival in Australia in 1995, and while it hasn't been revived since, it has been recorded.[17]
His orchestral works include the three movement Sinfonia concertante in neo-classical style, first performed in 1973 by the Kathleen Merritt String Orchestra,[18] and the more ambitious four movement choral symphony The Shepherd's Calendar (1975), a setting of John Clare's 1827 poem.[19] The Concerto da Camera of 1979 is a melodic oboe concerto showing the influence of Francis Poulenc.[20] His final work, the Three Piece Suite of 2004, was dedicated to the recorder player John Turner.[21]
Much of his music has now been recorded, supported by a British Music Society Charitable Trust.[22][23] Notable recordings include the choral music and complete solo songs on Lyrita (two volumes),[24] three of the chamber operas on Lyrita and Dutton Epoch,[17][15] the pop cantatas on Naxos,[12] and The Shepherd's Calendar on Dutton Epoch.[19]
^Chandler, David (2012). "'Everyone should have the opportunity': Alan Doggett and the modern British musical". Studies in Musical Theatre. 6 (3): 275–289. doi:10.1386/smt.6.3.275_1.
