Modeste and Pompon (Modeste et Pompon) is a Belgian comic series consisting mainly of humorous one-page short stories about a temperamental young man and his girlfriend. Created by André Franquin, it was first published in Tintin magazine on 19 October 1955.[1]
In 1955 comic-book artist André Franquin got into a dispute with Dupuis, the publishers of Spirou magazine, over financial arrangements concerning his characters. Since Franquin was unable to find the written confirmation of their agreement, he left to join the staff of the rival Tintin magazine, where he introduced the series Modeste et Pompon. Writers who contributed to the series included René Goscinny (the writer of Asterix), Peyo (creator of the Smurfs), Greg (another leading writer and artist) and even Franquin's mother-in-law.
Franquin later found the written confirmation and the matter was settled with Dupuis. However, he was on a five-year contract with Tintin and was thus obliged to provide to both magazines, an unusual arrangement in the comic industry. He thus contributed a weekly page to Tintin and a weekly page-and-a-half to Spirou.
In 1959 the publishers of Tintin bought the rights to the characters. Franquin's obligation to Tintin ended and he stuck to Spirou and Gaston Lagaffe. Modeste et Pompon continued until 1988, handled by other writers and artists.
Franquin's period on the strip is seen as a good reflection of the fashions of the 1950s, from Pompon's dress to Modeste's modern furniture (which, along with his temper, rather belies his name). The items Felix tries to sell to Modeste include a TV remote control and a battery-powered drill which, though common enough today, were rather new at the time. The artists who succeeded Franquin updated the fashions to their own time periods and even removed Pompon's namesakes from her hair.
When the group of boys were first introduced, they were Félix's five cousins. Later they became his nephews and numbered four before settling on just three. Franquin only named one of them: Dédé. Later writers varied the names. The boys appear to be identical and wear different-coloured shirts.
At one stage Modeste was asked to look after a relative's baby and faced the dilemmas of feeding, changing and sleepless nights. This set of stories coincided with the early months of the life of Franquin's daughter Isabelle (who was to lend her name to another popular comic series in which her father was involved).
