Michiko Kakutani (ミチコ・カクタニ, 角谷美智子, born January 9, 1955) is an American writer and retired literary critic, best known for reviewing books for The New York Times from 1983 to 2017. In that role, she won the Pulitzer Prize for Criticism in 1998.
Kakutani initially worked as a reporter for The Washington Post, and then from 1977 to 1979 for Time magazine, where Hersey had worked. In 1979, she joined The New York Times as a reporter.[3]
Kakutani was a literary critic for The New York Times from 1983 until her retirement in 2017.[3] She gained particular notoriety for her sometimes-biting reviews of books from famous authors, with Slate remarking that "her name became a verb, and publishers have referred to her negative reviews as 'getting Kakutani'ed'".[4]
Many authors who received such reviews gave harsh public responses: in 2006, Kakutani called Jonathan Franzen's The Discomfort Zone "an odious self-portrait of the artist as a young jackass." Franzen subsequently called Kakutani "the stupidest person in New York City".[5][6] In 2012, Kakutani wrote a negative review of Nassim Nicholas Taleb's Antifragile.[7] In 2018, Taleb stated in his book Skin in the Game that "someone has to have read the book to notice that a reviewer is full of baloney, so in the absence of skin in the game, reviewers such as Michiko Kakutani" can "go on forever without anyone knowing" that they are fabricating and drunk.[8] According to Kira CochraneinThe Guardian, such counterattacks may have bolstered Kakutani's reputation as commendably "fearless."[5]
On July 19, 2007, The New York Times published a pre-release story written by Kakutani about Harry Potter and the Deathly Hallows. An account of the ensuing controversy, including the critical comments of some Harry Potter fans, can be found on the newspaper's Public Editor's blog.[14]
Kakutani was parodied in the essay "I Am Michiko Kakutani" by one of her former Yale classmates, Colin McEnroe.[15]
With its suspicion of grand, overarching narratives, postmodernism emphasized the role that perspective plays in shaping our readings of texts and events [...] and it opened the once-narrow gates of history to heretofore marginalized points of view. But as such, ideas seeped into popular culture and merged with the narcissism of the 'Me Decade' [and] also led to a more reductive form of relativism that allowed people to insist that their opinions were just as valid as objective truths verified by scientific evidence or serious investigative reporting".
Kakutani's second book, Ex-Libris: 100+ Books to Read and Re-Read, an essay collection about books that she considers personally and culturally influential, was published in 2020.[19]
In 2024, Kakutani published her third book, The Great Wave: The Era of Radical Disruption and the Rise of the Outsider.[20]
During her career at The New York Times, Kakutani developed a reputation as an extremely private person who was seldom seen in public, with articles describing her as "mysterious" and "reclusive".[24][25][26] Shawn McCreesh, writing in New York magazine, said that "you were likelier to have seen a snow leopard in Manhattan than to meet Kakutani in the wild".[23] However, upon the publication of The Death of Truth, Kakutani began giving interviews to print outlets, though she declined to appear on television.[23]
A fictionalized account of Kakutani's life entitled "Michiko Kakutani and the Sadness of the World!" was published in the online and print magazine Essays & Fictions.[27]
She is referenced in an episode of the HBO series Sex and the City. In "Critical Condition" (season 5, episode 6), Carrie Bradshaw releases a book that Kakutani reviews. As Carrie obsesses over the review, Miranda Hobbes memorably states, "Just don't say her name again — it'll push me over the edge."[28]
She was referenced in an episode of Luca Guadagnino's limited HBO series We Are Who We Are. During the episode "Right Here, Right Now V", Fraser looks up Kakutani's review of The Kindly Ones[29] after the book is recommended by his crush Jonathan.
Comedian and Saturday Night Live cast member Bowen Yang performed an impression of Kakutani during his audition for the show, later joking that she was perfect for an impression since many are unaware of what she looks or sounds like.[24]
