J u m p t o c o n t e n t
M a i n m e n u
M a i n m e n u
N a v i g a t i o n
● M a i n p a g e ● C o n t e n t s ● C u r r e n t e v e n t s ● R a n d o m a r t i c l e ● A b o u t W i k i p e d i a ● C o n t a c t u s ● D o n a t e
C o n t r i b u t e
● H e l p ● L e a r n t o e d i t ● C o m m u n i t y p o r t a l ● R e c e n t c h a n g e s ● U p l o a d f i l e
S e a r c h
Search
A p p e a r a n c e
● C r e a t e a c c o u n t ● L o g i n
P e r s o n a l t o o l s
● C r e a t e a c c o u n t ● L o g i n
P a g e s f o r l o g g e d o u t e d i t o r s l e a r n m o r e ● C o n t r i b u t i o n s ● T a l k
( T o p )
1 S e l e c t e d f i l m o g r a p h y
2 R e f e r e n c e s
T o g g l e t h e t a b l e o f c o n t e n t s
M i k o R e v e r e z a
A d d l a n g u a g e s
A d d l i n k s
● A r t i c l e ● T a l k
E n g l i s h
● R e a d ● E d i t ● V i e w h i s t o r y
T o o l s
T o o l s
A c t i o n s
● R e a d ● E d i t ● V i e w h i s t o r y
G e n e r a l
● W h a t l i n k s h e r e ● R e l a t e d c h a n g e s ● U p l o a d f i l e ● S p e c i a l p a g e s ● P e r m a n e n t l i n k ● P a g e i n f o r m a t i o n ● C i t e t h i s p a g e ● G e t s h o r t e n e d U R L ● D o w n l o a d Q R c o d e ● W i k i d a t a i t e m
P r i n t / e x p o r t
● D o w n l o a d a s P D F ● P r i n t a b l e v e r s i o n
A p p e a r a n c e
F r o m W i k i p e d i a , t h e f r e e e n c y c l o p e d i a
No Data Plan was filmed during a cross-country train journey by Revereza and includes audio from conversations with his mother about immigration held on a burner phone. It was listed as one of the best films of 2019 by BFI 's Sight & Sound International Film Magazine, Hyperallergic CNN Philippines .[6] [7] Smithsonian 's National Museum of Asian Art and the National Gallery of Art .[8] [9]
In Nowhere Near , the filmmaker returns to the Philippines to reckon with a "family curse" and the legacy of imperialism.[10] Marché du Film de Cannes Docs Showcase.[11] Open City Documentary Festival 's Assembly Grant, and the International Film Festival Rotterdam 's Hubert Bals Fund Bright Future Award.[12] [13] [14]
Selected filmography
[ edit ]
Biometrics (2020)
Nowhere Near (2020)
No Data Plan (2019)
Distancing (2019)
Disintegration 93–96 (2017)
Droga!/Drug! (2014)
References
[ edit ]
^ Nguyen, Minh (2021-10-21). "One Work: Miko Revereza's "No Data Plan" . ARTnews.com . Retrieved 2022-05-25 .
^ Christian, Daniel (2018-09-13). "Miko Revereza | Filmmaker Magazine" . Filmmaker Magazine | Publication with a focus on independent film, offering articles, links, and resources . Retrieved 2022-05-25 .
^ "Miko Revereza" . Vilcek Foundation . Retrieved 2022-05-25 .
^ Hunt, Aaron E. "A Moment When I Forgot My Home: A Conversation with Miko Revereza" . The Criterion Collection . Retrieved 2022-05-25 .
^ Bolisay, Richard (Jan 6, 2020). "The best Filipino films of 2019" . CNN Philippines Life . Archived from the original on January 6, 2020. Retrieved May 24, 2022 .
^ Hyperallergic (2019-12-17). "Best of 2019: Our Top 12 Documentaries and Experimental Films" . Hyperallergic . Retrieved 2022-05-25 .
^ No Data Plan: A Conversation with Miko Revereza , retrieved 2022-05-25
^ "No Data Plan preceded by Disintegration 93-96" . www.nga.gov . Retrieved 2022-05-25 .
^ "NOWHERE NEAR" . Marché du Film . Retrieved 2022-05-25 .
^ "NOWHERE NEAR" . Marché du Film . Retrieved 2022-05-25 .
^ Shackleton2020-05-01T00:10:00+01:00, Liz. "Thailand's Purin Pictures unveils projects in spring 2020 funding round" . Screen . Retrieved 2022-05-25 . {{cite web }}: CS1 maint: numeric names: authors list (link )
^ "News: Assembly 2019 Winner Announced - Miko Revereza" . Open City Documentary Festival . Retrieved 2022-05-25 .
^ "HBF spring selection 2019" . iffr.com . Retrieved 2022-05-25 .
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Miko_Revereza&oldid=1234476477 " C a t e g o r i e s : ● L i v i n g p e o p l e ● F i l i p i n o f i l m d i r e c t o r s ● B a r d C o l l e g e a l u m n i ● F i l i p i n o d o c u m e n t a r y f i l m m a k e r s H i d d e n c a t e g o r i e s : ● C S 1 m a i n t : n u m e r i c n a m e s : a u t h o r s l i s t ● A r t i c l e s w i t h s h o r t d e s c r i p t i o n ● S h o r t d e s c r i p t i o n m a t c h e s W i k i d a t a ● Y e a r o f b i r t h m i s s i n g ( l i v i n g p e o p l e )
● T h i s p a g e w a s l a s t e d i t e d o n 1 4 J u l y 2 0 2 4 , a t 1 5 : 3 5 ( U T C ) . ● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n . ● P r i v a c y p o l i c y ● A b o u t W i k i p e d i a ● D i s c l a i m e r s ● C o n t a c t W i k i p e d i a ● C o d e o f C o n d u c t ● D e v e l o p e r s ● S t a t i s t i c s ● C o o k i e s t a t e m e n t ● M o b i l e v i e w
